{"title":"AS NEW - Blackmagic Products","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003eAs New – Exceptional Value, Premium Quality\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003eSave on professional broadcast equipment with our \u003cem\u003eAs New\u003c\/em\u003e range. These products have been returned by customers and may have opened packaging, but they are carefully checked to ensure they are unused, and in as-new condition. Enjoy premium equipment at a significantly reduced price while maintaining the quality and reliability you expect.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-power-supply-converters-12v10w-psupply-int12v10w","title":"Blackmagic Design Power Supply Converters 12V10W - PSUPPLY-INT12V10W","description":"\u003ch1\u003e\n\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003eBlackmagic Design Power Supply Converters 12V10W - \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 4 Only)\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch4\u003ePower Supply - Mini Converters\u003c\/h4\u003e\n\u003cp\u003eBlackmagic Design Power Supply Unit for Mini Converters 12V 10W (BMD-PS-INT12V10W)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Blackmagic Design PSUPPLY-INT12V10W\u003c\/strong\u003e\u003c\/em\u003e is a replacement power supply that can be used with any Mini Converter in the series as well as the HyperDeck Shuttle. As with the original unit, this power supply includes socket adapters for international countries and also features a cable tie to prevent the wire from becoming accidentally disconnected.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49338535280967,"sku":"PSUPPLY-INT12V10W","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/Black_Magic__Midwich__BMD-PS-INT12V10W__PSU_1.jpg?v=1780567757"},{"product_id":"blackmagic-design-pocket-camera-battery-pro-grip-cinecampochdxbt2-1","title":"Blackmagic Design Pocket Camera Battery Pro Grip - CINECAMPOCHDXBT2","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003e\u003cstrong\u003eBlackmagic Design Pocket Camera Battery Pro Grip - \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e(Open Box, Client returned, AS NEW, 1 Only)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003ePower 6K Pro with Longer Battery Life\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eAccepts 2 x NP-F570 Batteries\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eAdds up to 3 x Hours of Shooting Time\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eCharges Batteries with 12V Camera Input\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eCreates Grip on Bottom of Camera\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eLightweight Carbon Fiber Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAdd\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eup to three hours of shooting time from two batteries to your Pocket Cinema Camera 6K Pro with this Pocket Cinema Camera Battery Grip from Blackmagic Design. The battery grip features nonslip handgrips on the sides, and it's constructed with lightweight, durable carbon fiber material.\u003c\/p\u003e\n\u003cp\u003eThe grip installs onto the bottom of the Pocket Cinema Camera 6K Pro and provides a slide-out tray for two NP-F570 L-series batteries to add up to three hours to your shooting time. The status of both batteries displays on the camera's display. The batteries can also be charged while installed using the camera's 12 VDC power input.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54074967228743,"sku":"CINECAMPOCHDXBT2-ASNEW","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CINECAMPOCHDXBT2.jpg?v=1780559279"},{"product_id":"blackmagic-design-atem-mini-pro-iso-hdmi-live-production-switcher-swatemminibpriso-1","title":"Blackmagic Design ATEM Mini Pro ISO HDMI Live Production Switcher - SWATEMMINIBPRISO","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eBlackmagic Design ATEM Mini Pro ISO HDMI Live Production Switcher - \u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 2 Only)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e4 HDMI input live production switcher which adds recording of 5 streams including all input as clean feeds for editing\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-selenium=\"miniProductPageSellingPointsList\" class=\"list_neCtljXF3z\"\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003e4-Channel Live Stream HDMI Switcher\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eProgram and 4 x Input ISO Recording\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eGenerates DaVinci Resolve Project\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eLive Tally, Stream, and Record Status\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eRecord Button, Channel Preview Multiview\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003e2-Channel Digital Audio Mixer per Source\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eHDMI Output, Ethernet ATEM Control\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eMedia Player, Computer Input Support\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eUpstream and Downstream Keyers\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eDVE Transition, Chroma\/Luma Keyers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eATEM MINI PRO ISO\u003c\/h4\u003e\n\u003cp\u003eThis model adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so you can open your live production to adjust edits, change shots, remix audio and add colour correction.\u003c\/p\u003e\n\u003ch4\u003eEDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS\u003c\/h4\u003e\n\u003cp\u003eThe ATEM Mini Pro ISO model lets you edit your live event because it can record 5 video streams, including clean feeds of all inputs and the program recording, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio.