{"product_id":"aja-fs8-hybrid-sdi-ip-media-processor","title":"AJA FS8 Hybrid SDI\/IP Media Processor","description":"\u003ch1\u003e\u003cspan style=\"color: rgb(1, 33, 105);\"\u003eAJA FS8 Hybrid SDI\/IP Media Processor\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cem\u003e\u003cstrong\u003eFS8 Next-Gen 12G-SDI\/SMPTE ST 2110 Media Processing\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUHD Vid Proc Mode for up to 4 channels of 4K\/UHD frame sync and conversion including HDR conversions \u003c\/li\u003e\n\u003cli\u003eHD Vid Proc Mode for up to 8 channels of HD frame sync and conversion including HDR conversions \u003c\/li\u003e\n\u003cli\u003eMix and match Vid Proc Modes, 8 Vid Procs total (2 required for UHD processing) \u003c\/li\u003e\n\u003cli\u003eWide range of I\/O options including SDI over coax, IP over SFP, optional fiber, and ST 2110, MADI, and Dante audio\n\u003cul\u003e\n\u003cli\u003e“SDI Only” and “Hybrid” operating modes provide quick access to only the connectivity you need\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K\/UHD\/2K\/HD video processing and up, down, cross-conversion \u003c\/li\u003e\n\u003cli\u003eHDR and SDR color transforms for Dynamic Range and Wide Color Gamut conversion needs (included and licensable options) \u003c\/li\u003e\n\u003cli\u003eEach Vid Proc can independently select from these transform modes: \n\u003cul\u003e\n\u003cli\u003eColorfront Engine (Licensable option) \u003c\/li\u003e\n\u003cli\u003eBBC HLG LUTs (Licensable option) \u003c\/li\u003e\n\u003cli\u003eNBCU LUTs \u003c\/li\u003e\n\u003cli\u003eUser LUT  \u003c\/li\u003e\n\u003cli\u003eDynamic LUT \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e33-point 3D LUT Processors with Tetrahedral Interpolation supporting: \n\u003cul\u003e\n\u003cli\u003eUser 3D LUTs \u003c\/li\u003e\n\u003cli\u003eDynamic 3D LUTs through third party applications \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eConfigurable HDR metadata for output SDI VPID and ST 2110 SDP \u003c\/li\u003e\n\u003cli\u003eTest signal generator, includes SDR and HDR test patterns, moving box, configurable overlay with user text, and tone generators, per video processor \u003c\/li\u003e\n\u003cli\u003eRegion of Interest scaling and positioning, per video processor \u003c\/li\u003e\n\u003cli\u003eMotion Adaptive Deinterlacer  \u003c\/li\u003e\n\u003cli\u003eAudio I\/O processing with a 459x448 audio matrix for audio feeds from SDI embedded, MADI, Dante, ST 2110-30, downmixers and audio tone generators, with each audio input and output offering sample rate conversion, delay, level, and phase adjustment\u003c\/li\u003e\n\u003cli\u003eColor LCD screen with real time video preview, audio meters, and status monitoring \u003c\/li\u003e\n\u003cli\u003eFeature rich browser-based UI control with video preview and audio meters \u003c\/li\u003e\n\u003cli\u003eOpenAPI implementation of the REST API for 3rd party or custom control \u003c\/li\u003e\n\u003cli\u003e1RU frame offering space, power, and cost efficiencies  \u003c\/li\u003e\n\u003cli\u003eGenlock – PTP, Analog Blackburst, or Tri-level \u003c\/li\u003e\n\u003cli\u003eConfigurable analog reference output  \u003c\/li\u003e\n\u003cli\u003eAncillary data grooming \u003c\/li\u003e\n\u003cli\u003eDelay management \n\u003cul\u003e\n\u003cli\u003eUp to 60 frames of configurable video delay in HD, 30 frames in UHD\u003c\/li\u003e\n\u003cli\u003e2.5 seconds of configurable audio delay. \u003c\/li\u003e\n\u003cli\u003eUltra-low latency video processing mode, less than half of a video frame \u003c\/li\u003e\n\u003cli\u003eTiming comparator to help align outputs without the need for a scope \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrame rate conversion \u003c\/li\u003e\n\u003cli\u003eVid Proc Layering \u003c\/li\u003e\n\u003cli\u003eIntuitive input and output routing matrix controls \u003c\/li\u003e\n\u003cli\u003eAny input to any output, video and audio \u003c\/li\u003e\n\u003cli\u003eSystem and component level presets enable faster setups \u003c\/li\u003e\n\u003cli\u003eIP features \n\u003cul\u003e\n\u003cli\u003eSMPTE ST 2110 (-10, -20, -21, -30, -40) standards compliant Video, Audio, ANC with ST 2022-7 redundancy \u003c\/li\u003e\n\u003cli\u003e4x SFP28 cages support 10 GigE and 25 GigE SFPs (not included) \u003c\/li\u003e\n\u003cli\u003eNMOS (IS-04 and IS-05) compatible \u003c\/li\u003e\n\u003cli\u003eIn-Band (via media SFPs): PTPv2\/ST 2059-2, control via NMOS (IS-04 and IS-05), and Ember+ \u003c\/li\u003e\n\u003cli\u003eOut-of-Band (via 1 GigE RJ-45): control via NMOS (IS-04 and IS-05), AJA REST API, and Ember+ \u003c\/li\u003e\n\u003cli\u003ePTP: ST 2059-2 (IEEE 1588 Precision Time Protocol) (PTPv2) via media SFPs  \u003c\/li\u003e\n\u003cli\u003eST 2110-30 audio modes 1x16, 2x8, 4x4, up to 16-channels per stream \n\u003cul\u003e\n\u003cli\u003e1ms and 125us timing \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eST 2110 Tools \n\u003cul\u003e\n\u003cli\u003eNetwork Validation – Ping per IP interface \u003c\/li\u003e\n\u003cli\u003ePCAP – Packet Capture File direct from device \u003c\/li\u003e\n\u003cli\u003eSDP - view and field ignore for troubleshooting \u003c\/li\u003e\n\u003cli\u003eNMOS Discovery Modes – Searches Control and Media network with support for DNS-SD + mDNS and static registry options \u003c\/li\u003e\n\u003cli\u003eOperational Statistics \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDante Audio \n\u003cul\u003e\n\u003cli\u003e1x Primary and 1x Secondary GigE ports for Dante audio network redundancy, supporting 64x64 audio channels  \u003c\/li\u003e\n\u003cli\u003eControllable through Dante software from Audinate \u003c\/li\u003e\n\u003cli\u003ePTPv2, AES67, RAVENNA, and ST 2110-30 compatible \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZJDs__GMWCA?si=RNT-9xYVno4Y69Aw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe FS8\u003c\/strong\u003e\u003c\/em\u003e is the new powerhouse multi-channel frame synchronizer and converter engineered to prepare SDI and SMPTE ST 2110 signals for production. FS8 combines frame synchronization, up\/down\/cross-conversion, frame-rate conversion, HDR\/WCG processing, 3D-LUT-based and live color management, audio processing, delay management, and metadata handling, along with SDI to\/from IP gateway, in a single, 1RU device. It is designed for cine-live productions, broadcast, production trucks, flypacks, live venues, studio and remote production environments where every downstream device must receive a predictable, standards-compliant signal, ensuring interoperability in even the most complex workflows. \u003c\/p\u003e\n\u003cp\u003eFS8 features 8 independent channels of HD video processing with up to 4 channels of UHD video processing in an all new, easy-to-operate, visual node pipeline within a rich web interface. The video processors are fed from up to 16x 12G-SDI inputs (8x 12G-SDI BNCs plus 8x via optional SDI HD-BNC or Fiber SFPs) and 8x HD or 4x UHD ST 2110-20 (4x 25 GbE SFP) inputs for a total combination of up to 16 inputs. FS8 has full input and output signal routing, allowing any I\/O port to be assigned to any processing channel. Audio connectivity has also been expanded from embedded SDI and MADI with the addition of Dante audio and ST 2110-30 audio connectivity building a massive 459x448 mono audio matrix! \u003c\/p\u003e\n\u003cp\u003eDesigned to solve real production challenges, the FS8 has a robust suite of tools for configuration and troubleshooting signal paths including a built-in test signal generator with custom text overlay on each output for verifying processing and downstream routing without adding additional sources. FS8 presets reduce set up time with System, Vid Proc, Audio Proc, IP Config, and 3D LUT presets available. In addition to its web-browser based UI, the FS8 can be managed via the REST API by 3rd parties or customized control applications. ST 2110 discovery, registration, and control is available with NMOS IS-04, IS-05, and EMBER+. Redundant power supplies ensure reliable, mission-critical operation. \u003c\/p\u003e\n\u003cp\u003eThe partner ecosystem offers integrations with external hardware controllers from CyanView and Skaarhoj, as well as compatibility with Pomfort software for real-time look management.