{"title":"Studio Solutions","description":null,"products":[{"product_id":"blackmagic-design-camera-fiber-converter-cineursanwfrcam","title":"Blackmagic Design Camera Fiber Converter - CINEURSANWFRCAM","description":"\u003ch1\u003e\n\u003cstrong\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eBlackmagic Design Camera Fiber Converter for URSA Broadcast Camera -\u003c\/span\u003e \u003c\/strong\u003e\u003cspan style=\"color: #cf142b;\"\u003eBMD-CINEURSANWFRCAM\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e**In Stock with Blackmagic in the UK (Dispatches in 1-2 days)*\u003cb\u003e*\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eExtend and power your camera from up to 2 km using industry-standard SMPTE fiber cables.\u003cbr\u003eIncludes common live camera controls with multiple channels of talkback and standard television industry talkback headset connections\u003cbr\u003eFeatures 1 Ultra HD camera feed, plus 3 HD return feeds in a compact IP video-based design\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCONNECTIONS\u003c\/strong\u003e\u003cbr\u003eOptical Fiber Input - 1x SMPTE Hybrid Fiber Optic with SMPTE 304 connector (Male)\u003cbr\u003eSDI Video Input - 1x 12G SDI for Camera feed\u003cbr\u003eSDI Video Output - 1x 12G SDI for Camera return feed, 3x 3G SDI for Return SDI Outputs\u003cbr\u003eTalkback Audio - 2x 5-pin XLR for headset with three-way audio mixer per output, 1x Tracker output\u003cbr\u003eAnalog Audio - 2x 3-pin XLR Inputs for AES, Line or Mic input. Phantom Power available\u003cbr\u003eComputer Interface - 1x USB-C connector\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eBlackmagic fiber converters are fully compatible with standard SMPTE 311 hybrid cables, featuring industry-standard SMPTE 304M connectors at both ends. These high-performance cables integrate a \u003c\/span\u003e\u003cstrong data-end=\"255\" data-start=\"194\"\u003ebi-directional fiber pair, dedicated data and power pairs\u003c\/strong\u003e\u003cspan\u003e, and a central strength member for \u003c\/span\u003e\u003cstrong data-end=\"317\" data-start=\"291\"\u003eexceptional durability\u003c\/strong\u003e\u003cspan\u003e, ensuring they stand up to the demands of continuous use. Once connected, the \u003c\/span\u003e\u003cstrong data-end=\"433\" data-start=\"396\"\u003eBlackmagic Studio Fiber Converter\u003c\/strong\u003e\u003cspan\u003e automatically conducts \u003c\/span\u003e\u003cstrong data-end=\"483\" data-start=\"457\"\u003ebuilt-in safety checks\u003c\/strong\u003e\u003cspan\u003e before delivering a \u003c\/span\u003e\u003cstrong data-end=\"534\" data-start=\"504\"\u003ereliable 200V power supply\u003c\/strong\u003e\u003cspan\u003e over the SMPTE cable—efficiently powering your camera and essential accessories.\u003c\/span\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Fiber Converter from Blackmagic Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Fiber Converters\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace Cameras Anywhere\u003c\/strong\u003e\u003cbr\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSMPTE Fiber for Industrial Strength and Safety\u003c\/strong\u003e\u003cbr\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Studio Camera Controls\u003c\/strong\u003e\u003cbr\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10G Ethernet for IP Video\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Channel Talkback\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for High End Broadcast\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Design Camera Fiber Converter\u003c\/li\u003e\n\u003cli\u003eMounting Bracket and screws\u003c\/li\u003e\n\u003cli\u003e3 x Short 12G SDI cables\u003c\/li\u003e\n\u003cli\u003eSD card with software and manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"table--specification\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eConnections\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOptical Fiber Input\u003c\/th\u003e\n\u003ctd\u003e1x SMPTE Hybrid Fiber Optic with SMPTE 304 connector (Male)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Video Input\u003c\/th\u003e\n\u003ctd\u003e1x 12G SDI for Camera feed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Video Output\u003c\/th\u003e\n\u003ctd\u003e1x 12G SDI for Camera return feed, 3x 3G SDI for Return SDI Outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTalkback Audio\u003c\/th\u003e\n\u003ctd\u003e2x 5-pin XLR for headset with three way audio mixer per output, 1x Tracker output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAnalog Audio\u003c\/th\u003e\n\u003ctd\u003e2x 3-pin XLR Inputs for AES, Line or Mic input. Phantom Power available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eComputer Interface\u003c\/th\u003e\n\u003ctd\u003e1x USB-C connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eStandards\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eHD Video Standards\u003c\/th\u003e\n\u003ctd\u003e720p50, 720p59.94, 720p60\u003cbr\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eUltra HD Video Standards\u003c\/th\u003e\n\u003ctd\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Compliance\u003c\/th\u003e\n\u003ctd\u003eSMPTE 259M, SMPTE 292M, 296M, \u003cbr\u003e372M, 424M Level B, 425M.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAudio Sampling\u003c\/th\u003e\n\u003ctd\u003eTelevision standard sample rate of 48Khz, 24 bit A\/D conversion.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo Sampling\u003c\/th\u003e\n\u003ctd\u003e4:2:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour Precision\u003c\/th\u003e\n\u003ctd\u003e10-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour Space\u003c\/th\u003e\n\u003ctd\u003eREC 709, REC 2020.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMultiple Rate Support\u003c\/th\u003e\n\u003ctd\u003eSDI switches between HD,\u003cbr\u003e3G-SDI, 6G-SDI and 12G‑SDI.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eSoftware\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSoftware Included\u003c\/th\u003e\n\u003ctd\u003eCamera Utility for firmware update.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eOperating Systems\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOperating Systems\u003c\/th\u003e\n\u003ctd\u003eMac 10.11 EI Capitan,\u003cbr\u003eMac 10.12 Sierra or later.\u003cbr\u003eWindows 8.1 or Windows 10.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003ePhysical Specifications\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e191 x 140 x 138mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWeight\u003c\/th\u003e\n\u003ctd\u003e2.2kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eEnvironmental Specifications\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOperating Temperature\u003c\/th\u003e\n\u003ctd\u003e0° to 40° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eStorage Temperature\u003c\/th\u003e\n\u003ctd\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRelative Humidity\u003c\/th\u003e\n\u003ctd\u003e0% to 90% non‑condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339296710983,"sku":"CINEURSANWFRCAM","price":2588.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/36a76a7dcb9a44205f09f39815de67bdabb2f074c3ad0d889cd48301d0686803.jpg?v=1712312520"},{"product_id":"blackmagic-design-studio-fiber-converter-cineursanwfrstud","title":"Blackmagic Design Studio Fiber Converter - CINEURSANWFRSTUD","description":"\u003ch1\u003e\n\u003cspan style=\"color: rgb(1, 33, 105);\"\u003e\u003cstrong\u003eBlackmagic Design Studio Fiber Converter - \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003eCINEURSANWFRSTUD\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e**In Stock with Blackmagic in the UK (Dispatches in 1-2 days)**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eConnects to Camera Fiber Converter\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eFor HD and UHD 4K Productions\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eBi-Directional SMPTE Fiber Link\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eXLR Audio Breakout\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eReference and Control Connections\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCONNECTIONS\u003c\/strong\u003e\u003cbr\u003eOptical Fiber Input - 1x SMPTE Hybrid Fiber Optic with Female SMPTE 304 connector.\u003cbr\u003eSDI Video Input - 3x 12G SDI Return feeds with Program, Camera Control, Tally, Genlock and Intercom on Return 1\u003cbr\u003eSDI Video Output - 2x 12G SDI for Ultra HD up to 60p\u003cbr\u003eTalkback Audio - SDI Channels 15 \u0026amp; 16 for Production, Analogue in \u0026amp; out supported via 25-pin connector for Production and Engineering talkback support\u003cbr\u003eBalanced XLR Audio Output - 4x camera analogue audio outputs\u003cbr\u003eOptical Fiber Output - 1x Optical I\/O via 10 Gb-E (not currently active)\u003cbr\u003eComputer Interface - 1x USB-C\u003c\/p\u003e\n\u003cdiv\u003e \u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e\u003cb\u003e\u003cspan\u003eBlackmagic fiber converters are fully compatible with standard SMPTE 311 hybrid cables, featuring industry-standard SMPTE 304M connectors at both ends. These high-performance cables integrate a \u003c\/span\u003e\u003cstrong data-start=\"194\" data-end=\"255\"\u003ebi-directional fiber pair, dedicated data and power pairs\u003c\/strong\u003e\u003cspan\u003e, and a central strength member for \u003c\/span\u003e\u003cstrong data-start=\"291\" data-end=\"317\"\u003eexceptional durability\u003c\/strong\u003e\u003cspan\u003e, ensuring they stand up to the demands of continuous use. Once connected, the \u003c\/span\u003e\u003cstrong data-start=\"396\" data-end=\"433\"\u003eBlackmagic Studio Fiber Converter automatically\u003c\/strong\u003e\u003cspan\u003e conducts \u003c\/span\u003e\u003cstrong data-start=\"457\" data-end=\"483\"\u003ebuilt-in safety checks\u003c\/strong\u003e\u003cspan\u003e before delivering a \u003c\/span\u003e\u003cstrong data-start=\"504\" data-end=\"534\"\u003ereliable 200V power supply\u003c\/strong\u003e\u003cspan\u003e over the SMPTE cable—efficiently powering your camera and essential accessories.\u003c\/span\u003e\u003c\/b\u003e\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio Fiber Converter from Blackmagic Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Fiber ConvertersThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlace Cameras Anywhere\u003c\/strong\u003e\u003cbr\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSMPTE Fiber for Industrial Strength and Safety\u003c\/strong\u003e\u003cbr\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Studio Camera Controls\u003c\/strong\u003e\u003cbr\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10G Ethernet for IP Video\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Channel Talkback\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for High End Broadcast\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Design Studio Fiber Converter\u003c\/li\u003e\n\u003cli\u003eSD card with software and manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"table--specification\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eConnections\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOptical Fiber Input\u003c\/th\u003e\n\u003ctd\u003e1x SMPTE Hybrid Fiber Optic with Female SMPTE 304 connector.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Video Input\u003c\/th\u003e\n\u003ctd\u003e3x 12G SDI Return feeds with Program, Camera Control, Tally, Genlock and Intercom on Return 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Video Output\u003c\/th\u003e\n\u003ctd\u003e2x 12G SDI for Ultra HD up to 60p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTalkback Audio\u003c\/th\u003e\n\u003ctd\u003eSDI Channels 15 \u0026amp; 16 for Production, Analogue in \u0026amp; out supported via 25-pin connector for Production and Engineering talkback support\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBalanced XLR Audio Output\u003c\/th\u003e\n\u003ctd\u003e4x camera analogue audio outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOptical Fiber Output\u003c\/th\u003e\n\u003ctd\u003e1x Optical I\/O via 10 Gb-E (not currently active)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eComputer Interface\u003c\/th\u003e\n\u003ctd\u003e1x USB-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eStandards\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eHD Video Standards\u003c\/th\u003e\n\u003ctd\u003e720p50, 720p59.94, 720p60\u003cbr\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eUltra HD Video Standards\u003c\/th\u003e\n\u003ctd\u003e2160p23.98, 2160p24, 2160p25, \u003cbr\u003e2160p29.97, 2160p30, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Compliance\u003c\/th\u003e\n\u003ctd\u003eSMPTE 259M, SMPTE 292M, 296M, \u003cbr\u003e372M, 424M Level B, 425M.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAudio Sampling\u003c\/th\u003e\n\u003ctd\u003eTelevision standard sample rate of 48Khz, 24 bit A\/D conversion.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eVideo Sampling\u003c\/th\u003e\n\u003ctd\u003e4:2:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour Precision\u003c\/th\u003e\n\u003ctd\u003e10-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eColour Space\u003c\/th\u003e\n\u003ctd\u003eREC 709, REC 2020.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMultiple Rate Support\u003c\/th\u003e\n\u003ctd\u003eSDI switches between HD, \u003cbr\u003e3G-SDI, 6G-SDI and 12G-SDI.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eSoftware Included\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSoftware Included\u003c\/th\u003e\n\u003ctd\u003eCamera Utility for firmware update.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eOperating Systems\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOperating Systems\u003c\/th\u003e\n\u003ctd\u003eMac 10.11 EI Capitan,\u003cbr\u003eMac 10.12 Sierra or later.\u003cbr\u003eWindows 8.1 or Windows 10.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003ePower Requirements\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower Requirements\u003c\/th\u003e\n\u003ctd\u003e110-240V AC input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003ePhysical Specifications\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensions\u003c\/th\u003e\n\u003ctd\u003e371.9 x 210.3 x 88.4mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWeight\u003c\/th\u003e\n\u003ctd\u003e2.8kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eEnvironmental Specifications\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOperating Temperature\u003c\/th\u003e\n\u003ctd\u003e0° to 50° C (32° to 122° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eStorage Temperature\u003c\/th\u003e\n\u003ctd\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRelative Humidity\u003c\/th\u003e\n\u003ctd\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339296743751,"sku":"CINEURSANWFRSTUD","price":2670.