\u003c\/p\u003e\n\u003ch4\u003eEDIT LIVE PRODUCTION IN DAVINCI RESOLVE\u003c\/h4\u003e\n\u003cp\u003eThe ATEM Mini Pro ISO model can also save a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you select new shots via a multiview so it's very easy to use. You can even relink to Blackmagic RAW camera files for adding professional colour correction and finishing in Ultra HD.\u003c\/p\u003e\n\u003ch4\u003eADD EXCITING VIDEO EFFECTS\u003c\/h4\u003e\n\u003cp\u003eOne of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effects transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources.\u003c\/p\u003e\n\u003ch4\u003eINTRODUCING LOW COST, MULTI CAMERA, LIVE PRODUCTION WITH ADVANCED BROADCAST FEATURES\u003c\/h4\u003e\n\u003cp\u003eATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary. There are loads of video effects too. All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. ATEM Mini even has secret broadcast features built in so it can do high end work.\u003c\/p\u003e\n\u003ch4\u003eFASTER VIDEO PRODUCTION PLUS LIVE STREAMING\u003c\/h4\u003e\n\u003cp\u003eLive production is the fastest way to complete a finished program, plus you can stream it to a live global audience via YouTube at the same time. The USB webcam output of ATEM Mini connects to any computer and looks just like a built in webcam, so all streaming software for social media platforms work. With up to 4 HDMI inputs you can set up multiple camera angles such as wide shots along with independent close ups of each person in the performance. Or you can connect to a computer with a PowerPoint slide show, video clip playback, websites or gaming consoles. All switching is in real time so you can live stream to any social media platform such as YouTube, Facebook, TwitchTV and many more.\u003c\/p\u003e\n\u003ch4\u003eEASY TO USE AND FAST TO LEARN\u003c\/h4\u003e\n\u003cp\u003eThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled 1 to 4 on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. The DVE is perfect for picture in picture effects and you can instantly set up different picture positions. There is even a still store for titles and graphics accessible via external software control.\u003c\/p\u003e\n\u003ch4\u003eSTREAM LIVE INTERVIEWS\u003c\/h4\u003e\n\u003cp\u003eATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. You can record via the HDMI output or live stream using Open Broadcaster software.\u003c\/p\u003e\n\u003ch4\u003eBUSINESS PRESENTATIONS VIA SKYPE\u003c\/h4\u003e\n\u003cp\u003eGet dramatically better business presentations on Skype because ATEM Mini makes Skype see it as a webcam, so you can select it in the Skype settings. One camera can be a close up, another for a wide shot and a computer for PowerPoint presentations. The presenter can even use picture in picture.\u003c\/p\u003e\n\u003ch4\u003eLIVE STREAM ESPORT COMPETITIONS\u003c\/h4\u003e\n\u003cp\u003eLive stream eSport competitions to Twitch by simply connecting multiple gaming consoles and a camera for a presenter. ATEM Mini operates up to 60 frames per second for fast gameplay and you can use picture in picture for commentary. You can even download titles from Photoshop.\u003c\/p\u003e\n\u003ch4\u003eKICKSTARTER AND INVESTOR UPDATES\u003c\/h4\u003e\n\u003cp\u003eRaise the professionalism of Kickstarter or investor presentations to fund your new product idea. Connect a camera for the presenter, a camera for a product close up and a computer for business plan slides. Then present live via Skype and post recordings online for investors to view.\u003c\/p\u003e\n\u003ch4\u003eEDUCATION AND TRAINING\u003c\/h4\u003e\n\u003cp\u003eATEM Mini is perfect for educational videos. Setup is fast and easy, so you can travel to locations and record live multi camera video productions on a wide range of educational topics. Connect computers and cameras and use the ATEM Software Panel to load titles and perform video effects.\u003c\/p\u003e\n\u003ch4\u003eCONNECT UP TO 4 INDEPENDENT CAMERAS\u003c\/h4\u003e\n\u003cp\u003eWith 4 independent HDMI inputs, you can connect up to 4 high quality video cameras. Video cameras with HDMI outputs are dramatically better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re‑sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close‑ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos.\u003c\/p\u003e\n\u003ch4\u003eOUTPUTS TO HDMI VIDEO AND USB WEBCAM\u003c\/h4\u003e\n\u003cp\u003eTo ensure maximum compatibility, ATEM Mini features a USB connection that operates as a simple webcam source. That means you can plug in and instantly get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Open Broadcaster for live streaming, or Skype for Powerpoint presentations. ATEM Mini works with software and platforms such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Facebook Live, Skype, Zoom, Twitch, Periscope, Livestream, Wirecast and more.\u003c\/p\u003e\n\u003ch4\u003eLIVE STREAM VIA ETHERNET ON ATEM MINI PRO\u003c\/h4\u003e\n\u003cp\u003eThe ATEM Mini Pro model has a built in hardware streaming engine for live streaming via its built in Ethernet connection. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with much simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup and status, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can even hack the detailed streaming profiles in the XML preference file and load new services.\u003c\/p\u003e\n\u003ch4\u003eRECORD DIRECT TO USB FLASH DISKS WITH ATEM MINI PRO\u003c\/h4\u003e\n\u003cp\u003eThe ATEM Mini Pro model also supports direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube and Vimeo. ATEM Mini Pro supports multiple disks when used with a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built in multiview. You can even trigger recording on external Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e\n\u003ch4\u003eWORK WITH PROFESSIONAL MICROPHONES\u003c\/h4\u003e\n\u003cp\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. ATEM Mini features a full Fairlight audio mixer and all HDMI audio inputs and both microphone inputs are all connected separately to the audio mixer so you can live mix from all audio sources.