\u003c\/p\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_12992\" class=\"feature-title\"\u003eFS8 Video Product Introduction\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_12992\" class=\"feature-content\"\u003e\n\u003cp\u003eWatch this short video to get a high-level introduction of the FS8 with AJA Senior Product Manager Tim Walker. Discover how FS8’s powerful hybrid SDI\/ST 2110 workflows, video and audio processing, and routing capabilities simplify today’s multi-camera, multi-format, multi-color space production workflows.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F12995\" id=\"F12995\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/12995-FS8_SMPTE-2110-graphic_1920x1080-dark_FIN.png\" id=\"feature_block_image_12995\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_12995\" class=\"feature-title\"\u003eSMPTE ST 2110\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_12995\" class=\"feature-content\"\u003e\n\u003cp\u003eAJA’s SMPTE ST 2110 product family provides the connectivity, control, and interoperability needed to build scalable, standards-based IP production workflows. With four SFP28 cages, the FS8 supports up to 4x UHD or up to 8x HD ST 2110 streams. The two pairs of SFP28s support ST 2022-7 redundancy for maximum uptime. FS8 supports hybrid IP gateway workflows in which SDI and SMPTE ST 2110 signals are synchronized, converted, processed, and exchanged within the same platform. The FS8 can input SDI, apply frame sync, and a wealth of processing options such as SDR\/HDR conversions, ROI, scaling, and then output SDI and ST 2110 streams. It also supports conversion from ST 2110 to\/from SDI or stay in a full SDI or 2110 pipeline providing ultimate flexibility in dynamic production settings. The capability doesn’t end with signal processing, the FS8 can use PTP and generate a wide range of analog sync reference outputs to genlock other devices. It also features in-band and out-of-band control via NMOS IS-04 and -05 and Ember +. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F12998\" id=\"F12998\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\n\u003cdiv class=\"twentytwenty-wrapper twentytwenty-horizontal\"\u003e\n\u003cdiv class=\"twentytwenty-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_12998\" class=\"feature-title\"\u003eHDR and Color Management\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_12998\" class=\"feature-content\"\u003e\n\u003ch4\u003eHDR, SDR, and Wide Color Gamut Processing \u003c\/h4\u003e\n\u003cp\u003eFS8 supports real-time HDR, SDR, and wide color gamut conversion for live production and distribution. Starting with the proven strengths of FS-HDR, the FS8 includes transform-based processing supporting 3D LUT workflows and single stream HDR productions with SDR and HDR deliverables, while expanding flexibility across more channels and hybrid SDI\/IP paths. \u003c\/p\u003e\n\u003ch4\u003eLive Color Management and Creative Control \u003c\/h4\u003e\n\u003cp\u003eFor camera matching, live grading, and HDR look management, FS8 provides configurable 3D LUT processors and integration points for professional live color-management systems. A Pomfort Livegrade workflow allows color decisions made in a live production environment to be applied in real-time.  FS8 has a per channel Proc Amp and RGB color corrector in line to fine-tune your live looks or camera match. The FS8 features color management from Colorfront*, NBCU LUTs, and BBC HLG LUTs*.\u003c\/p\u003e\n\u003ch4\u003eSingle Stream HDR and SDR production \u003c\/h4\u003e\n\u003cp\u003eProductions often must generate multiple color-space and dynamic-range deliverables or convert SDR sources to HDR for mixing with other HDR sources. FS8 can apply different color transforms per video processor output while preserving timing and generating the correct signaling metadata. A single source can be routed to multiple Video Processors for coordinated HDR and SDR processing and route to SDI and\/or ST 2110 outputs using the internal signal routing matrix. \u003c\/p\u003e\n\u003ch4\u003eLegalizer\u003c\/h4\u003e\n\u003cp\u003eFinally, a built-in YUV\/RGB legalizer ensures the processed video remains within broadcast specifications, protecting live productions and deliveries from illegal luminance and chroma levels after color processing, HDR transforms, and format conversions. \u003c\/p\u003e\n\u003cp\u003e*Optional license required. Free 15-day trial available. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13001\" id=\"F13001\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7861-Color%20Corrector_1548px.png\" id=\"feature_block_image_13001\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13001\" class=\"feature-title\"\u003eOperational Simplicity - Control for Operators, Engineers, and Automation \u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13001\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 features an embedded web server and an easy-to-use web UI, making sophisticated signal processing intuitive to configure, control, and deploy simplifying complex SDI and IP workflows while allowing engineering to maintain visibility and control. The interactive node-based processing pipeline and video preview provides the visibility, and control operators need to work with confidence. \u003c\/p\u003e\n\u003cp\u003eFS8 offers an advanced preset experience with System, Vid Proc, Audio Proc, IP Config, and 3D LUT presets available to the end user.  Each preset type offers granular control over each part of the preset you want to recall.  This greatly simplifies large scale deployments where defined processing pipelines can be shared across multiple units.\u003c\/p\u003e\n\u003cp\u003eNMOS IS-04 and IS-05 supports automated device discovery, registration, and stream connection management within SMPTE ST 2110 environments. \u003c\/p\u003e\n\u003cp\u003eThe OpenAPI Specification (OAS) for the REST API is easily available for 3rd party or customized control, with integrations available from CyanView, Skaarhoj, and Pomfort. \u003c\/p\u003e\n\u003cp\u003eEmber+ support enables seamless integration with broadcast control and automation systems for remote monitoring and operational control. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13004\" id=\"F13004\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/13004-FS8_Frame-Sync-with-Genlock-1920-FIN.png\" id=\"feature_block_image_13004\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13007\" id=\"F13007\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13007\" class=\"feature-title\"\u003eFrame Synchronization and Timing Control\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13007\" class=\"feature-content\"\u003e\n\u003ch4\u003ePrecisely Align Every Signal \u003c\/h4\u003e\n\u003cp\u003eCameras, replay servers, graphics engines, encoders, and processing equipment rarely deliver signals at exactly the same instant. Each video processor in the FS8 aligns an untimed or asynchronously timed source to house reference or PTP timing. Adjustable output timing and frame delays compensate for latency elsewhere in the workflow, allowing signals from different processing paths to arrive together. FS8 provides horizontal, vertical, and frame-delay adjustments, allowing engineers to align signals from the pixel level to multiple whole frames. Frame delay can be set to ultra-low latency for