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/233e014a836fd3f00954f83651b05688143c20244d28e0b0bde34d45a9a49ce0.jpg?v=1712312521"},{"product_id":"blackmagic-design-atem-camera-control-panel-swpanelccu4","title":"Blackmagic Design ATEM Camera Control Panel - SWPANELCCU4","description":"\u003ch1\u003e\n\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003eBlackmagic ATEM Camera Control Panel\u003c\/strong\u003e\u003c\/span\u003e \u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e*\u003cspan\u003e*BMD NO LONGER ships from the UK ALL their Kit is now held in the Netherlands warehouse so please now allow 3-5 days lead time when ordering items**\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIndependent control for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLCD Menu Displays: 4\u003cbr\u003eCamera Number Display: Green off air, orange preview, red on air.\u003cbr\u003eSetup: White and black balance setup.\u003cbr\u003e3 Axis Joystick: 4\u003cbr\u003ePreview Button: 4\u003cbr\u003eIris Control: Auto Iris On, Coarse control and Focus control.\u003cbr\u003ePanel Active: Protects settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ATEM Camera Control Panel\u003c\/strong\u003e is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, colour balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339296973127,"sku":"SWPANELCCU4","price":2478.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/f3ada631d2a186da9833e27f26eba84811e4902d32acdfacd6b4114de7e1e2c0.jpg?v=1712312524"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-10-swpaneladv1me10","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 10 - SWPANELADV1ME10","description":"\u003ch1\u003e\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003eBlackmagic ATEM 1 M\/E Advanced Panel\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cem\u003e\u003cstrong\u003e**BMD NO LONGER ships from the UK ALL their Kit is now held in the Netherlands warehouse so please now allow 3-5 days lead time when ordering items**\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessional hardware control panel for all ATEM switchers\u003cbr\u003eFeatures a built-in LCD and high-quality curved buttons that help reduce incorrect key presses\u003cbr\u003eThe buttons also have colour backlighting to help you quickly recognize important keys\u003cbr\u003eYou also get a professional joystick for DVE and camera adjustments, smooth weighted t‑bar fader and much more\u003cbr\u003eThe buttons feature dynamic displays that allow full customization of the labels as well as custom colours\u003cbr\u003eThe shift buttons allow you to double up the number of inputs by selecting a second set of shifted source buttons so you can control up to 20 inputs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe compact size and durable design of the ATEM 1 M\/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eThe new ATEM 1 M\/E\u003c\/strong\u003e Advanced Panel is an elegantly designed professional hardware control panel for all ATEM switchers. It combines modern design with the latest broadcast technology for faster workflows.\u003c\/p\u003e\n\u003cp\u003eThe new design features a built-in LCD and high-quality curved buttons that help reduce incorrect key presses. The buttons also have colour backlighting to help you quickly recognize important keys. You also get a professional joystick for DVE and camera adjustments, smooth weighted t-bar fader and much more. The buttons feature dynamic displays that allow full customization of the labels as well as custom colours. The shift buttons allow you to double up the number of inputs by selecting a second set of shifted source buttons so you can control up to 20 inputs.\u003c\/p\u003e\n\u003cp\u003eThe compact size and durable design of the ATEM 1 M\/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339297038663,"sku":"SWPANELADV1ME10","price":2699.4,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/a7f014eeaee5296e5530a3c670df8ea5c640d7ddcfebf627a866b06169579db0.jpg?v=1712312530"},{"product_id":"blackmagic-design-ursa-broadcast-g2-camera-with-fujinon-la16x8brm-xb1a-4k-lens-option-cineursamwc6kg2-fuji-bdl","title":"Blackmagic Design URSA Broadcast G2 Camera with Fujinon LA16x8BRM-XB1A 4K Lens Option - CINEURSAMWC6KG2-FUJI-BDL","description":"\u003ch1\u003e\n\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003eBlackmagic Design URSA Broadcast Camera with Fujinon LA16x8BRM 4K Lens Option\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #cf142b;\"\u003eCINEURSAMWC6KG2\/FUJI\/BDL\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003eNew from Blackmagic Design the URSA Broadcast G2 Camera now bundled with a Fujinon 16x OEM Lens to give you an optimised starter package.\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLA16x8BRM LENS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2\/3” PROFESSIONAL LENS 4K for URSA Broadcast\u003c\/li\u003e\n\u003cli\u003eDesigned for Blackmagic URSA Broadcast\u003cbr\u003eProvides the best lens performance for Blackmagic URSA Broadcast with 4K and HD resolution\u003c\/li\u003e\n\u003cli\u003eCompact and lightweight with 4K resolution\u003cbr\u003eThe lens weighs approx. 1.6kg thanks in part due to its unique a rear focus mechanism design\u003c\/li\u003e\n\u003cli\u003eElectronic flange back adjustment with macro switch function\u003cbr\u003eThis new function increase convenience when shooting\u003c\/li\u003e\n\u003cli\u003eCompact\/lightweight and 4K resolution\u003cbr\u003eThe rear focus mechanism enables the weight of the lens to be reduced to approx. 1.6kg. The size provides optimal balance with Blackmagic URSA Broadcast with 4K performance. Featuring a 16x zoom ratio suitable for EFP, news and studio shooting\u003c\/li\u003e\n\u003cli\u003eElectronic flange back adjustment function\u003cbr\u003eA single button on the lens provides electronic flange back adjustment to allow focus while performing zoom operations. The electronic system provides faster and more efficient adjustment\u003c\/li\u003e\n\u003cli\u003eMacro function\u003cbr\u003eThe macro function allows for closer shooting than MOD up to 0.05m by operation of the unique focus ring. This enables spectacular close-up images at the 4K resolution\u003c\/li\u003e\n\u003cli\u003eHandheld style\u003cbr\u003eThe compact body weighing approx. 1.6kg provides the optimal balance with the Blackmagic URSA Broadcast, reducing the burden of shooting handheld and provides excellent operability\u003c\/li\u003e\n\u003cli\u003eEFP\/Studio style\u003cbr\u003eThe use of FUJINON accessories enables precise control of zoom and focus while on a tripod. 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The B4 lens mount can be swapped to an EF mount that is included for full-frame 6K recording in BRAW that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.264, H.265 and Blackmagic RAW file formats, Blackmagic generation 5 colour science, as well as a USB-C expansion port for external disk recording, and more. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe URSA Broadcast G2 now ships with the Top Handle, Shoulder Mount, V-Lock Battery Plate, B4 and EF lens mounts included in the box!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHREE CAMERAS IN ONE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003cstrong\u003e Broadcast Production Camera\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003e Live Studio Camera\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eURSA Broadcast includes an advanced YRGB colour corrector built-in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens. Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/dd\u003e\n\u003cdt\u003e\u003cstrong\u003e Digital Cinema Camera\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339444396359,"sku":"CINEURSAMWC6KG2-FUJI-BDL","price":6948.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/ursa_broadcast_g2_fujinon_la16_4k_lens.jpg?v=1712313886"},{"product_id":"panasonic-ak-hcu250esj-camera-control-unit-ccu-lemo-connector-model-pan-akhcu250esj","title":"Panasonic AK-HCU250 Camera Control Unit (CCU) - LEMO Connector Model - PANAKHCU250ESJ","description":"\u003cp\u003e\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003ePanasonic AK-HCU250ESJ Camera Control Unit (CCU) - (LEMO Connector Model)\u003c\/strong\u003e \u003c\/span\u003e- \u003cspan style=\"color: #cf142b;\"\u003ePAN-AKHCU250ESJ SHIPPING QTR 4 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"products-txt-list\"\u003e\n\u003cli\u003eUncompressed long-distance transmission between camera and CCU is possible.\u003c\/li\u003e\n\u003cli\u003eThe compact, lightweight unit measures 2U in height and is rack-mountable.\u003c\/li\u003e\n\u003cli\u003eSupported formats:\u003cbr\u003e1080\/59.94p, 50p, 59.94i, 50i, 29.97PsF, 25PsF, 23.98PsF, 720\/59.94p, 50p\u003c\/li\u003e\n\u003cli\u003eWith 4K upgrade: Supports 12G-SDI output \/ 3G-SDI Quad Link output.\u003c\/li\u003e\n\u003cli\u003eSupports RET input (2 ch for SDI).\u003c\/li\u003e\n\u003cli\u003eEquipped with 1 intercom line and 2 audio lines.\u003c\/li\u003e\n\u003cli\u003eEquipped with 3G trunk and 3G prompter circuit between camera and CCU.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"topic-ttl mt30\"\u003eLow-cost construction of high video quality, long-distance optical fiber transmission camera systems\u003c\/p\u003e","brand":"3D Broadcast","offers":[{"title":"Default Title","offer_id":49339640742215,"sku":"PANAKHCU250ESJ","price":7609.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/a0bc50bbe0fde4fcb1711b0de533b111f05d1a66d378968a2821e6340dab3054.jpg?v=1712315737"},{"product_id":"panasonic-ak-hvf75g-17-8-cm-7-inches-lcd-color-viewfinder-pan-akhvf75g","title":"Panasonic AK-HVF75 Lightweight 7-inch Studio LCD Colour Viewfinder - PANAKHVF75GJ","description":"\u003cp\u003e\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003ePanasonic AK-HVF75G 17.8 cm (7 inches) LCD Color Viewfinder\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #cf142b;\"\u003ePAN-AKHVF75GJ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"topic-ttl mt30\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eLightweight 7-inch LCD Colour Viewfinder, with low power consumption and high resolution.\u003cbr\u003eEquipped with 1280 x 800 (WXGA) resolution 17.8cm (7 inches) colour LCD panel.\u003cbr\u003eWide horizontal\/vertical viewing angle of 176°, screen brightness of 400 cd\/m² and contrast of 800:1.\u003cbr\u003eEquipped with focus assist functions (Focus in Red, Pixel to Pixel).\u003cbr\u003eDirect camera menu control is possible.\u003cbr\u003eEquipped with three assignable function switches.\u003cbr\u003eContrast, brightness, and peaking can be adjusted.\u003cbr\u003eTilting (90° up, 60° down) and panning (90° left and right) is possible.\u003cbr\u003eWide Angle of View Horizontal: 176 degrees Vertical: 176 degrees\u003cbr\u003eBrightness: 400cs\/m2\u003cbr\u003eContrast: 800:1\u003cbr\u003eCamera Menu Control from View Finder\u003cbr\u003eTally Colour: Red, Green, Yellow is available\u003cbr\u003eFor use with AK-HC3900 \/ AK-UC3000\u003c\/p\u003e","brand":"3D Broadcast","offers":[{"title":"Default Title","offer_id":49339640873287,"sku":"PANAKHVF75GJ","price":3852.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/616b382ffd9975dcfdab4ede2c38458971e2020e11c36d15a9cfe2fe9ee3fdfb.jpg?v=1712315738"},{"product_id":"panasonic-aj-cvf25gj-hd-colour-viewfinder-pan-ajcvf25gj","title":"Panasonic AJ-CVF25GJ HD Colour Viewfinder - PANAJCVF25GJ","description":"\u003cp\u003e\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003ePanasonic AJ-CVF25GJ HD Colour Viewfinder\u003c\/strong\u003e\u003c\/span\u003e  - \u003cspan style=\"color: #cf142b;\"\u003ePAN-AJCVF25GJ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eHD Colour Viewfinder\u003cbr\u003eHigher resolution (approx. 2,760,000-dot) and blighter with newly developed LCD\u003cbr\u003eLCD direct viewing with double hinges, and the image can be automatically \/ manually enlarged when flipping up its eyepiece or PIC. The SIZE switch is FULL.\u003cbr\u003eRobust body and the same layout of dials and switches as conventional EVF\u003cbr\u003eBack tally lamp (ON\/OFF by lever)\u003cbr\u003eSupports studio camera use: adding Yellow and Amber Tally in the display panel\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe AJ-CVF25GJ\u003c\/strong\u003e \u003c\/em\u003ecolour viewfinder is a newly developed 8.76 cm (3.45 inches) colour LCD with approximately 2,760,000-dot resolution and a 16:9 aspect ratio, which enables it to adjust focus easily. In addition to a normal viewfinder type of usage, the AJ-CVF25GJ serves as an LCD monitor to shoot when opening its eyepiece. The AJ-CVF25GJ can also be opened sideways and used as a side-panel LCD monitor. The AJ-CVF25GJ is almost the same weight and size as the conventional HD viewfinder and supports Panasonic broadcasting professional camera recorders and studio handy cameras.