\u003c\/p\u003e\n\u003ch4\u003eAUTOMATICALLY CONVERTS ANY HDMI INPUT FORMAT\u003c\/h4\u003e\n\u003cp\u003eEach of the 4 HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. By default the switcher will set its video format automatically, however you can also set the switcher to a specific video standard you need. The HDMI output is a true \"aux\" output so you can clean switch each HDMI input or program to this output. You can even \"direct\" switch input 1 to the HDMI output for low latency eSport productions. If you're using program\/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview.\u003c\/p\u003e\n\u003ch4\u003eSECRET BROADCAST FEATURES BUILT IN\u003c\/h4\u003e\n\u003cp\u003eWhile ATEM Mini is easy to use, it's also hiding very powerful broadcast features. If you're interested in a career in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a true broadcast switcher hidden in a tiny and affordable design.\u003c\/p\u003e\n\u003ch4\u003eINCLUDES FREE ATEM SOFTWARE CONTROL PANEL\u003c\/h4\u003e\n\u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.\u003c\/p\u003e\n\u003ch4\u003eDVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS\u003c\/h4\u003e\n\u003cp\u003eOne of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a \"DVE\", that allows picture in picture effects and crazy DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a \"fly key\" so you can use it with custom graphics to create graphic wipe transitions.\u003c\/p\u003e\n\u003ch4\u003eTRUE BROADCAST STYLE MIX EFFECTS SWITCHING\u003c\/h4\u003e\n\u003cp\u003eAlthough ATEM Mini works in \"cut bus\" mode when first purchased, it can also be changed to \"program\/preview\" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program\/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program\/preview process means fewer mistakes. Program\/preview operation is best for training students for a career in broadcast.\u003c\/p\u003e\n\u003ch4\u003eMONITOR SOURCES AND STATUS WITH ATEM MINI PRO MULTIVIEW\u003c\/h4\u003e\n\u003cp\u003eWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro model includes a professional multiview that lets you see all 4 video inputs, plus preview and program on a single HDMI television or monitor. Simply select M\/V on the front panel video output control buttons to select multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. You can also see the media player so you know what graphic is selected. Plus multiview even includes status for recording, streaming and the Fairlight audio mixer.\u003c\/p\u003e\n\u003ch4\u003eBUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER\u003c\/h4\u003e\n\u003cp\u003eWith a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features a total of 12 channels so you can mix audio from all sources. That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch \"AFV\" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console.\u003c\/p\u003e\n\u003ch4\u003eUSE ETHERNET CONTROL FOR WIRELESS INTERNET STREAMING\u003c\/h4\u003e\n\u003cp\u003eATEM Software Control connects to ATEM Mini via USB or Ethernet, however the benefit of Ethernet is you can use it to share your computer's internet connection for streaming on the ATEM Mini Pro model. Simply connect ATEM Mini Pro via Ethernet and set your computer to share its internet. Using Ethernet is easy, and when launching the software, just select the ATEM Mini model. If you are streaming on ATEM Mini Pro, also set your computer to share its internet. Now you get both control and streaming via the single Ethernet cable. This provides amazing mobility as you can connect your computer to the internet using wireless connections such as WiFi or even 4G and 5G tethered phones.\u003c\/p\u003e\n\u003ch4\u003eCONTROL AND COLOUR BALANCE CAMERAS\u003c\/h4\u003e\n\u003cp\u003eFor a more broadcast style workflow, you can remote control your cameras from ATEM Mini. Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s colour corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot. There are two types of control interface, CCU layout for traditional tint colour control and a DaVinci colour corrector interface allowing the camera’s built in DaVinci colour corrector to add incredible digital film \"looks\" to your live production.\u003c\/p\u003e\n\u003ch4\u003eDEVELOP CUSTOM REMOTE CONTROL SOLUTIONS\u003c\/h4\u003e\n\u003cp\u003eThe Ethernet connection also allows customized control solutions. Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. 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The rugged and miniaturized design makes them small enough to be used anywhere. You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed. Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUse Anywhere\u003c\/b\u003e\u003cbr\u003ePocket sized broadcast quality converters\u003cbr\u003eBlackmagic Micro Converters are so small you can use them anywhere. That means it’s always easy to keep a few available for any urgent conversion task. Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production. You could even use them for extending long HDMI distances using SDI.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMiniaturized Design\u003c\/b\u003e\u003cbr\u003ePrecision engineered broadcast grade converters.\u003cbr\u003eUnlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBroadcast Quality\u003c\/b\u003e\u003cbr\u003eBig converter quality, miniaturized.\u003cbr\u003eUnlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates. Plus you get fully embedded audio and timecode support.