color procession only, for example, with just half of a video frame of processing latency. \u003c\/p\u003e\n\u003cp\u003eAs sports fans have come to expect more dynamic and interactive experiences, augmented reality (AR) is a common and valuable production asset, but one that requires additional video processing time. For seamless integration of AR into live productions, larger frame buffering capacities are required to delay other sources. The FS8 offers the largest configurable frame delay in its class of up to 60 frames per video processing channel in HD (30 in UHD), ensuring all sources stay in time. \u003c\/p\u003e\n\u003cp\u003eThe web UI offers a timing comparator which describes reference to output delay and input to output delay. The combination of these tools provides everything you need to manage signal timing in to and out of the FS8. \u003c\/p\u003e\n\u003ch4\u003eFrame Rate Conversion \u003c\/h4\u003e\n\u003cp\u003eWhen working in IP or Hybrid (SDI\/IP), FS8 can do anything-in into anything-out frame-rate conversion with a utility frame drop\/repeat approach as it is locked to time\/PTP. In pure SDI workflows, the video processors frame-rate conversions will be locked to the incoming reference. For example, if you are locked to a 50Hz analog reference, input a 59.94p signal and convert to 50p, it will drop frames as needed and output a locked and aligned signal to the 50Hz ref. Please see the manual for more details. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13010\" id=\"F13010\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/13010-FS8-UPD-Graphic%201250x1080.png\" id=\"feature_block_image_13010\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13010\" class=\"feature-title\"\u003eVideo Capabilities\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13010\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 offers a robust and wide range of video processing options with an easy-to-use, intuitive, node-based web UI. Eight independent video processors provide an extensive toolset for normalizing and shaping incoming signals including frame synchronization, up, down, and cross-conversion, layering, and color management for 4K, UHD, 2K, and HD sources. SDI and ST 2110 connectivity makes FS8 equally at home bridging existing baseband infrastructure with IP workflows, operating entirely within either environment, or integrating existing SDI infrastructure within IP environments. \u003c\/p\u003e\n\u003ch4\u003eUp\/Down\/Cross-Conversion \u003c\/h4\u003e\n\u003cp\u003eAJA’s advanced video processing delivers high-quality up\/down\/cross-conversion while preserving image fidelity throughout a ST 2110\/SDI hybrid production pipeline. Dedicated 10-bit hardware processing delivers consistent image quality with reliable and repeatable performance. Key conversion features include: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K\/UHD\/2K\/HD up\/down conversion \u003c\/li\u003e\n\u003cli\u003eHD\/HD cross-conversion (720p\/1080p\/1080i)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eFrame Synchronization \u003c\/h4\u003e\n\u003cp\u003eConfigurable video delay up to 60 frames in HD and 30 frames in UHD, plus an ultra-low-latency mode of less than half a video frame, gives engineers the flexibility to precisely align complex production workflows or simply process video as fast as possible. AR (Augmented Reality) imagery is fast becoming a de-facto standard for high-end sport production requiring massive delays of other signals, and FS8 has the tools to keep your diverse production elements in sync.\u003c\/p\u003e\n\u003ch4\u003eRegion of Interest Scaling \u003c\/h4\u003e\n\u003cp\u003eThe FS8 gives you powerful image shaping tools with adjustments for crop, scale, horizontal and vertical positioning - functioning as multiple high-powered 4K ROI’s embedded in this versatile media processing device. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdjust size - shrink or zoom, maintain aspect ratio  \u003c\/li\u003e\n\u003cli\u003eSelect Region of Interest and scale  \u003c\/li\u003e\n\u003cli\u003eCrop \u003c\/li\u003e\n\u003cli\u003eHorizontal and vertical positioning \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMulti-Layer Video Processing \u003c\/h4\u003e\n\u003cp\u003eThe FS8 has a built-in layering engine where you can layer one video processor behind or next to another and fill in the background with a matte color in this flexible layout tool, with an output preview in the UI. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMatte generator used to fill background, sidebars, letterbox areas, or masked regions after scaling \u003c\/li\u003e\n\u003cli\u003eClean masking of non-image areas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13013\" id=\"F13013\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7849-Audio%20Proc%20Out_1548px.jpg\" id=\"feature_block_image_13013\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13013\" class=\"feature-title\"\u003eAudio Capabilities\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13013\" class=\"feature-content\"\u003e\n\u003cp\u003ePowerful video processing is complemented by an equally comprehensive set of audio processing, routing, and synchronization tools. The FS8 includes a large internal audio matrix, sample rate conversion, per-channel delay, gain, phase, mute, mixdown, embedding\/de-embedding, and test tone generators so audio can remain synchronized and correctly assigned as video is processed. The FS8 offers Dante and ST 2110-30 IP audio, adding to the AJA Frame Synchronizer family’s comprehensive audio management capabilities. \u003c\/p\u003e\n\u003cp\u003e\u003cbig\u003eAudio In – up to 459 possible inputs\u003c\/big\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI embedded, ST 2110-30, MADI, Dante \u003c\/li\u003e\n\u003cli\u003eHigh-quality Sample Rate Conversion (SRC), each channel processed at 48kHz \u003c\/li\u003e\n\u003cli\u003eSRC bypass for non-PCM audio \u003c\/li\u003e\n\u003cli\u003e250ms of delay, level and phase controls for each input channel \u003c\/li\u003e\n\u003cli\u003eAudio downmixers for surround to stereo downmix \u003c\/li\u003e\n\u003cli\u003eTest tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbig\u003eAudio Out - up to 448 possible outputs\u003c\/big\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMap any 128 channels of audio to any of the 8 Vid Procs, routed to 16 video outputs* \u003c\/li\u003e\n\u003cli\u003eMap any 128 channels of audio to MADI outputs \u003c\/li\u003e\n\u003cli\u003eMap any 64 channels of audio to Dante output \u003c\/li\u003e\n\u003cli\u003eAdditional 2500ms of delay, level. and phase controls for each output channel \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e *(ST 2110-30 audio is associated with ST 2110-20 video) \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13016\" id=\"F13016\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-dark\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13016\" class=\"feature-title\"\u003eHardware\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13019\" id=\"F13019\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003ca href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/products\/enlarged\/FS8_connections_lg.jpg\" rel=\"lightbox\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7876-FS8_connections_lg.jpg\" id=\"feature_block_image_13019\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13019\" class=\"feature-title\"\u003eConnectivity\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13019\" class=\"feature-content\"\u003e\n\u003cp\u003eThe FS8 has two pairs of 10\/25GigE SFP28 cages for optional ST 2110 I\/O with 2022-7 redundancy and PTP supporting IP workflows. In SDI workflows, FS8 utilizes standard BNC as well as optional SFP with optical or HD-BNC inputs