\u003c\/p\u003e","brand":"3D Broadcast","offers":[{"title":"Default Title","offer_id":49339641364807,"sku":"PANAJCVF25GJ","price":3481.2,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/a745abdcb6f03a0d9a32601a1e0a2f68127bb3152fe73283986342586ebf118f.jpg?v=1712315739"},{"product_id":"blackmagic-design-ursa-broadcast-camera-with-fujinon-xa20sx8-5brm-k3-lens-and-ms-01-semi-servo-kit-cineursamwc4k-studio-kit","title":"Blackmagic Design URSA Broadcast G2 Camera with Fujinon XA20SX8.5BRM-K3 Lens and MS-01 Semi Servo Kit - CINEURSAMWC4K-STUDIO-KIT","description":"\u003ch1\u003e\n\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design URSA Broadcast G2 Camera with Fujinon XA20SX8.5BRM-K3 Lens and MS-01 Semi Servo Kit\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #c8121e;\"\u003eCINEURSAMWC4K-STUDIO-KIT\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePurchase the Blackmagic Design URSA Broadcast G2 camera with the Fujinon XA20x8.5BRM Lens with the Fujinon MS-01 Semi Servo Kit for use in a Studio Set Up\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProfessional broadcast camera for HD, 4K \u0026amp; 6K\u003cbr\u003eA camera designed for both traditional and online broadcasters\u003cbr\u003eThe 3 cameras in 1 design allow it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera\u003cbr\u003eExceptional Low Light Performance\u003cbr\u003eBuilt-In Optical ND Filters\u003cbr\u003eDual Media Slots for Non‑Stop Recording\u003cbr\u003eBuilt-in LCD with Touch Controls\u003cbr\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003cbr\u003eProfessional Audio Connections and Built-In Microphones\u003cbr\u003eRecord to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW\u003cbr\u003eB4 (installed) and EF lens mount included, able to change to PL, EF and F Lens Mounts\u003cbr\u003eCompatible with Industry Standard Batteries\u003cbr\u003eIncludes DaVinci Resolve Studio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Blackmagic URSA Broadcast G2 is a next-generation professional broadcast camera with a 6K Super 35mm sensor designed for 2\/3” B4 lenses for UHD and HD production. The B4 lens mount can be swapped to an EF mount that is included for full-frame 6K recording in BRAW that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.264, H.265 and Blackmagic RAW file formats, Blackmagic generation 5 colour science, as well as a USB-C expansion port for external disk recording, and more. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c8121e;\"\u003e\u003cem\u003eThe URSA Broadcast G2 now ships with the Top Handle, Shoulder Mount, V-Lock Battery Plate, B4 and EF lens mounts included in the box!\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHREE CAMERAS IN ONE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Broadcast Production Camera\u003c\/strong\u003e\u003cbr\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003cbr\u003e \u003cstrong\u003eLive Studio Camera\u003c\/strong\u003e\u003cbr\u003eURSA Broadcast includes an advanced YRGB colour corrector built-in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens. Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003cbr\u003e\u003cstrong\u003e Digital Cinema Camera\u003c\/strong\u003e\u003cbr\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"color: #cf142b;\"\u003e\u003cstrong\u003eFujinon XA20sx8.5BRM-K3 HD Professional Lens\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe Fujinon XA20sx8.5BRM-K3 HD Professional Lens is an ENG telephoto lens designed for 2\/3\" cameras. It has a 20x zoom, a focal length ranging from 8.5 to 170mm, and features a relative aperture ranging from 1:1.8 between 8.5 and 113mm, and 1:2.7 at 170mm. With advanced glass properties, it reduces the effect of color fringes that occurs due to the failure of a lens to focus all colors to the same convergence point.\u003c\/p\u003e\n\u003cp\u003eThe EBC optical coating of the HD Professional Lens ensures high-quality optical transmission. The XA20sx8.5BRM-K3 lens uses Fujinon's Inner Focus technology and is suitable for use in video productions in weddings, houses of worship, and corporate offices.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eENG telephoto lens designed for 2\/3\" cameras\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e20x zoom\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFocal length of 8.5 to 170mm\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eRelative aperture ranging from 1:1.8 between 8.5 and 113mm, and 1:2.7 at 170mm\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFast, quiet, and precise servo zoom and focus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eAdvanced glass properties reduce the effect of color fringes that occurs due to the failure of a lens to focus all colors to the same convergence point\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eEBC optical coating ensures high-quality optical transmission\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eEquipped with Fujinon's Inner Focus technology\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eIdeal for use in weddings, houses of worship, and corporate offices\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"color: #cf142b;\"\u003e\u003cstrong\u003eFujinon MS-01 Rear Zoom and Focus Lens Control Kit for ENG\/EFP Lenses\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe Fujinon MS-01 is a semi-servo kit consisting of the SRD-92B zoom servo demand, CFH-3 focus handle\/grip, CFC-12-990 flexible cable, and FMM-6B manual focus module. The kit provides precision control for ENG\/EFP lenses over a variety of applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339743469895,"sku":"CINEURSAMWC4K-STUDIO-KIT","price":6450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/ursa_g2_fuji_ms-01_xa20_lens_kit.jpg?v=1712316967"},{"product_id":"blackmagic-design-ursa-broadcast-studio-kit-with-studio-viewfinder-and-camera-fibre-converter-cineursamwc4k-studio","title":"Blackmagic Design URSA Broadcast Studio Kit with Studio Viewfinder and Camera Fibre Converter - CINEURSAMWC4K-STUDIO","description":"\u003ch1\u003e\n\u003cspan style=\"color: #00247d;\"\u003e\u003cstrong\u003eBlackmagic Design URSA Broadcast Studio Kit with Studio Viewfinder and Camera Fibre Converter\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #cf142b;\"\u003eCINEURSAMWC4K-STUDIO\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_22p_DbxsLr4MV-m3EOA_5T\"\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003e4K CMOS Sensor\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003e7-inchStudio Viewfinder\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eCamera Fibre Converter\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eCompatible with 2\/3\" B4 Lenses\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eUHD 4K and 1080p up to 60 fps\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eRecords to Apple ProRes and Avid DNx\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eCinema DNG Raw Recording\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003e2 x UHS-II SD, 2 x CFast 2.0 Slots\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003e3G-SDI and 12G-SDI Outputs\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eGenlock and Timecode\u003c\/li\u003e\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eXLR Inputs and Built-In Microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong style=\"color: #cf142b; font-size: 0.875rem;\"\u003eURSA BROADCAST CAMERA\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eTwo Cameras in One\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe URSA Broadcast was designed to function equally well as a studio camera or as an ENG\/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sledge or be used atop an operator's shoulder, ENG-style.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eStandard Media and Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eMedia recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, the recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eB4 Lens Compatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWhile the 4K sensor used in the URSA Broadcast is larger than the familiar 2\/3\"-the type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don't need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you're following the action in fast-paced scenarios.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eHD Downscaling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFor productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled before recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artefacts will be introduced.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eOptical ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eSpin the ND filter wheel to access 1\/4, 1\/6, and 1\/64 ND filters. These filters are designed by the URSA Broadcast's sensor, ensuring minimal difference in colourimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eBody Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eLike traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4\" foldout touchscreen for either monitoring or controlling the camera via a software interface that provides full redundancy for all the external controls and camera functions. On the operator's side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eSlow Motion Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWhether you're shooting a sporting event or breaking a news story, the URSA Broadcast has you covered for slow motion. To shoot slow-motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera's on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full-resolution Ultra HD at up to 60 frames per second.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eBuilt-In Audio Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eURSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don't have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eAdaptable for Different Lenses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eURSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you're just starting you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you're ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eBlackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eURSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eFlexible Power Options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eRight off the bat, the URSA Broadcast features a 4-pin XLR industry standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it's easy to use the camera with existing power supplies and batteries. V-mount and Gold-mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\u003cspan style=\"color: #cf142b;\"\u003e\u003cstrong\u003eURSA STUDIO VIEWFINDER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eArticulating Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe URSA Studio Viewfinder is designed to be mounted on top of your URSA Mini camera. The articulating mount is tension adjustable so you can easily adjust it to the tension that suits you best.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003e7-inch LCD Viewfinder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFeaturing a 1920 x 1080 IPS display, the viewfinder provides sharp, clear images with good off-axis viewing for when sudden camera moves don't allow for screen angle adjustment. It features a detachable sun hood and grabs handles on either side for left or right-handed height adjustment.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eAlong the top of the screen is displayed your camera number (for multi-camera shoots), the screen resolution, fps, shutter speed, lens iris, camera gain, white balance, and battery power.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eManual Knobs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThree manual control knobs to the right of the LCD view screen allow you to adjust the brightness, contrast, and peaking sensitivity without the need to enter the menu system or take your eyes from the viewfinder.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003ePeaking is a real-time focus assist tool that superimposes pulsing red lines over the area of your image with the most contrast, and therefore the most focus. This makes it easier to confirm that subjects are in focus.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eMenu and Function Buttons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eTo the left of the view, the screen is a manual menu knob, plus three assignable buttons. The menu knob allows you to navigate the menu, and you can assign functions to the buttons.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eZoom allows you to magnify any portion of the image, useful for checking focus while using the menu knob to select which part of the image is magnified.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eZebra is a real-time digital exposure tool that indicates when subjects or parts of the frame are outside of the exposure threshold. The zebra pattern will appear on the parts of the image that have reached 100% brightness to warn that the area is overexposed and in danger of clipping.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe False Color feature provides an under\/over luminance warning by presenting the image as a series of colour values representing exposure.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eRed, Blue, or Green Only mode shows the image as monochrome utilizing only the red, blue, or green colour components of the image.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe Histogram overlay provides a graphic depiction of how many pixels in your image are at each level between black and white. This provides exposure information so you can objectively judge how much of your image is clipping, falling into the shadows, or being captured faithfully.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe Luminance waveform provides an objective evaluation of your video signal. It displays the brightness of your image on an IRE scale, allowing you to see if your image will clip and where your black levels are.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eFrame Guides\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThree customizable frame guide overlays allow you to either create a custom aspect ratio or use it to define areas where graphics will be inserted downstream. Using the guides to approximate downstream graphics allows you to adjust your framing while taking these graphics into account.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cstrong\u003eTally\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eOn the talent side of the viewfinder is a tally light with replaceable acetate numbers to identify your camera to the talent or technical director. On the operator side of the viewfinder is a tally light that can light up indicating that the camera is providing the program picture. Please note that tally functionality requires a compatible tally over the SDI connection.