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUpdate and Change Settings\u003c\/b\u003e\u003cbr\u003eYou can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task. When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMonitoring with 3D LUTs\u003c\/b\u003e\u003cbr\u003eGet color accurate monitoring on any type of display\u003cbr\u003eThe Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring. You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G ‘SDI loop output, allowing you to use the converter as a 3D LUT processor. You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV. You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring. Imagine reproducing old film stocks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConvert with Camera Control\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter BiDirectional SDI\/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera color corrector, tally and even remote recording. It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIncludes HDMI Timecode Support\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSDI Re-clocking\u003c\/b\u003e\u003cbr\u003ePerfect for longer SDI cable lengths\u003cbr\u003eBlackmagic Mic- clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWider Range of Video Standards\u003c\/b\u003e\u003cbr\u003eBlackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI.\u003cbr\u003e\u003cbr\u003eHDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUSB or AC Power\u003c\/b\u003e\u003cbr\u003ePower via USB or optional power supply\u003cbr\u003eThe new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work. You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. With so many easy to use power solutions, you’ll never be without a power supply again.\u003cbr\u003e\u003cbr\u003e• USB powered broadcast converters\u003cbr\u003e• Miniaturized Design\u003cbr\u003e• Includes HDMI Timecode Support\u003cbr\u003e• Broadcast Quality\u003cbr\u003e• SDI Re‘clocking\u003cbr\u003e• Power via USB or optional power supply\u003cbr\u003e• Wider Range of Video Standards\u003cbr\u003e• Update and Change Settings\u003cbr\u003e\u003cbr\u003e• 3 Models To choose from:\u003cbr\u003eMicro Converter HDMI to SDI 3G\u003cbr\u003eMicro Converter SDI to HDMI 3G\u003cbr\u003eMicro Converter BiDirectional SDI\/HDMI 3G\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075041841479,"sku":"CONVCMIC\/HS03G\/WPSU-ASNEW","price":58.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CONVCMIC_HS03G_WPSU.jpg?v=1780560485"},{"product_id":"blackmagic-design-atem-streaming-bridge-h-264-converter-swatemminisbpr-1","title":"Blackmagic Design ATEM Streaming Bridge H.264 Converter - SWATEMMINISBPR","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eBlackmagic Design ATEM Streaming Bridge H.264 Converter - \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 1 Only)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSTREAM TO YOURSELF WITH ATEM STREAMING BRIDGE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM Mini Pro and convert it back to SDI and HDMI video. 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You get an integrated high-quality 1280 x 960 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. 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The rugged and miniaturized design makes them small enough to be used anywhere. You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed. Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUse Anywhere\u003cbr\u003ePocket sized broadcast quality converters\u003c\/b\u003e\u003cbr\u003eBlackmagic Micro Converters are so small you can use them anywhere. That means it’s always easy to keep a few available for any urgent conversion task. Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production. You could even use them for extending long HDMI distances using SDI.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMiniaturized Design\u003cbr\u003ePrecision engineered broadcast grade converters.\u003c\/b\u003e\u003cbr\u003eUnlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBroadcast Quality\u003cbr\u003eBig converter quality, miniaturized.\u003c\/b\u003e\u003cbr\u003eUnlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates. Plus you get fully embedded audio and timecode support.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUpdate and Change Settings\u003c\/b\u003e\u003cbr\u003eYou can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task. When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMonitoring with 3D LUTs\u003cbr\u003eGet color accurate monitoring on any type of display\u003c\/b\u003e\u003cbr\u003eThe Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring. You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G‑SDI loop output, allowing you to use the converter as a 3D LUT processor. You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV. You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring. Imagine reproducing old film stocks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConvert with Camera Control\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter BiDirectional SDI\/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera color corrector, tally and even remote recording. It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIncludes HDMI Timecode Support\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSDI Re-clocking\u003cbr\u003ePerfect for longer SDI cable lengths\u003c\/b\u003e\u003cbr\u003eBlackmagic Mic-‑clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWider Range of Video Standards\u003c\/b\u003e\u003cbr\u003eBlackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI.\u003cbr\u003e\u003cbr\u003eHDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUSB or AC Power\u003cbr\u003ePower via USB or optional power supply\u003c\/b\u003e\u003cbr\u003eThe new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work. You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. With so many easy to use power solutions, you’ll never be without a power supply again.\u003cbr\u003e\u003cbr\u003e• USB powered broadcast converters\u003cbr\u003e• Miniaturized Design\u003cbr\u003e• Includes HDMI Timecode Support\u003cbr\u003e• Broadcast Quality\u003cbr\u003e• SDI Re‑clocking\u003cbr\u003e• Power via USB or optional power supply\u003cbr\u003e• Wider Range of Video Standards\u003cbr\u003e• Update and Change Settings\u003cbr\u003e\u003cbr\u003e3 Models To choose from:\u003cbr\u003e• Micro Converter HDMI to SDI 3G\u003cbr\u003e• Micro Converter SDI to HDMI 3G\u003cbr\u003e• Micro Converter BiDirectional SDI\/HDMI 3G\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075120845127,"sku":"CONVBDC\/SDI\/HDMI03G-ASNEW","price":55.