and outputs to integrate easily into 12G-SDI infrastructures. The SDI fiber I\/O option allows fiber cable runs up to 10 kilometers to be directly connected to the FS8 without the need for separate fiber converters. An analog reference input allows the FS8 SDI outputs to be locked to your house reference signal. Using timing derived from PTP, FS8 provides a configurable analog reference output which can be used to genlock other devices. The Control Port is for accessing the web UI and out-of-band controls. Dante audio I\/O is over the Primary and Secondary GigE ports for Dante network redundancy and control via Dante software. MADI I\/O is via the two pairs of HD-BNCs. Dual redundant power supplies are included supporting continuous operation in mission-critical applications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVideo  \n\u003cul\u003e\n\u003cli\u003e16x16 SDI (up to 12G-SDI) \n\u003cul\u003e\n\u003cli\u003e8x8 BNC \u003c\/li\u003e\n\u003cli\u003e8x8 SFP (optional) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x4 UHD or 8x8 HD ST 2110-20 \n\u003cul\u003e\n\u003cli\u003e4x SFP28 for 10 or 25GbE (ST 2110-20 with ST 2022-7, optional 3rd party) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio \n\u003cul\u003e\n\u003cli\u003e256x256 SDI embedded (SDI Only Mode, 128x128 in Hybrid Modes) \n\u003cul\u003e\n\u003cli\u003e8x8 SDI BNC (16 channels per video) \u003c\/li\u003e\n\u003cli\u003e8x8 SDI SFP (16 channels each per video, optional) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e128x128 MADI  \n\u003cul\u003e\n\u003cli\u003e2x2 HD-BNC (64 channels per MADI) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e128x128 ST 2110-30 \n\u003cul\u003e\n\u003cli\u003e4x SFP28 for 10 or 25GbE\u003c\/li\u003e\n\u003cli\u003e8x8 UHD or 4x4 HD (16 channels per video, optional 3rd party) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e64x64 Dante \n\u003cul\u003e\n\u003cli\u003e2x RJ-45, Primary and Secondary (64 channels) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13022\" id=\"F13022\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13022\" class=\"feature-title\"\u003eOperating Modes and IP Gateways \u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13022\" class=\"feature-content\"\u003e\n\u003cp\u003eOperating Modes and IP Gateways \u003c\/p\u003e\n\u003cp\u003eFS8 offers different operating modes tailored to different production needs.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSDI Only Mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis for an all-SDI facility and will benefit from all available 16x16 12G-SDI I\/O (including optional SFPs). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid 1 Mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis for a hybrid facility working with both SDI and ST 2110 signals and offers connectivity to 8x8 SDI (BNC) and 8x8 HD or 4x4 UHD ST 2110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid 2 Mode\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis for a hybrid facility which requires both SDI over fiber and coax and offers connectivity to 8x8 SDI (optional SFPs) and 8x8 HD or 4x4 UHD ST 2110. \u003c\/p\u003e\n\u003cp\u003eIn either of the two Hybrid Modes the IP gateway capabilities include: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8x HD (where \"x\" is a gateway in or out) \u003c\/li\u003e\n\u003cli\u003e4x UHD  \u003c\/li\u003e\n\u003cli\u003eExamples: \n\u003cul\u003e\n\u003cli\u003e8+0, 4+4, 0+8 HD (where 8+0 is 8 IP inputs to 8 Vid Procs to 8 SDI and or IP outputs and 0 SDI to IP gateways) \u003c\/li\u003e\n\u003cli\u003e4+0, 2+2, 0+4 UHD \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13025\" id=\"F13025\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7877-FS8_Stack_Fade_1548px_v2.png\" id=\"feature_block_image_13025\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13025\" class=\"feature-title\"\u003eFront Panel - LCD Display and Controls\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13025\" class=\"feature-content\"\u003e\n\u003cp\u003eThe FS8 front panel offers a color LCD display with real-time video processor output preview, audio level meters, and status for quick confidence monitoring in addition to critical system status monitoring including PTP. On the front panel, you will also find the select and adjust knobs, display navigation buttons, and status LEDs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13028\" id=\"F13028\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-dark\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13028\" class=\"feature-title\"\u003eWorkflows\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13031\" id=\"F13031\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003ca href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_Hybrid-SDI-IP-Workflow_1548px.jpg\" rel=\"lightbox\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7838-FS8_Hybrid-SDI-IP-Workflow_1548px.jpg\" id=\"feature_block_image_13031\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13031\" class=\"feature-title\"\u003eFS8 Hybrid SDI-IP Infrastructure\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13031\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 bridges existing SDI infrastructure with modern SMPTE ST 2110 production networks, providing high-density frame synchronization, format conversion, HDR\/3D LUT processing, ANC handling, and integrated audio management in a single 1RU platform. With support for SDI copper and\/or optional fiber I\/O, ST 2110 over 4x25GbE, embedded audio, Dante, and MADI, FS8 helps facilities simplify signal flow, reduce equipment count, and transition confidently between baseband and IP production environments.\u003c\/p\u003e\n\u003cp\u003eClick workflow to enlarge.\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"aja-btn\" href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_Hybrid-SDI-IP-Infra-Workflow_FIN.pdf\" target=\"_blank\"\u003eDownload Workflow\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13034\" id=\"F13034\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003ca href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_REMI-Edge-Processing-WF_FIN.pdf\" rel=\"lightbox\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7839-FS8_REMI-Edge-Processing-WF_1548px.jpg\" id=\"feature_block_image_13034\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13034\" class=\"feature-title\"\u003eFS8 Live Production\/REMI Edge Processing\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13034\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 helps simplify live REMI workflows by aligning SDI, ST 2110, and audio sources at the remote acquisition site before they move into production. Paired with BRIDGE LIVE IP, processed feeds can be transported as redundant SRT streams over the public internet, then received at the production control room where the actual production occurs. \u003c\/p\u003e\n\u003cp\u003eWith integrated frame synchronization, video processing, and audio handling, FS8 provides a compact edge-processing point for live production teams working across SDI, ST 2110, Dante, MADI, and remote contribution workflows. \u003c\/p\u003e\n\u003cp\u003eClick workflow to enlarge.