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\u003cspan style=\"color: #cf142b;\"\u003e\u003cstrong\u003eCAMERA FIBRE CONVERTER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fibre, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBLACKMAGIC FIBER CONVERTERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExtend and fully power cameras up to 2 km away using an open standard SMPTE fibre cable\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fibre optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fibre converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high-end work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLACE CAMERAS ANYWHERE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGet cameras much closer to the action\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes the setup incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fibre cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fibre is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fibre converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high-end broadcast technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSMPTE FIBER FOR INDUSTRIAL STRENGTH AND SAFETY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt-in multi-layer fail safe instantly cuts power to eliminate the danger\u003c\/p\u003e\n\u003cp\u003eBlackmagic fibre converters work with standard SMPTE 311M hybrid electrical and fibre optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2-way fibre pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry-standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated microcontrollers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or an earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eADD STUDIO CAMERA CONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTransform broadcast cameras into dedicated studio cameras\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fibre to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5-pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10G ETHERNET FOR IP VIDEO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSuper fast, low latency ethernet link for video, audio and control\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fibre connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video-based using high-end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fibre converters are future-proof and ready for customization using high-speed Ethernet infrastructure in future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDUAL CHANNEL TALKBACK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo dual-channel talkback intercoms with backup\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5-pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fibre link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fibre is not working. The Blackmagic Camera Fiber Converter also includes a standard 10-pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDESIGNED FOR HIGH-END BROADCAST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDurable metal design, high-end components and professional connections\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all-metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full-size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fibre connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built-in 5-inch LCD, so you can plug remote cameras in and instantly see the feed.\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" width=\"500\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\"\u003e\u003cb\u003eCamera Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEffective Sensor Size\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2\/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Mount\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eB4 2\/3 inch installed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eActive EF mount also included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eElectronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Correction\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIn-camera correction of color fringing when using compatible broadcast lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDynamic Range\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e13 Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDual Native ISO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0dB and 18dB gain.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSensitivity at 0dB Gain\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef11 with 2160p59.94.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef12 with 2160p50.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eat 2,000 lux with 89.9% reflectance.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eadditional 1.1 stop light loss using 4K B4 mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSignal to Noise Ratio\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e64.62dB for 2160p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eUltra HD scaled from 5.3K\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in ND Filters\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eFour position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFocus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eFocus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eIris Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Dimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4 inch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLCD capacitive touchscreen.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControls\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTouchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eProRes Shooting Resolutions and Frame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 50 fps scaled from full sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 Shooting Resolutions and Frame Rates3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eH.264 Shooting Resolutions and Frame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 50 fps scaled from full sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBlackmagic RAW Shooting Resolutions and Frame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e6144 x 3456 (6K) up to 50fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e6144 x 2560 (6K 2.4:1) up to 60 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e5376 x 3024 (5.3K 16:9) up to 60 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 60 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1920 x 1080 (HD) up to 150 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eProject Frame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eOff-speed frame rates up to 60p in Ultra HD and up to 150p in HD.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMetadata Support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eAutomatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTimecode Clock\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eConnections\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Monitor Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x XLR switchable between mic, line and AES digital audio.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ePhantom power support.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm headphone jack, supports iPhone style headset for talkback.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eReference Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTri-Sync\/Black Burst\/Timecode.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12-pin Hirose Broadcast Lens Connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 2.5mm LANC input for Rec Start\/Stop, plus Iris and Focus control using compatible lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x USB Type‑C for software updates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMicrophone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIntegrated stereo microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x mono speaker.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStandards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e48 kHz and 24 bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia Format\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCan format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSupported Codecs\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCodecs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422 HQ,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 SDI (10-bit 4:2:2),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 High (10-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 Medium (10-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 Low (10-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 SDI (10-bit 4:2:2),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 High (8-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 Medium (8-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 Low (8-bit 4:2:0),\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 3:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 5:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 8:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 12:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q0,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q3,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControl\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Corrector\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Corrector\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDaVinci YRGB.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback and Tally\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI Channels 15\/16 and iPhone headset.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLive Tally Indicator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTally on LCD, URSA Viewfinder and URSA Studio Viewfinder.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x CFast 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x SD UHS‑II cards\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x high speed USB‑C expansion port for external media.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2.5 inch SSD using optional URSA Mini Recorder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eStorage rates based on 30 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e6144 x 3456 (6K)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 323 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 194 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 121 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 81 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 242 to 483 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 162 to 387 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 108 to 277 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 65 to 162 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e6144 x 2560 (6K 2.4:1)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 240 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 144 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 90 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 60 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 180 to 359 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 120 to 287 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 80 to 205 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 49 to 120 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e5376 x 3024 (5.3K 16:9)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 248 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 149 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 94 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 63 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 186 to 371 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 125 to 297 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 84 to 213 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 51 to 125 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e3728 x 3104 (3.7K 6:5 anamorphic)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 177 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 106 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 67 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 45 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 133 to 265 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 89 to 212 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 60 to 152 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 36 to 89 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e3840 x 2160 (Ultra HD)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422 HQ - 110 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422 - 73.6 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 SDI - 12.3 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 High - 10.8 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 Medium - 7.8 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 Low - 3.2 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 127 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 77 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 48 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 32 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 96 to 190 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 64 to 153 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 43 to 109 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 26 to 64 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e1920 x 1080\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422 HQ - 27.5 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 422 - 18.4 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 SDI - 7.0 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 High - 5.6 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 Medium - 3.2 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 Low - 1.8 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 19 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 12 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 7.8 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 5.2 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 23 to 47 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 16 to 37 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 10 to 27 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 6 to 16 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRecording Formats\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic OS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Camera Setup\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Player\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW QuickLook Plugin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW SDK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Speed Test\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 10.15 Catalina,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 11.1 Big Sur or later.