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CONVBDC_SDI_HDMI03G.jpg?v=1780562454"},{"product_id":"blackmagic-design-micro-converter-sdi-to-hdmi-3g-convcmic-sh03g-1","title":"Blackmagic Design Micro Converter SDI to HDMI 3G - CONVCMIC\/SH03G","description":"\u003ch1\u003e\n\u003cspan style=\"color: rgb(1, 33, 105);\"\u003e\u003cstrong\u003eBlackmagic Design Micro Converter SDI to HDMI 3G - \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 4 Only)\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch4\u003eDesigned for professional monitoring - no PSU\u003c\/h4\u003e\n\u003cp\u003eThe new Blackmagic Micro Converter 3G models are incredibly tiny broadcast video converters that let you connect between consumer HDMI and professional SDI equipment. The rugged and miniaturized design makes them small enough to be used anywhere. You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed. Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUse Anywhere\u003c\/b\u003e\u003cbr\u003ePocket sized broadcast quality converters\u003cbr\u003eBlackmagic Micro Converters are so small you can use them anywhere. That means it’s always easy to keep a few available for any urgent conversion task. Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production. You could even use them for extending long HDMI distances using SDI.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMiniaturized Design\u003c\/b\u003e\u003cbr\u003ePrecision engineered broadcast grade converters.\u003cbr\u003eUnlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBroadcast Quality\u003c\/b\u003e\u003cbr\u003eBig converter quality, miniaturized.\u003cbr\u003eUnlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates. Plus you get fully embedded audio and timecode support.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUpdate and Change Settings\u003c\/b\u003e\u003cbr\u003eYou can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task. When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMonitoring with 3D LUTs\u003c\/b\u003e\u003cbr\u003eGet color accurate monitoring on any type of display\u003cbr\u003eThe Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring. You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G ‘SDI loop output, allowing you to use the converter as a 3D LUT processor. You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV. You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring. Imagine reproducing old film stocks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConvert with Camera Control\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter BiDirectional SDI\/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera color corrector, tally and even remote recording. It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIncludes HDMI Timecode Support\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSDI Re-clocking\u003c\/b\u003e\u003cbr\u003ePerfect for longer SDI cable lengths\u003cbr\u003eBlackmagic Mic clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWider Range of Video Standards\u003c\/b\u003e\u003cbr\u003eBlackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI.\u003cbr\u003e\u003cbr\u003eHDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUSB or AC Power\u003c\/b\u003e\u003cbr\u003ePower via USB or optional power supply\u003cbr\u003eThe new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work. You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. With so many easy to use power solutions, you’ll never be without a power supply again.\u003cbr\u003e\u003cbr\u003e• USB powered broadcast converters\u003cbr\u003e• Miniaturized Design\u003cbr\u003e• Includes HDMI Timecode Support\u003cbr\u003e• Broadcast Quality\u003cbr\u003e• SDI Re clocking\u003cbr\u003e• Power via USB or optional power supply\u003cbr\u003e• Wider Range of Video Standards\u003cbr\u003e• Update and Change Settings\u003cbr\u003e\u003cbr\u003e• 3 Models To choose from:\u003cbr\u003eMicro Converter HDMI to SDI 3G\u003cbr\u003eMicro Converter SDI to HDMI 3G\u003cbr\u003eMicro Converter BiDirectional SDI\/HDMI 3G\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075304051015,"sku":"CONVCMIC\/SH03G-ASNEW","price":49.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CONVCMIC_SH03G.jpg?v=1780564613"},{"product_id":"blackmagic-design-micro-converter-hdmi-to-sdi-3g-convcmic-hs03g-1","title":"Blackmagic Design Micro Converter HDMI to SDI 3G - CONVCMIC\/HS03G","description":"\u003ch1\u003e\n\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design Micro Converter HDMI to SDI 3G - \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 16 Only)\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch4\u003ePerfect for connecting HDMI cameras and computers to professional SDI equipment - no PSU\u003c\/h4\u003e\n\u003cp\u003eThe new Blackmagic Micro Converter 3G models are incredibly tiny broadcast video converters that let you connect between consumer HDMI and professional SDI equipment. The rugged and miniaturized design makes them small enough to be used anywhere. You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed. Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUse Anywhere\u003c\/b\u003e\u003cbr\u003ePocket sized broadcast quality converters\u003cbr\u003eBlackmagic Micro Converters are so small you can use them anywhere. That means it’s always easy to keep a few available for any urgent conversion task. Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production. You could even use them for extending long HDMI distances using SDI.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMiniaturized Design\u003c\/b\u003e\u003cbr\u003ePrecision engineered broadcast grade converters.\u003cbr\u003eUnlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBroadcast Quality\u003c\/b\u003e\u003cbr\u003eBig converter quality, miniaturized.