\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"aja-btn\" href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_REMI-Edge-Processing-WF_FIN.pdf\" target=\"_blank\"\u003eDownload Workflow\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13037\" id=\"F13037\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003ca href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_LED-Wall-Color-Mgmt_FIN_1548px.jpg\" rel=\"lightbox\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7937-FS8_LED-Wall-Color-Mgmt_FIN_1548px.jpg\" id=\"feature_block_image_13037\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13037\" class=\"feature-title\"\u003eFS8 LED Wall Low Latency Color Management\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13037\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 provides centralized, low-latency color management for live LED wall workflows. Multiple UHD HLG BT.2020 sources from graphics, replay, switcher, and camera systems are processed through FS8 and converted to UHD PQ BT.2020 for delivery to LED image processors and displays. Integration with Pomfort Livegrade software enables dynamic image control across the workflow, while FS8 provides the processing density to manage up to four UHD signals in a single 1RU system.\u003c\/p\u003e\n\u003cp\u003eFS8 simplifies color management across multi-display productions while maintaining the low latency required for consistent, responsive imagery across stadium, on-set production, concert, and corporate event displays.\u003c\/p\u003e\n\u003cp\u003eClick workflow to enlarge. \u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"aja-btn\" href=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-stage\/public\/assets\/m\/workflows\/fs8\/FS8_LED-Wall-Color-Mgmt-WF_FIN.pdf\" target=\"_blank\"\u003eDownload Workflow\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13040\" id=\"F13040\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-dark\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13040\" class=\"feature-title\"\u003eHDR and Color\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13043\" id=\"F13043\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7851-FS8_Color_CF-Live_HDR_1548px.jpg\" id=\"feature_block_image_13043\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13043\" class=\"feature-title\"\u003eColorfront Engine™\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13043\" class=\"feature-content\"\u003e\n\u003cp\u003e\u003cbig\u003eMaintaining Perceptual Integrity\u003c\/big\u003e\u003c\/p\u003e\n\u003cp\u003eFS8’s HDR\/WCG capabilities leverage video and color space processing algorithms within the Colorfront Engine, specially licensed by AJA from Colorfront as a licensable option for FS8. \u003c\/p\u003e\n\u003cp\u003ePowered by the Colorfront Engine, FS8’s extensive HDR and WCG processing support enables real-time processing of up to 8 HD or 4 UHD signals. FS8 also enables the conversion of popular camera formats from multiple vendors into the HDR space, plus conversion to and from BT.2020\/BT.709 as needed, critical for HDR\/ SDR broadcast and OTT workflows. \u003c\/p\u003e\n\u003cp\u003e\u003cbig\u003eColorfront Engine TV Mode\u003c\/big\u003e\u003cspan\u003e \u003c\/span\u003eprovides specific conversions and simplified controls for highlight and roll-off management in live television broadcast productions. \u003c\/p\u003e\n\u003cp\u003e\u003cbig\u003eColorfront Engine Live Mode\u003c\/big\u003e\u003cspan\u003e \u003c\/span\u003eprovides conversions and controls that support live applications such as broadcast, OTT, A\/V, and venue.  New transforms support PQ workflows targeting 10,000 NIT displays. \u003c\/p\u003e\n\u003cp\u003e\u003cbig\u003eColorfront Engine SDR to Dolby Vision Preview Mode\u003c\/big\u003e\u003cspan\u003e \u003c\/span\u003econverts SDR sources to perceptually matched HDR using the same color transforms as Colorfront Transkoder’s SDR2DolbyVision node, with simplified controls for highlights and contrast. Designed for preview and downstream Dolby Vision workflows, it enables the same settings to be applied in Transkoder for final deliverables with Dolby Vision metadata. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13046\" id=\"F13046\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7852-FS8_ColorPipeline-with-3D-User-LUT.png\" id=\"feature_block_image_13046\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13046\" class=\"feature-title\"\u003eUser and Dynamic 3D LUTs \u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13046\" class=\"feature-content\"\u003e\n\u003cp\u003eFS8 supports uploads of user-created 3D LUTs, with the ability to store and recall as needed through the FS8’s new and easy-to-use 3D LUT Preset UI. 3D LUTs are ideal for SDR\/HDR transforms, bringing a standard desired look to a production, and for applying creative LUTs for imagine enhancements and special visual treatments. FS8 supports 33-point Tetrahedral 3D LUT interpolation.\u003c\/p\u003e\n\u003cp\u003eFS8 also supports Dynamic LUT uploads from third-party software for live color grading, with the ability to see changes as you implement them. For example, Pomfort LiveGrade software drives FS8’s Dynamic LUTs for continuous real-time LUT updates. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13049\" id=\"F13049\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7853-FS8_Color_BBC_moto_1548px.jpg\" id=\"feature_block_image_13049\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13049\" class=\"feature-title\"\u003eBBC HLG LUTs\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13049\" class=\"feature-content\"\u003e\n\u003cp\u003eBBC HLG LUTs Mode offers additional functionality that adds HDR conversion options, particularly for television broadcasters who are looking for specific conversion criteria as a licensable option in FS8.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupports mathematical HLG HDR dynamic range mapping per ITU BT.2408 \u003c\/li\u003e\n\u003cli\u003eScene-light and Display-light conversions \u003c\/li\u003e\n\u003cli\u003eSDR, PQ, and S-Log3 to HLG \u003c\/li\u003e\n\u003cli\u003eHLG to SDR and PQ \u003c\/li\u003e\n\u003cli\u003eUtilizes 33-point Tetrahedral 3D LUT Interpolation \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13052\" id=\"F13052\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7865-FS8_Color_NBCU_1548px.jpg\" id=\"feature_block_image_13052\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13052\" class=\"feature-title\"\u003eNBCU LUTs\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13052\" class=\"feature-content\"\u003e\n\u003cp\u003eNBCU LUTs, developed by NBCUniversal Media, LLC in collaboration with Cromorama, enable a workflow for single-master live production of simultaneous HDR and SDR content. Designed for television broadcasters, NBCU LUTs include SDR, HLG, and PQ LUTs that maximize the dynamic range and color volume in HDR, without compromising core SDR broadcasts and are included with FS8.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImperceptible roundtripping of SDR BT.709  \u003c\/li\u003e\n\u003cli\u003eConversions designed with a knee that is natural with latitude for live video shading \u003c\/li\u003e\n\u003cli\u003eScene-light and Display-light conversions \u003c\/li\u003e\n\u003cli\u003eSDR, HLG, and PQ conversions \u003c\/li\u003e\n\u003cli\u003eUtilizes 33-point Tetrahedral 3D LUT Interpolation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13055\" id=\"F13055\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-dark\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch3 id=\"feature_block_title_13055\" class=\"feature-title\"\u003ePartner Integrations\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13055\" class=\"feature-content\"\u003e\n\u003cp\u003eTo control FS8’s rich feature set beyond the built-in web UI, we offer a comprehensive set of tools to enable third parties to develop their own native control. Using the OpenAPI framework for the REST API, the protocol is presented intuitively, allowing both humans and computers to discover, interact, and understand FS8 capabilities.