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows 10, 64-bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x External 12V DC 100W power supply with 100 - 240V AC50\/60Hz IEC C14 input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Power Input\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 4-pin XLR port for external mains power supply or battery use.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12-pin Molex connector under rear battery plate.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e+12V 4-pin XLR regulated output on side of camera\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e+12V D-Tap regulated output on VLock battery plate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRear camera mount compatible with industry standard V-mount or gold mount battery plates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEnvironmental Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 40°C (32° to 104°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45°C (-4° to 113°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49339743535431,"sku":"CINEURSAMWC4K-STUDIO","price":7314.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/ursa_broadcast_g2_studio_config_1.jpg?v=1712316974"},{"product_id":"blackmagic-studio-camera-4k-pro-g2-cinstudmft-g24pdfg2","title":"Blackmagic Design Studio Camera 4K Pro G2 - CINSTUDMFT\/G24PDFG2","description":"\u003ch1\u003e\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design Studio Camera 4K Pro G2 - \u003cspan style=\"color: #c8121e;\"\u003eCINSTUDMFT\/G24PDFG2\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e**BMD NO LONGER ship from the UK ALL their Kit is now held in the Netherlands warehouse so please now allow 3-5 days lead time when ordering items**\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eMicro Four Thirds Lens Mount\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eCapture up to UHD 4K 3840 x 2160p60\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eLive Streaming\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eAffordable Single-Cable PoE Workflow\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e7\" High-Brightness HDR Touchscreen LCD\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eRecord to External USB Type-C Disks\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eRecords Blackmagic Raw, Up to 25,600 ISO\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eXLR \u0026amp; 3.5mm Audio Input, Built-In Mics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBLACKMAGIC STUDIO CAMERA 4K PRO G2\u003c\/strong\u003e\u003cbr\u003eDesigned for powerful SDI switchers, the Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus, the 10G Ethernet connection allows all connections on a single cable for an SMPTE style workflow that's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE ULTIMATE SELF-CONTAINED LIVE STUDIO CAMERAS\u003c\/strong\u003e\u003cbr\u003eWith 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so it has the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gains from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low-light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built-in colour correctors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIGHTWEIGHT CARBON FIBER POLYCARBONATE\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras are built from advanced carbon fibre-reinforced polycarbonate, so they are lightweight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard-to-access backstage areas. Plus, the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade make the cameras extremely fast to set up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGHLY VISIBLE TALLY LIGHT\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras have a large built-in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus, numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLARGE BUILT-IN VIEWFINDER\u003c\/strong\u003e\u003cbr\u003eThe design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed or even replaced with the metal sunshade from the URSA Studio Viewfinder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTOUCHSCREEN AND MANUAL CONTROLS\u003c\/strong\u003e\u003cbr\u003eFor fast-moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen, so you can access camera settings via on-screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine-tune the focus highlighting for accurate camera focus. There are also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus, there's even a program return and customizable function buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPATIBLE WITH POPULAR PHOTOGRAPHIC LENSES\u003c\/strong\u003e\u003cbr\u003eAs photographic lenses are designed to handle high resolutions and are mass-produced, they're great for high-end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often, these lenses are so well built that you get broadcast-style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBOTH BROADCAST AND CONSUMER CONNECTIONS\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical layout. The connections on the right are for all video inputs and outputs, and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINCLUDES TRIPOD MOUNT\u003c\/strong\u003e\u003cbr\u003eEvery Blackmagic Studio Camera includes a tripod mount, so you don't need to purchase any accessories. The mount includes a quick-release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus, the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera, such as prompters, matte boxes or heavy lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC, XLR OR ETHERNET POWERED\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4-pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tf5L0xKmCnc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e \u003c\/p\u003e\n\u003ctable width=\"500\" cellspacing=\"5\" cellpadding=\"5\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" width=\"50%\"\u003e\u003cb\u003eCamera Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEffective Sensor Size\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e17.78mm x 10mm (Four Thirds)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Mount\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eActive MFT Mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIris, focus, zoom on supported lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDynamic Range\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e13 Stops.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDual Native ISO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0dB and 18dB gain.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSensitivity at 0dB Gain\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef11 with 2160p59.94.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef12 with 2160p50.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eat 2,000 lux with 89.9% reflectance.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSignal-to-Noise Ratio\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e63dB for 2160p.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eShooting Resolutions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 60 fps.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFrame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eOff-speed frame rates up to 60 fps in Ultra HD.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFocus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eAuto focus available using compatible lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Dimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e7 inch 1920 x 1200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLCD capacitive touchscreen.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Brightness\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2000 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControls\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTouchscreen camera settings and menus with rotary settings dial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eprogram button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMounting Options\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x 1\/4 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3\/8 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eConnections\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI 2.0 Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Input\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x XLR analog switchable between mic and line levels. Phantom power support.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm Stereo Input. It can also be used for Timecode input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 5-pin XLR for talkback headset.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm TRRS mini jack for headphones with mic.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eReference Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTri-Sync or Black Burst when used with optional Blackmagic Studio Converter.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 channels of program audio embedded in 1.5G\/3G\/6G\/12G-SDI. 2 talkback channels on 15 and 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRemote camera control over SDI, HDMI or Ethernet.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEthernet\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10Gb\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB Type‑C 3.1 Gen 1 (up to 5Gb\/s) expansion ports for\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eexternal recording and focus\/zoom demand connection. Software updates using USB‑C Port A.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMicrophone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIntegrated stereo microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt-in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x mono speaker.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStandards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTelevision standard sample rate of 48 kHz and 24‑bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB-C 3.1 Gen 1 expansion ports for external\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003emedia for recording Blackmagic RAW.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia Format\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIt can format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSupported Codecs\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCodecs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 3:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 5:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 8:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 12:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q0,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q3,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB‑C 3.1 Gen 1 expansion ports for external media.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRecording Formats\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ein Ultra HD 3840 x 2160 at the selected frame rate.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eStorage rates based on 30 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 127 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 77 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 48 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 32 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 96 to 190 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 64 to 153 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 43 to 109 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 26 to 64 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControl\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003econtrolling your camera and lens from tripod handles.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Control Protocol over SDI and HDMI for external control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ewhen used with a compatible ATEM switcher with ATEM Software Control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eor ATEM Camera Control Panel. Includes control of some camera settings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003efocus, iris and zoom with compatible lenses, color corrector, tally and\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003erecord start and stop to external media via USB expansion port.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Corrector\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDaVinci YRGB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback and Tally\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLive Tally Indicator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x front facing for talent,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x rear-facing for operator.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI Channels 15 and 16.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Camera Setup for Mac and Windows.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12.0 Monterey,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 13.0 Ventura or later.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows 10, 64-bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x External 12V DC 60W power supply.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC locking 5.5 mm barrel connector.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC 4-pin XLR input for external power supply or battery use.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Usage\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e26 ‑ 40 W using DC input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e30 ‑ 46 W using PoE input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOptional Accessories\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Studio Converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Mini Switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Television Studio Pro switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic 3G‑SDI Shield for Arduino\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePhysical\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eL - 273.6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eW- 169.