\u003cbr\u003eUnlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates. Plus you get fully embedded audio and timecode support.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUpdate and Change Settings\u003c\/b\u003e\u003cbr\u003eYou can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task. When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMonitoring with 3D LUTs\u003c\/b\u003e\u003cbr\u003eGet color accurate monitoring on any type of display\u003cbr\u003eThe Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring. You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G ‘SDI loop output, allowing you to use the converter as a 3D LUT processor. You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV. You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring. Imagine reproducing old film stocks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConvert with Camera Control\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter BiDirectional SDI\/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera color corrector, tally and even remote recording. It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIncludes HDMI Timecode Support\u003c\/b\u003e\u003cbr\u003eThe new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSDI Re-clocking\u003c\/b\u003e\u003cbr\u003ePerfect for longer SDI cable lengths\u003cbr\u003eBlackmagic Mic- clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWider Range of Video Standards\u003c\/b\u003e\u003cbr\u003eBlackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI.\u003cbr\u003e\u003cbr\u003eHDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUSB or AC Power\u003c\/b\u003e\u003cbr\u003ePower via USB or optional power supply\u003cbr\u003eThe new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work. You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. With so many easy to use power solutions, you’ll never be without a power supply again.\u003cbr\u003e\u003cbr\u003e• USB powered broadcast converters\u003cbr\u003e• Miniaturized Design\u003cbr\u003e• Includes HDMI Timecode Support\u003cbr\u003e• Broadcast Quality\u003cbr\u003e• SDI Re‘clocking\u003cbr\u003e• Power via USB or optional power supply\u003cbr\u003e• Wider Range of Video Standards\u003cbr\u003e• Update and Change Settings\u003cbr\u003e\u003cbr\u003e• 3 Models To choose from:\u003cbr\u003eMicro Converter HDMI to SDI 3G\u003cbr\u003eMicro Converter SDI to HDMI 3G\u003cbr\u003eMicro Converter BiDirectional SDI\/HDMI 3G\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075348320583,"sku":"CONVCMIC\/HS03G-ASNEW","price":49.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CONVCMIC_HS03G.jpg?v=1780565195"},{"product_id":"blackmagic-design-video-assist-5-inch-12g-hdr-monitor-hyperd-avida12-5hdr","title":"Blackmagic Design Video Assist 5-inch 12G HDR Monitor - HYPERD\/AVIDA12\/5HDR","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eBlackmagic Design Video Assist 5-inch 12G HDR Monitor - \u003cspan style=\"color: rgb(200, 18, 30);\"\u003e(Open Box, Client returned, AS NEW, 1 Only)\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-selenium=\"miniProductPageSellingPointsList\" class=\"list_neCtljXF3z\"\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003e5\" 1920 x 1080 Touchscreen LCD\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eRecord up to DCI or UHD 4K HDR Video\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eHDMI and 12G-SDI Video Inputs \u0026amp; Outputs\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003e10-Bit, 4:2:2 ProRes \u0026amp; DNxHD Encoding\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eBlackmagic Raw with Select Cameras\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003e3D LUTs, 2500 cd\/m² Brightness\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eStores to Single SDHC\/XC Memory Slot\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eHistogram, Waveform, Vectorscope\u003c\/li\u003e\n\u003cli class=\"element_neCtljXF3z\" data-selenium=\"miniProductPageSellingPointsListItem\"\u003eDual L-Series Battery Slots, AC Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Video Assist 5\"\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The super bright 2500nit 5-inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built-in SD card recorder saves files in broadcast quality 10-bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINTRODUCING BLACKMAGIC VIDEO ASSIST 12G HDR\u003c\/strong\u003e\u003cbr\u003eThe new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats. The whole new design includes innovations such as brighter screens for HDR work, a tally indicator, 4 built-in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras. With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePERFECT FOR DIGITAL CINEMA, LIVE RECORDING AND MONITORING\u003c\/strong\u003e\u003cbr\u003eWith its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player. As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra-portable broadcast scope. Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built-in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcasting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMODERN DESIGN WITH 12G‑SDI AND BRIGHT HDR SCREENS\u003c\/strong\u003e\u003cbr\u003eThere are two models of Blackmagic Video Assist 12G, with each model including an innovative touchscreen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7\" 12G model also includes 2 media slots, while both the 5\" and 7\" models include 12G‑SDI for high frame rate Ultra HD, analogue inputs for audio, USB‑C external disk recording, plus a front panel speaker and side-mounted headphone jack. You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher-speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording. A 12v universal power supply is included for studio or on-location use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPGRADE TO BETTER RECORDING FOR DIGITAL CAMERAS\u003c\/strong\u003e\u003cbr\u003eBlackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs, you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW-style workflows with Blackmagic RAW.