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13058\" id=\"F13058\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7867-pomfort_livegrade_logo_lg.png\" id=\"feature_block_image_13058\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13058\" class=\"feature-title\"\u003ePomfort\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13058\" class=\"feature-content\"\u003e\n\u003cp\u003e\u003cbig\u003ePomfort Livegrade\u003c\/big\u003e \u003c\/p\u003e\n\u003cp\u003ePomfort officially supports FS8 as a network-connected look management device. Livegrade connects to the FS8 by IP address, can address its individual video processors, and sends 3D LUT updates dynamically for real time processing by FS8. \u003c\/p\u003e\n\u003cp\u003e“For years, Livegrade has helped cinematographers and film production teams preserve their creative intent throughout complex multi-camera productions. As live productions continue to embrace cinematic image quality and modern IP infrastructures, the integration with the new AJA FS8 extends Livegrade's proven capabilities into SMPTE 2110 workflows for FullHD and UHD signals. We're excited to support this evolution by enabling live production teams to achieve cinematic-level creative control all the way through to the audience, while meeting the speed, scale, and no-second-chance demands of live environments.” - Lukas Wanderer, Product Manager at Pomfort\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/pomfort.com\/\" target=\"_blank\"\u003ehttps:\/\/pomfort.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13061\" id=\"F13061\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light feature-bottom-border simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7855-skaarhoj_logo_lg.png\" id=\"feature_block_image_13061\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13061\" class=\"feature-title\"\u003eSkaarhoj\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13061\" class=\"feature-content\"\u003e\n\u003cp\u003eSKAARHOJ’s line of hardware-based control panels provides integrated control of AJA’s FS family of frame synchronizers. The Rack Control Duo, developed in partnership with broadcast services provider NEP, supports AJA’s FS8, FS-HDR, FS4, FS2, and FS1-X devices and is capable of ganging control of multiple FS products and processing channels together, making set-up and on-the-fly adjustments faster and easier for operators and engineers with a single tactile hardware control panel.\u003c\/p\u003e\n\u003cp\u003eIdeal for any production environment involving multiple source signals, Rack Control Duo is an intuitive hardware control panel with tactile knobs and buttons to easily perform simultaneous adjustments across multiple AJA frame synchronizers.\u003c\/p\u003e\n\u003cp\u003eOperators can also use the panel to recall and implement presets from previous setups across one or more FS devices. When used in conjunction with FS8’s real time HDR\/WCG converters, RGB color corrections can be performed via Rack Control Duo prior to HDR to SDR or SDR to HDR transforms, harnessing the power of AJA’s FS8.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.skaarhoj.com\/\" target=\"_blank\"\u003ehttps:\/\/www.skaarhoj.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca name=\"F13064\" id=\"F13064\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-feature-row feature-bg-light simple-image\"\u003e\n\u003cdiv class=\"product-feature-row-clipper\"\u003e\n\u003cdiv class=\"container product-feature\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12 col-md-6 image\"\u003e\u003cimg src=\"https:\/\/d26ddnfpy9hzf8.cloudfront.net\/aja-web\/public\/assets\/images\/products\/872\/7866-cyanview_logo_lg_dark.png\" id=\"feature_block_image_13064\" class=\"feature-block-image  img-responsive\" width=\"\" height=\"\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-md-6\"\u003e\n\u003ch3 id=\"feature_block_title_13064\" class=\"feature-title\"\u003eCyanView\u003c\/h3\u003e\n\u003cdiv id=\"feature_block_content_13064\" class=\"feature-content\"\u003e\n\u003cp\u003eCyanView RCP connects to the AJA device over the same network and allows operators to control FS8’s video processor Proc Amps and RGB Color Correctors directly from the CyanView RCP. This option is available independently of camera control but can also be combined in a mode where the RCP would control both the camera and the color corrector simultaneously, providing the missing paint functions to the camera and a tactile control surface for the FS8.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.cyanview.com\/\" target=\"_blank\"\u003ehttps:\/\/www.cyanview.com\/\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eHDR\/WCG Real Time Processor\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eHDR Conversions\n\u003cul\u003e\n\u003cli\u003eHDR to HDR\u003c\/li\u003e\n\u003cli\u003eHDR to SDR\u003c\/li\u003e\n\u003cli\u003eSDR to HDR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColorimetry\n\u003cul\u003e\n\u003cli\u003eBT.709 and BT.2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eVideo Processing Transforms\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eEach processing channel can independently select from:\n\u003cul\u003e\n\u003cli\u003eColorfront Engine\u003c\/li\u003e\n\u003cli\u003eNBCU 3D LUTs\u003c\/li\u003e\n\u003cli\u003eBBC HLG 3D LUTs\u003c\/li\u003e\n\u003cli\u003eUser 3D LUTs\u003c\/li\u003e\n\u003cli\u003eDynamic 3D LUTs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eColorfront Engine (CFE) Advanced HDR Conversions\u003cbr\u003e \u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eProcessing Based on Human Perception Model\u003c\/li\u003e\n\u003cli\u003ePerceptually optimized color volume remapping \u003c\/li\u003e\n\u003cli\u003ePreserves the original creative intent\u003c\/li\u003e\n\u003cli\u003eParametric controls including HDR functions and color corrector\u003c\/li\u003e\n\u003cli\u003eTV Mode for applications such as television broadcast\u003c\/li\u003e\n\u003cli\u003eLive Mode for applications such as broadcast, OTT, A\/V\u003c\/li\u003e\n\u003cli\u003eFilm Mode for applications such as on-set camera preview and look creation\u003c\/li\u003e\n\u003cli\u003eSDR to Dolby Vision Preview Mode for applications supporting Dolby Vision grading workflows\u003c\/li\u003e\n\u003cli\u003eInput Video Dynamic Range\/Color Gamut\n\u003cul\u003e\n\u003cli\u003eSDR BT.709 100 Nits\u003c\/li\u003e\n\u003cli\u003eSDR Extended BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 1000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ P3D65 1000 Nits \u003c\/li\u003e\n\u003cli\u003eP3D65 Gamma 2.6 (Live mode only)\u003c\/li\u003e\n\u003cli\u003eHybrid Log Gamma BT.2100\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.709\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.2100\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3 Cine \u003c\/li\u003e\n\u003cli\u003eSony S-Log3 BT.2020\u003c\/li\u003e\n\u003cli\u003eARRI Log C Wide Gamut                                                  \u003c\/li\u003e\n\u003cli\u003eARRI LogC4 Wide Gamut 4\u003c\/li\u003e\n\u003cli\u003ePanasonic V-log \u003c\/li\u003e\n\u003cli\u003eRED Log3G10 Wide Gamut \u003c\/li\u003e\n\u003cli\u003eCanon Log 2 \u003c\/li\u003e\n\u003cli\u003eCanon Log 3\u003c\/li\u003e\n\u003cli\u003eBMDFilm Wide Gamut Gen5 (Live mode only)\u003c\/li\u003e\n\u003cli\u003eDJI D-Log D-Gamut (Live mode only)\u003c\/li\u003e\n\u003cli\u003eACEScct (Film mode only)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Video Dynamic Range\/Color Gamut\n\u003cul\u003e\n\u003cli\u003eSDR BT.709 100 Nits\u003c\/li\u003e\n\u003cli\u003eSDR Extended BT.709\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 1000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ P3D65 1000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 6000 Nits (Live mode only)\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 6000 Nits ConstrainP3 (Live mode only)\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 8000 Nits (Live mode only)\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 8000 Nits ConstrainP3 (Live mode