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH- 167.3mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.685kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEnvironmental Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 40° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWarranty\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12 Month Limited Manufacturer's Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003cbr\u003e1x Blackmagic Studio Camera 4K Pro G2\u003cbr\u003e1x Blackmagic Studio Camera Sun Shade\u003cbr\u003e1x Tripod Mount compatible with 15mm lightweight rails\u003cbr\u003e1x Turret Dust Cap\u003cbr\u003e1x External 12V DC power supply with locking connector and international sockets adapters for most countries.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49340148547911,"sku":"CINSTUDMFT\/G24PDFG2","price":1504.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/blackmagic-studio-camera-4k-pro-g2-front.jpg?v=1712324304"},{"product_id":"blackmagic-studio-converter-cinstudmft-h-sc","title":"Blackmagic Design Studio Converter - CINSTUDMFT\/H\/SC","description":"\u003ch1\u003e\n\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design Studio Converter\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #c8121e;\"\u003eCINSTUDMFT\/H\/SC\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e**BMD NO LONGER ships from the UK ALL their Kit is now held in the Netherlands warehouse so please now allow 3-5 days lead time when ordering items**\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eFor Studio Camera 4K Pro\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eSingle 10G Ethernet Cable to Camera\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003ePowers Camera via PoE\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eBreakout of Video, Audio \u0026amp; Talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWith 10G Ethernet on the Pro model, you can connect all signals to the camera with one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fibre, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows the breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus, you can fit 2 per-rack units using a Blackmagic Universal Rack Shelf.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" width=\"500\" class=\"newspecs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eCONNECTIONS\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Monitor Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Inputs \u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 channel analog Program audio in supported via 9‑pin connector.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 6.35 mm headphone jack.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Input\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eReturn 1 with 2 channels of Program audio embedded in 1.5G\/3G\/6G\/12G-SDI.\u003cbr\u003e4 talkback channels on 13, 14, 15 and 16.\u003cbr\u003eReturn 2 with 2 channels of audio embedded in 1.5G\/3G\/6G\/12G-SDI.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 channels of Program audio embedded in 1.5G\/3G\/6G\/12G- SDI.\u003cbr\u003e4 talkback channels on 13, 14, 15 and 16.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTimecode Connections\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x BNC In, 1 x BNC Out.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eReference Connections\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x BNC In, 1 x BNC Out.\u003cbr\u003eTri-Sync or Black Burst.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback Audio\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI channels 13 and 14 for Engineering talkback.\u003cbr\u003eSDI channels 15 and 16 for Production talkback.\u003cbr\u003eRJ-45 Talkback connector for analog external talkback systems.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2.2 inch LCD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEthernet\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 10Gb\/s PoE RJ‑45 Camera connector for SMPTE Fibre style workflow over Cat 6A network cable.\u003cbr\u003e1 x 1Gb\/s for external control and software updates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x USB-C.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eSTANDARDS\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97,\u003cbr\u003e1080p30, 1080p50, 1080p59.94, 1080p60,\u003cbr\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"\"\u003e\n\u003cbr\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97,\u003cbr\u003e2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 292M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1,\u003cbr\u003eSMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTelevision standard sample rate of 48kHz and 24‑bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eVideo Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4:2:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Precision\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Space\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eREC 709, REC 2020.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMultiple Rate Support\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI switches between HD, 3G-SDI, 6G-SDI and 12G-SDI.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eCONTROL\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Control Panel \u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e7 buttons with spin knob control and 2.2 inch color display for device control and menu settings.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRJ-45 1Gb\/s Ethernet.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eSOFTWARE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCamera Utility for firmware update.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 10.15 Catalina, Mac 11.1 Big Sur or later, Windows 10, 64-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply \u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e100 - 240V AC input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply \u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x Internal 100 - 240V AC 50\/60Hz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Usage \u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e40 W max plus camera power usage.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003ePHYSICAL SPECIFICATIONS\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003el-8.27in, h-1.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3.17lb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eENVIRONMENTAL SPECIFICATIONS\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 45° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWarranty\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 year manufacturer's warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49340148646215,"sku":"CINSTUDMFT\/H\/SC","price":792.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/CINSTUDMFT_H_SC1.jpg?v=1756291648"},{"product_id":"panasonic-ak-hrp1010gj-remote-operation-panel-pan-ak-hrp1010gj","title":"Panasonic AK-HRP1010GJ Remote Operation Panel - PANAKHRP1010GJ","description":"\u003cp\u003e\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003ePanasonic AK-HRP1010GJ Remote Operation Panel\u003c\/strong\u003e\u003c\/span\u003e - \u003cspan style=\"color: #c8102e;\"\u003ePAN-AK-HRP1010GJ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRemote Operation Panel for AK-UC3300 \/ AK-UC4000 \/ AK-HC5000\u003c\/li\u003e\n\u003cli\u003eSupports IP control, PoE\u003c\/li\u003e\n\u003cli\u003e“Easy IP tool” function\u003c\/li\u003e\n\u003cli\u003eTouch panel menu (3.5-type HD LCD colour panel)\u003c\/li\u003e\n\u003cli\u003e1\/4 Rack size\u003c\/li\u003e\n\u003cli\u003eSupports not only studio camera but also remote camera\u003c\/li\u003e\n\u003cli\u003eAssignable nob for Colour temperature, Master gain, Master flare etc.\u003c\/li\u003e\n\u003cli\u003eAssignable buttons for shortcut menu and function ON\/OFF\u003c\/li\u003e\n\u003cli\u003eSupports not only studio camera but also remote camera\u003c\/li\u003e\n\u003cli\u003eSupports SDXC card*. Store\/Read camera setting and adjustment file\u003c\/li\u003e\n\u003cli\u003eChange PREVIEW connector to D-Sub 9 pin\u003c\/li\u003e\n\u003cli\u003eJoystick control lever to adjust lens iris and master pedestal\u003c\/li\u003e\n\u003cli\u003e“User authorization” for the new model of the camera such as AK-HC3900\/HCU250\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePANEL DESIGNED FOR OPERABILITY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a 1\/4 rack size housing, four units can be installed in a single 19-type EIA rack, which is used as standard around the world.\u003c\/p\u003e\n\u003cp\u003eThe layout of the operation buttons on the panel simplifies operation by prioritizing frequently-used functions. Knobs for master gain, colour temperature, master flare, etc. can be assigned by users. Frequently-used functions such as gain and matrix can also be assigned to priority buttons. This enables rapid operation that can be adapted to the workflow of each location.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3.5-TYPE COLOUR LCD TOUCH PANEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new high-resolution 3.5-type colour LCD panel now supports touch operation and provides ease of use on location through high visibility and intuitive operation.\u003c\/p\u003e","brand":"3D Broadcast","offers":[{"title":"Default Title","offer_id":49340184494407,"sku":"PANAKHRP1010GJ","price":4671.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/75a20792ae76c5579da9101747e2f29e9bdb4e616f1b7fdc8e8dbf70870e8e48.jpg?v=1712324782"},{"product_id":"blackmagic-studio-camera-6k-pro-cinstudmft-g26pdk","title":"Blackmagic Design Studio Camera 6K Pro - CINSTUDMFT\/G26PDK","description":"\u003ch1\u003e\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design Studio Camera 6K Pro - \u003cspan style=\"color: #c8121e;\"\u003eCINSTUDMFT\/G26PDK\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e\u003cstrong\u003e**BMD NO LONGER ships from the UK ALL their Kit is now held in the Netherlands warehouse so please now allow 3-5 days lead time when ordering items**\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eActive Canon EF Lens Mount\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eCapture up to 6K 6144 x 3456p50\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eLive Streaming\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eRemote Controlled ND Filters\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eRaw Recording to External USB-C Disks\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eRecords Blackmagic Raw, Up to 25,600 ISO\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e7\" High-Brightness HDR Touchscreen LCD\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eXLR \u0026amp; 3.5mm Audio Input, Built-In Mics\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003eBuilt-In DaVinci Resolve Color Corrector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDesigned as the ultimate studio camera, Blackmagic Studio Camera 6K Pro adds a larger 6K Super 35 sensor and EF lens mount for true cinematic images in live production. There are built-in ND filters that let you reduce the amount of light entering the camera, allowing you to work in a wider range of situations, including in bright sunlight. Plus stream direct to the internet with built-in streaming! You also get 12G‑SDI, HDMI and 10G Ethernet which allows all connections on a single cable for a SMPTE style workflow that's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate self-contained live production camera!\u003c\/strong\u003e\u003cbr\u003eIntroducing the world’s most advanced self-contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic-looking images. The sensor features an ISO of up to 25,600 so you can create amazing images even in dimly lit venues. It even works under the moonlight! Advanced features include talkback, tally, camera control, built-in colour corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003cbr\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\u003cbr\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fibre-reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast and focus peaking. Plus a tripod mount with a mounting plate is included for fast setup!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional low-light performance\u003c\/strong\u003e\u003cbr\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Cinematic Images in Live Production!\u003c\/strong\u003e\u003cbr\u003eAmazing sensors combined with Blackmagic generation 5 colour science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built-in DaVinci Resolve primary colour corrector you get much better images than simple broadcast cameras. The colour corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for colour correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAffordable Photographic Lenses!\u003c\/strong\u003e\u003cbr\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are of incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Shots with Large 7\" Viewfinder\u003c\/strong\u003e\u003cbr\u003eThe large 7\" high-resolution screen will transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight! On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired colour and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical and Touchscreen Controls\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false colour, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally for On-Air Status\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red on-air, green for preview and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommunicate with the Director via Talkback\u003c\/strong\u003e\u003cbr\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher and the program returns from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like an SMPTE fibre workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Ways to Connect\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record triggers for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera Pro models have 12G-SDI so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes a tally, talkback and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Low-Cost Camera Control via SDI\u003c\/strong\u003e\u003cbr\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fibre to communicate and power cameras, however, SMPTE fibre is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Streaming for Global Remote Cameras\u003c\/strong\u003e\u003cbr\u003eNow you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built-in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built-in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to the video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Expansion Port for Accessories\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera features a high-speed USB-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus the USB port will power any phone or disk that’s plugged in!