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLARGE HDR MONITOR WITH EASY TOUCH CONTROLS\u003c\/strong\u003e\u003cbr\u003eThe innovative touchscreen LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads-up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDUAL MEDIA RECORDERS FOR UNINTERRUPTED RECORDING\u003c\/strong\u003e\u003cbr\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite-length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS\u003c\/strong\u003e\u003cbr\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post-production. Flash disks are so fast they can record high data rate formats that are too big for some lower-cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on-screen menus for managing external disks using the touch screen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eADVANCED 12G‑SDI AND HDMI 2.0 INPUTS AND OUTPUTS\u003c\/strong\u003e\u003cbr\u003eVideo Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring of consumer televisions and video projectors. The 7-inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit directly from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with a locking power connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDR SUPPORT WITH BRIGHT GAMUT LCD\u003c\/strong\u003e\u003cbr\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible. The built-in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built-in Video Assist LCD colour gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBUILT-IN SCOPES ENSURE COMPLIANCE WITH STANDARDS\u003c\/strong\u003e\u003cbr\u003eVideo Assist features full internal waveform monitoring so you can ensure compliance with broadcast standards and it also works great as a portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) level view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. The histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built-in scopes can even be overlaid on live video or as a small picture-in-picture view at the top right of the scope.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLATEST MULTI-RATE 12G‑SDI FOR SD, HD AND ULTRA HD\u003c\/strong\u003e\u003cbr\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS\u003c\/strong\u003e\u003cbr\u003eSome cameras can output logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however, when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33-point 3D LUT files, or you can work with built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOST-PRODUCTION FRIENDLY FILE FORMATS\u003c\/strong\u003e\u003cbr\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post-production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry-standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI cameras, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest-growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE QUALITY OF RAW AND THE SPEED OF VIDEO\u003c\/strong\u003e\u003cbr\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1* and Canon C300 MK II*. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and colour throughout the production pipeline from camera to edit colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAvailable on Firmware Update - Video Assist 3.1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePROFESSIONAL MULTI-CHANNEL SDI AND ANALOGUE AUDIO\u003c\/strong\u003e\u003cbr\u003eBlackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real-time. For connecting microphones the Video Assist 7\" model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on-screen audio meters with user-selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with analogue audio connections designed for low noise and low distortion digital cinema and broadcast specifications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOCALIZED FOR 11 POPULAR LANGUAGES\u003c\/strong\u003e\u003cbr\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on-screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWORKS WITH THE WORLD'S MOST POPULAR VIDEO SOFTWARE\u003c\/strong\u003e\u003cbr\u003eThe files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, colour correction, audio post-production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"video-wrapper\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Rm6hndnoUgA\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable width=\"500\" cellspacing=\"5\" cellpadding=\"5\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" width=\"50%\"\u003e\u003cb\u003eConnections\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x Micro BNC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x Micro BNC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e270Mb, 1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI 2.0a Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI 2.0a Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone, embedded audio only.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5 mm headphone jack.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Dimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e5-inch 1920 x 1080.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Brightness\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2500nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Colour\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eP3 wide colour gamut\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e16 channels embedded via 12G-SDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e16 channels embedded via 12G-SDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI Audio Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e8 channels embedded via HDMI 2.0a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI Audio Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e8 channels embedded via HDMI 2.0a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x UHS-II SD slot.