only)\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 10000 Nits (Live mode only)\u003c\/li\u003e\n\u003cli\u003ePQ BT.2020 10000 Nits ConstrainP3 (Live mode only)\u003c\/li\u003e\n\u003cli\u003eHybrid Log Gamma BT.2100\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.709\u003c\/li\u003e\n\u003cli\u003eHLG Extended BT.2100\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 S-Gamut3\u003c\/li\u003e\n\u003cli\u003eSony S-Log3 BT.2020\u003c\/li\u003e\n\u003cli\u003eARRI Log C Wide Gamut\u003c\/li\u003e\n\u003cli\u003eARRI LogC4 Wide Gamut 4 \u003c\/li\u003e\n\u003cli\u003eACEScct (Film mode only)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDR Preview mode\u003c\/li\u003e\n\u003cli\u003eAmbient Light Compensation control\u003c\/li\u003e\n\u003cli\u003ePQ Output Nit level: 48-10000 Nits\u003c\/li\u003e\n\u003cli\u003ePQ Output P3 Colorspace Clamp\u003c\/li\u003e\n\u003cli\u003eExposure, Color Temp, Tint controls\u003c\/li\u003e\n\u003cli\u003eTV Mode controls\n\u003cul\u003e\n\u003cli\u003eHighlight management: Brightness, Highlight, Super Highlight\u003c\/li\u003e\n\u003cli\u003eColor Correction: Lift, Gamma, Gain, Saturation\u003c\/li\u003e\n\u003cli\u003eCamera Correction: Exposure, Color Temp, Tint\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLive Mode controls\n\u003cul\u003e\n\u003cli\u003eGrading: Lift, Gamma, Gain,\u003c\/li\u003e\n\u003cli\u003eSDR Softness control\u003c\/li\u003e\n\u003cli\u003eITU-R BT.2408 control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilm Mode controls\n\u003cul\u003e\n\u003cli\u003eGrading space: LogC, ACEScct, or S-Log3\u003c\/li\u003e\n\u003cli\u003eACES CDL: Offset, Power, Slope, Saturation     \u003c\/li\u003e\n\u003cli\u003eA\/B Look Selection\u003c\/li\u003e\n\u003cli\u003eA\/B Look Mix\n\u003cul\u003e\n\u003cli\u003eMasterLook\u003c\/li\u003e\n\u003cli\u003eMasterBroadcast\u003c\/li\u003e\n\u003cli\u003eMasterLookBright\u003c\/li\u003e\n\u003cli\u003eMasterLookCool\u003c\/li\u003e\n\u003cli\u003eMasterLookLowCon\u003c\/li\u003e\n\u003cli\u003eMasterLookSoftColor\u003c\/li\u003e\n\u003cli\u003eMasterLookVivid\u003c\/li\u003e\n\u003cli\u003eMasterLookWarm\u003c\/li\u003e\n\u003cli\u003eMasterPastelD60\u003c\/li\u003e\n\u003cli\u003eMasterPastelD65\u003c\/li\u003e\n\u003cli\u003eAgfa\u003c\/li\u003e\n\u003cli\u003eARRI K1S1\u003c\/li\u003e\n\u003cli\u003eBleach\u003c\/li\u003e\n\u003cli\u003eClassicFilm\u003c\/li\u003e\n\u003cli\u003eEktachrome\u003c\/li\u003e\n\u003cli\u003eFilmBlended\u003c\/li\u003e\n\u003cli\u003eFilmBlendedLoCon\u003c\/li\u003e\n\u003cli\u003eFujiDI\u003c\/li\u003e\n\u003cli\u003eFujiXD\u003c\/li\u003e\n\u003cli\u003eGenericFilm\u003c\/li\u003e\n\u003cli\u003eKodachrome\u003c\/li\u003e\n\u003cli\u003eReversalClassic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDR to Dolby Vision Preview controls\n\u003cul\u003e\n\u003cli\u003eHighlights: Low, Mid, High\u003c\/li\u003e\n\u003cli\u003eContrast: Low, Mid, High\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eBBC HLG 3D LUT HDR Conversions\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eMathematical dynamic range mapping per ITU-R BT.2408\n\u003cul\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred to HLG\/BT.2100 Strict v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 Strict v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Display Referred to HLG\/BT.2100 v.1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Display Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.2020 Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.2020 Display Referred UpMap to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003ePQ 1000 Nits Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003ePQ 4000 Nits Display Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eS-Log3\/BT.2020 100% Scene Referred to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eS-Log3\/BT.2020 200% Scene Referred(SR-Live) to HLG\/BT.2100 v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Scene Referred v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Scene Referred Strict v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Display Referred Color Appearance Model v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.709 Display Referred Super White v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to PQ 1000 Nits Display Referred v1.7\u003c\/li\u003e\n\u003cli\u003eHLG\/BT.2100 to SDR\/BT.2020 Display Referred Super White v1.7\u003c\/li\u003e\n\u003cli\u003eSDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 to SDR\/BT.709 Display Referred v1.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eNBCU 3D LUT Processing\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eNBCU LUTs developed by NBCUniversal Media, LLC\n\u003cul\u003e\n\u003cli\u003e1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light v1.1\u003c\/li\u003e\n\u003cli\u003e2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light v1.0\u003c\/li\u003e\n\u003cli\u003e3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light v1.1\u003c\/li\u003e\n\u003cli\u003e4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light v1.0\u003c\/li\u003e\n\u003cli\u003e5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light v1.0\u003c\/li\u003e\n\u003cli\u003e7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ v1.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eUser 3D LUT Processing\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eSupports custom 33 point .cube format 3D LUTs\u003c\/li\u003e\n\u003cli\u003eTetrahedral LUT interpolation\u003c\/li\u003e\n\u003cli\u003eConfigurable Colorimetry, Transfer Characteristic, Signal Range\u003c\/li\u003e\n\u003cli\u003eNonvolatile storage of 16 fixed LUTs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eDynamic 3D LUT Processing\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eSupports third party apps for automatic loading and processing of 3D LUTs \u003c\/li\u003e\n\u003cli\u003eReflects dynamic changes in real time from source software\u003c\/li\u003e\n\u003cli\u003eSupported by Pomfort Livegrade Pro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eVideo Formats\u003cbr\u003e \u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e(4K) 4096x2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(UltraHD) 3840x2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(2K) 2048x1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080PsF 23.98, 24, 25, 29.97, 30\u003c\/li\u003e\n\u003cli\u003e(HD) 1920x1080i 50, 59.94, 60\u003c\/li\u003e\n\u003cli\u003e(HD) 1280x720p 50, 59.94, 60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eVideo Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e8x 12G-SDI inputs, 8x BNC\n\u003cul\u003e\n\u003cli\u003e12G\/6G\/3G\/HD, SMPTE 292\/424\/2081\/2082\n\u003cul\u003e\n\u003cli\u003eYCbCr, 4:2:2, 10-bit\u003c\/li\u003e\n\u003cli\u003eSingle Link 12G\/6G-SDI\u003c\/li\u003e\n\u003cli\u003eSingle Link 3G-SDI Level A, SMPTE 425\u003c\/li\u003e\n\u003cli\u003eSingle Link 1.5G-SDI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8x Fiber or HD-BNC (optional SFP modules)\n\u003cul\u003e\n\u003cli\u003eSFP coax module, 12G\/6G-SDI, dual HD-BNC\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 12G\/6G-SDI, Single Mode, dual LC or single LC, SMPTE 297\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 3G-SDI, Single Mode, dual LC, single LC, or single SC, SMPTE 297\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 3G-SDI, Multi-Mode, dual LC or single LC, SMPTE 297\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x UHD or 8x HD, SMPTE ST 2110-20 Video\n\u003cul\u003e\n\u003cli\u003eYCbCr 4:2:2 10-bit\u003c\/li\u003e\n\u003cli\u003eRX support for Class-A, B, C, D SMPTE ST 2022-7 redundancy\u003c\/li\u003e\n\u003cli\u003eRx support for Narrow and Wide Senders\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eVideo