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\u003cbr\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich colour throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras include built-in microphones so you get sound included in the design making setup much faster. Plus the built-in microphones are shock and wind-resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorld's Best Camera Audio\u003c\/strong\u003e\u003cbr\u003eBecause the most common location to place microphones is near cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2-channel balanced XLR inputs support a +24 dBu line level and have an ultra-low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of ‑131 dBV(A). That's followed by two 117 dB high dynamic range analogue to digital converters, so you get the high-end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built-in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In ND Filters\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003cbr\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports 3D LUTs for Film Looks!\u003c\/strong\u003e\u003cbr\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowers From DC or 10G Ethernet\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tf5L0xKmCnc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Studio Camera 6K Pro\u003c\/li\u003e\n\u003cli\u003eBlackmagic Studio Camera Sun Shade\u003c\/li\u003e\n\u003cli\u003eTripod Mount compatible with 15mm lightweight rails\u003c\/li\u003e\n\u003cli\u003eTripod Mount Plate\u003c\/li\u003e\n\u003cli\u003eTurret Dust Cap\u003c\/li\u003e\n\u003cli\u003eExternal 12V DC power supply with locking connector and international sockets adapters for most countries.\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003cli\u003eDaVinci Resolve download card\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design sticker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" width=\"500\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\"\u003e\u003cb\u003eCamera Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEffective Sensor Size\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e17.78mm x 10mm (Four Thirds)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Mount\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eActive MFT Mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIris, focus, zoom on supported lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDynamic Range\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e13 Stops.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDual Native ISO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0dB and 18dB gain.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSensitivity at 0dB Gain\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef11 with 2160p59.94.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef12 with 2160p50.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eat 2,000 lux with 89.9% reflectance.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSignal to Noise Ratio\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e63dB for 2160p.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eShooting Resolutions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 60 fps.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFrame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eOff-speed frame rates up to 60 fps in Ultra HD.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFocus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eAuto focus available using compatible lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Dimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e7 inch 1920 x 1200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLCD capacitive touchscreen.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Brightness\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2000 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControls\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTouchscreen camera settings and menus with rotary settings dial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eprogram button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMounting Options\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x 1\/4 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3\/8 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eConnections\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI 2.0 Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Input\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x XLR analog switchable between mic and line levels. Phantom power support.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm Stereo Input. Can also be used for Timecode input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 5-pin XLR for talkback headset.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm TRRS mini jack for headphones with mic.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eReference Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTri-Sync or Black Burst when used with optional Blackmagic Studio Converter.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 channels of program audio embedded in 1.5G\/3G\/6G\/12G-SDI. 2 talkback channels on 15 and 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRemote camera control over SDI, HDMI or Ethernet.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEthernet\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10Gb\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB Type‑C 3.1 Gen 1 (up to 5Gb\/s) expansion ports for\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eexternal recording and focus \/ zoom demand connection. Software updates using USB‑C Port A.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMicrophone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIntegrated stereo microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x mono speaker.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStandards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTelevision standard sample rate of 48 kHz and 24‑bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB-C 3.1 Gen 1 expansion ports for external\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003emedia for recording Blackmagic RAW.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia Format\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSupported Codecs\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCodecs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 3:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 5:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 8:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 12:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q0,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q3,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB‑C 3.1 Gen 1 expansion ports for external media.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRecording Formats\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ein Ultra HD 3840 x 2160 at the selected frame rate.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eStorage rates based on 30 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 127 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 77 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 48 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 32 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 96 to 190 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 64 to 153 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 43 to 109 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 26 to 64 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControl\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003econtrolling your camera and lens from tripod handles.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Control Protocol over SDI and HDMI for external control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ewhen used with a compatible ATEM switcher with ATEM Software Control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eorATEM Camera Control Panel. Includes control of some camera settings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003efocus, iris and zoom with compatible lenses, color corrector, tally and\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003erecord start and stop to external media via USB expansion port.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Corrector\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDaVinci YRGB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback and Tally\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLive Tally Indicator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x front facing for talent,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x rear facing for operator.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI Channels 15 and 16.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Camera Setup for Mac and Windows.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12.0 Monterey,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 13.0 Ventura or later.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows 10, 64-bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x External 12V DC 60W power supply.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC locking 5.5 mm barrel connector.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC 4 pin XLR input for external power supply or battery use.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Usage\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e26 ‑ 40 W using DC input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e30 ‑ 46 W using PoE input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOptional Accessories\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Studio Converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Mini switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Television Studio Pro switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic 3G‑SDI Shield for Arduino\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePhysical\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eL - 273.6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eW- 169.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH- 167.3mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.685kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEnvironmental Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 40° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWarranty\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12 Month Limited Manufacturer's Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\u003cspan style=\"color: #012169;\"\u003e\u003cstrong\u003eBlackmagic Design Studio Camera 6K Pro - \u003cspan style=\"color: #c8121e;\"\u003eCINSTUDMFT\/G26PDK\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(200, 18, 30);\"\u003e**In Stock with Blackmagic in the UK (Dispatches in 1-2 days)**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned as the ultimate studio camera, Blackmagic Studio Camera 6K Pro adds a larger 6K Super 35 sensor and EF lens mount for true cinematic images in live production. There are built-in ND filters that let you reduce the amount of light entering the camera, allowing you to work in a wider range of situations, including in bright sunlight. Plus stream direct to the internet with built-in streaming! You also get 12G‑SDI, HDMI and 10G Ethernet which allows all connections on a single cable for a SMPTE style workflow that's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ultimate self-contained live production camera!\u003c\/strong\u003e\u003cbr\u003eIntroducing the world’s most advanced self-contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic-looking images. The sensor features an ISO of up to 25,600 so you can create amazing images even in dimly lit venues. It even works under the moonlight! Advanced features include talkback, tally, camera control, built-in colour corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003cbr\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\u003cbr\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fibre-reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast and focus peaking. Plus a tripod mount with a mounting plate is included for fast setup!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional low-light performance\u003c\/strong\u003e\u003cbr\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Cinematic Images in Live Production!\u003c\/strong\u003e\u003cbr\u003eAmazing sensors combined with Blackmagic generation 5 colour science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built-in DaVinci Resolve primary colour corrector you get much better images than simple broadcast cameras. The colour corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for colour correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAffordable Photographic Lenses!\u003c\/strong\u003e\u003cbr\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are of incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrame Shots with Large 7\" Viewfinder\u003c\/strong\u003e\u003cbr\u003eThe large 7\" high-resolution screen will transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models feature an HDR display with extremely high brightness, perfect outdoors in sunlight! On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired colour and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical and Touchscreen Controls\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false colour, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally for On-Air Status\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red on-air, green for preview and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCommunicate with the Director via Talkback\u003c\/strong\u003e\u003cbr\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot, at the same time! The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher and the program returns from the switcher to the camera. This means any embedded SDI audio device can work with talkback!