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRemovable SDXC UHS-II, SDXC UHS-I and SDHC UHS-I SD cards. Supports DS, HS, SDR12, SDR25, DDR50, SDR50 and SDR104 SD cards.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x USB Type-C 3.1 Gen 1 for external drive recording, initial setup, software updates and Video Assist Utility software control.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e525i59.94 NTSC, 625i50 PAL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e720p50, 720p59.94, 720p60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30 1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e2K Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI 2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e4K Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M, SMPTE 2084\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Metadata Support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eHD RP188\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTelevision standard sample rate of 48 kHz and 24-bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eVideo Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4:2:2 YUV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColour Precision\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColour Space\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eREC 601, REC 709, REC 2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDR Support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eHDR10, Hybrid Log Gamma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMultiple Rate support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI and HDMI switches between 270 Mb\/s, 1.5 Gb\/s, 3 Gb\/s, 6 Gb\/s and 12 Gb\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e525i59.94 NTSC, 625i50 PAL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e720p50, 720p59.94, 720p601080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e4K Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI Colour Precision\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDR Support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eHDR10, Hybrid Log Gamma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCopy Protection\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x UHS-II SD for Ultra HD, compatible with regular SD for HD recording. USB Type-C 3.1 Gen 1 for external drive recording.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDXC UHS-II, SDXC UHS-I and SDHC UHS-I SD cards.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSupported Codecs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eProRes 422 HQ, ProRes 422, ProRes 422 LT, DNxHD 220x, DNxHD 145, DNxHD 45, DNxHD 220x MXF, DNxHD 145 MXF, DNxHD 45 MXF, DNxHR HQX MXF, DNxHR HQX, DNxHR SQ, DNxHR LB, DNxHR SQ MXF, DNxHR LB MXF.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControl\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRecorder Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIntegrated capacitive touchscreen LCD with Blackmagic OS onscreen controls for settings and navigating menus.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Video Assist Operating System\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScopes\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScopes\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWaveform, RGB Parade, Vector, Histogram.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eViewing Modes\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eScopes with picture in picture or picture overlay and opacity control. Waveform and Parade with standard and HDR graticules.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMac\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 10.13 High Sierra, Mac 10.14 Mojave or later.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWindows\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e8.1 or 10.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x External 12V power supply. Compatible with Sony NP-F style batteries (batteries not included).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePhysical Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDimensions (L x W x H)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e148 x 36.5 x 90mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e410g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEnvironmental Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 40° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003cbr\u003e1x Blackmagic Video Assist 5in 12G HDR\u003cbr\u003e1x Universal power supply with locking connector and international adapters (PSUPPLY-12V36WLOCK)\u003cbr\u003e12 Month Limited Manufacturer’s Warranty\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075379974471,"sku":"HYPERD\/AVIDA12\/5HDR-ASNEW","price":462.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/HYPERD_AVIDA12_5HDR.jpg?v=1780565657"},{"product_id":"blackmagic-design-np-f570-compatible-battery-batt-npf570-cam","title":"Blackmagic Design NP-F570 Compatible Battery - BATT-NPF570\/CAM","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eBlackmagic Design NP-F570 Compatible Battery - \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e(Open Box, Client returned, AS NEW, 4 Only)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch4\u003eNP-F570 compatible battery\u003c\/h4\u003e\n\u003cp\u003e• Battery - NP-F570\u003cbr\u003e• 3,500 mAh lithium-Ion rechargeable battery\u003cbr\u003e• Compatible with Blackmagic Pocket Camera Battery Grip\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":54075537326407,"sku":"BATT-NPF570\/CAM-ASNEW","price":31.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/NP-F570compatiblebattery_Battery-NP-F570_3_500mAhlithium-Ionrechargeablebattery_CompatiblewithBlackmagicPocketCameraBatteryGrip.jpg?v=1780568118"}],"url":"https:\/\/3dbroadcastsales.com\/collections\/as-new-blackmagic-products.oembed","provider":"3D Broadcast","version":"1.0","type":"link"}