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 12G-SDI, 10GBASE-T Ethernet, talkback and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like an SMPTE fibre workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Ways to Connect\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record triggers for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera Pro models have 12G-SDI so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes a tally, talkback and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Low-Cost Camera Control via SDI\u003c\/strong\u003e\u003cbr\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fibre to communicate and power cameras, however, SMPTE fibre is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Streaming for Global Remote Cameras\u003c\/strong\u003e\u003cbr\u003eNow you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built-in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built-in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to the video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Expansion Port for Accessories\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera features a high-speed USB-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus the USB port will power any phone or disk that’s plugged in!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\u003cbr\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich colour throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras include built-in microphones so you get sound included in the design making setup much faster. Plus the built-in microphones are shock and wind-resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorld's Best Camera Audio\u003c\/strong\u003e\u003cbr\u003eBecause the most common location to place microphones is near cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2-channel balanced XLR inputs support a +24 dBu line level and have an ultra-low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of ‑131 dBV(A). That's followed by two 117 dB high dynamic range analogue to digital converters, so you get the high-end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built-in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In ND Filters\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003cbr\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports 3D LUTs for Film Looks!\u003c\/strong\u003e\u003cbr\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003cbr\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowers From DC or 10G Ethernet\u003c\/strong\u003e\u003cbr\u003eBlackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tf5L0xKmCnc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" width=\"500\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\"\u003e\u003cb\u003eCamera Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEffective Sensor Size\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e17.78mm x 10mm (Four Thirds)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Mount\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eActive MFT Mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLens Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIris, focus, zoom on supported lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDynamic Range\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e13 Stops.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDual Native ISO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0dB and 18dB gain.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSensitivity at 0dB Gain\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef11 with 2160p59.94.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ef12 with 2160p50.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eat 2,000 lux with 89.9% reflectance.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSignal to Noise Ratio\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e63dB for 2160p.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eShooting Resolutions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD) up to 60 fps.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFrame Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eOff-speed frame rates up to 60 fps in Ultra HD.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFocus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eAuto focus available using compatible lenses.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Dimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e7 inch 1920 x 1200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLCD capacitive touchscreen.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eScreen Brightness\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2000 nits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControls\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTouchscreen camera settings and menus with rotary settings dial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eprogram button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMounting Options\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x 1\/4 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3\/8 inch tripod mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eConnections\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.5G, 3G, 6G, 12G.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI 2.0 Video Outputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Input\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x XLR analog switchable between mic and line levels. Phantom power support.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm Stereo Input. Can also be used for Timecode input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAnalog Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 5-pin XLR for talkback headset.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 3.5mm TRRS mini jack for headphones with mic.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eReference Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTri-Sync or Black Burst when used with optional Blackmagic Studio Converter.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Output\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 channels of program audio embedded in 1.5G\/3G\/6G\/12G-SDI. 2 talkback channels on 15 and 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRemote Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRemote camera control over SDI, HDMI or Ethernet.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEthernet\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e10Gb\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eComputer Interface\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB Type‑C 3.1 Gen 1 (up to 5Gb\/s) expansion ports for\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eexternal recording and focus \/ zoom demand connection. Software updates using USB‑C Port A.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMicrophone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eIntegrated stereo microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBuilt in Speaker\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x mono speaker.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStandards\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1080i50, 1080i59.94, 1080i60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eUltra HD Video Standards\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Compliance\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI Audio Sampling\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTelevision standard sample rate of 48 kHz and 24‑bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB-C 3.1 Gen 1 expansion ports for external\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003emedia for recording Blackmagic RAW.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMedia Format\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSupported Codecs\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCodecs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 3:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 5:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 8:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Bitrate 12:1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q0,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q1,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q3,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Constant Quality Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Features\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Type\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e2 x USB‑C 3.1 Gen 1 expansion ports for external media.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRecording Formats\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ein Ultra HD 3840 x 2160 at the selected frame rate.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Rates\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eStorage rates based on 30 frames per second.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160 (Ultra HD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 3:1 - 127 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 5:1 - 77 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 8:1 - 48 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW 12:1 - 32 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q0 - 96 to 190 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q1 - 64 to 153 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q3 - 43 to 109 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic RAW Q5 - 26 to 64 MB\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eControl\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eExternal Control\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003econtrolling your camera and lens from tripod handles.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Control Protocol over SDI and HDMI for external control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ewhen used with a compatible ATEM switcher with ATEM Software Control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eorATEM Camera Control Panel. Includes control of some camera settings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003efocus, iris and zoom with compatible lenses, color corrector, tally and\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003erecord start and stop to external media via USB expansion port.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eColor Corrector\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDaVinci YRGB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback and Tally\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLive Tally Indicator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x front facing for talent,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x rear facing for operator.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTalkback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDI Channels 15 and 16.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSoftware Included\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Camera Setup for Mac and Windows.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Systems\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12.0 Monterey,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eMac 13.0 Ventura or later.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows 10, 64-bit.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Supply\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x External 12V DC 60W power supply.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Inputs\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC locking 5.5 mm barrel connector.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x 12V DC 4 pin XLR input for external power supply or battery use.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1 x RJ45 Ethernet connector for power from Type 4 PoE power supplies.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePower Usage\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e26 ‑ 40 W using DC input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e30 ‑ 46 W using PoE input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOptional Accessories\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Focus Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Zoom Demand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic Studio Converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Mini switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eATEM Television Studio Pro switchers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBlackmagic 3G‑SDI Shield for Arduino\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePhysical\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eL - 273.6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eW- 169.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH- 167.3mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e1.685kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eEnvironmental Specifications\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOperating Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0° to 40° C (32° to 104° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eStorage Temperature\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20° to 45° C (-4° to 113° F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRelative Humidity\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWarranty\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e12 Month Limited Manufacturer's Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWHAT'S IN THE BOX\u003c\/strong\u003e\u003cbr\u003e1x Blackmagic Studio Camera 4K Pro G2\u003cbr\u003e1x Blackmagic Studio Camera Sun Shade\u003cbr\u003e1x Tripod Mount compatible with 15mm lightweight rails\u003cbr\u003e1x Turret Dust Cap\u003cbr\u003e1x External 12V DC power supply with locking connector and international sockets adapters for most countries.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49340580364615,"sku":"CINSTUDMFT\/G26PDK","price":2010.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/blackmagic-studio-camera-6k-pro-front_1.jpg?v=1712328401"}],"url":"https:\/\/3dbroadcastsales.com\/collections\/studio-solutions.oembed","provider":"3D Broadcast","version":"1.0","type":"link"}