Outputs \u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e8x 12G-SDI outputs\n\u003cul\u003e\n\u003cli\u003e12G\/6G\/3G\/HD, SMPTE 292\/424\/2081\/2082\n\u003cul\u003e\n\u003cli\u003eYCbCr, 4:2:2, 10-bit\u003c\/li\u003e\n\u003cli\u003eSingle Link 12G\/6G-SDI\u003c\/li\u003e\n\u003cli\u003eSingle Link 3G-SDI Level A, SMPTE 425\u003c\/li\u003e\n\u003cli\u003eSingle Link 1.5G-SDI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8x Fiber or HD-BNC (optional SFP modules)\n\u003cul\u003e\n\u003cli\u003eSFP coax module, 12G\/6G-SDI, dual HD-BNC\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 12G\/6G-SDI, Single Mode, dual LC or single LC, SMPTE 297\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 3G-SDI, Single Mode, dual LC, single LC, or single SC, SMPTE 297\u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 3G-SDI, Single Mode, dual LC, SMPTE 297 \u003c\/li\u003e\n\u003cli\u003eSFP fiber module, 3G-SDI, Multi-Mode, dual LC or single LC, SMPTE 297\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x UHD or 8x HD, SMPTE ST 2110-20 Video\n\u003cul\u003e\n\u003cli\u003eYCbCr 4:2:2 10-bit\u003c\/li\u003e\n\u003cli\u003eTx support for SMPTE ST 2022-7\u003c\/li\u003e\n\u003cli\u003eTx senders are Narrow Gapped\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eMedia Interfaces (In-Band)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e4x SFP28 Cages \n\u003cul\u003e\n\u003cli\u003eSupports 10 GigE and 25 GigE SFPs (SFPs not included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUncompressed media (SMPTE ST 2110-20, 30, 40)\u003c\/li\u003e\n\u003cli\u003ePTP\u003c\/li\u003e\n\u003cli\u003eNMOS Discovery, Registration, and Control\n\u003cul\u003e\n\u003cli\u003eNMOS Tx\/Rx support according to standards IS-04 v1.3 and IS-05 v1.1\u003c\/li\u003e\n\u003cli\u003eLLDP\u003c\/li\u003e\n\u003cli\u003eIn-Band and Out-of-Band\u003c\/li\u003e\n\u003cli\u003eL2, L3 with SSM\u003c\/li\u003e\n\u003cli\u003eIGMP v2, v3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eOperating Modes\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Only Mode: Supports up to 16x16 12G-SDI (8x8 SDI BNC and 8x8 SDI SFPs, optical and HD-BNC)\u003c\/li\u003e\n\u003cli\u003eHybrid Mode 1: Supports mix of 8x8 12G-SDI BNC and ST 2110 \u003c\/li\u003e\n\u003cli\u003eHybrid Mode 2: Supports mix of 8x8 12G-SDI SFPs (optical and HD-BNC) and ST 2110 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eIP Gateway\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e8x HD (where \"x\" is a gateway in or out) \u003c\/li\u003e\n\u003cli\u003e4x UHD  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eExamples:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e 4+0, 2+2, 0+4 UHD (where 4+0 is 4 IP inputs to 4 UHD Vid Procs to 4 SDI and or IP outputs and 0 SDI to IP gateways) \u003c\/li\u003e\n\u003cli\u003e 8+0, 4+4, 0+8 HD (where 8+0 is 8 IP inputs to 8 HD Vid Procs to 8 SDI and or IP outputs and 0 SDI to IP gateways) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eVideo Processing\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eFrame synchronization\u003c\/li\u003e\n\u003cli\u003eUp, Down, Cross conversion\u003c\/li\u003e\n\u003cli\u003eFrame rate conversion\u003c\/li\u003e\n\u003cli\u003eMotion adaptive deinterlacer\u003c\/li\u003e\n\u003cli\u003eProc amp controls\u003c\/li\u003e\n\u003cli\u003eColor corrector\u003c\/li\u003e\n\u003cli\u003eColor transforms\u003c\/li\u003e\n\u003cli\u003eLegalizer\u003c\/li\u003e\n\u003cli\u003eFreeze (manual or on input signal loss)\u003c\/li\u003e\n\u003cli\u003eMatte generator for background fill\u003c\/li\u003e\n\u003cli\u003eTest signal generator, SDR and HDR patterns, moving box, text overlay\u003c\/li\u003e\n\u003cli\u003eNominal video delay 2 frames\u003c\/li\u003e\n\u003cli\u003eAdjustable delay (0-30 frames UHD, 0-60 frames HD) with H and V timing controls in pixels and lines\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAncillary Data\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eAll embedded ANC packets pass-through when output format equals input format\u003c\/li\u003e\n\u003cli\u003eAncillary Timecode (LTC, VITC1, VITC2) pass-through for wide range of conversions\u003c\/li\u003e\n\u003cli\u003eSCTE-104 and Closed Captioning pass-through for wide range of conversions\u003c\/li\u003e\n\u003cli\u003eConfigurable output VPID \/ SDP for Colorimetry, Transfer Characteristic, and Signal Range\u003c\/li\u003e\n\u003cli\u003eSMPTE ST 2110-40 Ancillary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eScaling\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eSupported in 4K\/UltraHD\/2K\/HD formats\n\u003cul\u003e\n\u003cli\u003eZoom in and out\u003c\/li\u003e\n\u003cli\u003eReposition\u003c\/li\u003e\n\u003cli\u003eRegion of Interest (ROI)\u003c\/li\u003e\n\u003cli\u003eVideo processor layering, max 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAudio Inputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e16x SDI embedded inputs (16-channels each)\n\u003cul\u003e\n\u003cli\u003e128-channels, 24-bit, 48 kHz synchronous, SMPTE 299\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x UHD or 8x HD SMPTE ST 2110-30 Audio input streams\n\u003cul\u003e\n\u003cli\u003e1x16, 2x8, 4x4 modes, up to 16-channels audio per stream, 24-bit, 48 kHz synchronous\u003c\/li\u003e\n\u003cli\u003e1ms and 125us timing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDANTE input, 2x RJ-45 (Primary and Secondary)\n\u003cul\u003e\n\u003cli\u003e64-channels, 44.1kHz, 48kHz, 88.2kHz, 96kHz (Sample Rate Converted to 48 kHz)\u003c\/li\u003e\n\u003cli\u003ePCM 16, PCM 24, PCM 32\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x MADI inputs, (56 or 64-channels each), 2x HD-BNC\n\u003cul\u003e\n\u003cli\u003e128-channels, 24-bit, AES-10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAudio Outputs\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e48 kHz sample rate\u003c\/li\u003e\n\u003cli\u003e1x embedded output per Video Processor (16-channels each)\n\u003cul\u003e\n\u003cli\u003e128-channels, 24-bit, 48 kHz synchronous, SMPTE 299\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x UHD or 8x HD ST 2110-30 Audio output streams\n\u003cul\u003e\n\u003cli\u003e1x16, 2x8, 4x4 modes, up to 16-channels audio per stream, 24-bit, 48 kHz synchronous\u003c\/li\u003e\n\u003cli\u003e1ms and 125us timing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDANTE output, 2x RJ-45 (Primary and Secondary)\n\u003cul\u003e\n\u003cli\u003e64-channels, 48kHz synchronous\u003c\/li\u003e\n\u003cli\u003ePCM 16, PCM 24, PCM 32\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x MADI outputs, 2x HD-BNC\n\u003cul\u003e\n\u003cli\u003e128-channels, 24-bit, AES-10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAudio Processing\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e459 x 448 mono audio matrix, route 1 to 1, 1 to many\n\u003cul\u003e\n\u003cli\u003eInputs: 256 SDI embedded, 128 SMPTE 2110-30, 64 DANTE, 128 MADI, 4 stereo mixdowns (8-channels), 3 tone generators\u003c\/li\u003e\n\u003cli\u003eOutputs: 128 from Vid Procs (to SDI embedded and ST 2110-30 streams), 64 DANTE, 128 MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput adjustment controls for each channel\n\u003cul\u003e\n\u003cli\u003eGain +18 to -18 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003ePhase invert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput adjustment controls for each channel\n\u003cul\u003e\n\u003cli\u003eDelay 0sec to +0.25sec in 20.8 us steps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio delay can automatically follow video timing delay adjustments\u003c\/li\u003e\n\u003cli\u003eFour independent 5.1 or 7.1 to stereo mixdown processors with gain adjust\u003c\/li\u003e\n\u003cli\u003eHigh quality Sample Rate Conversion supported on all audio inputs\u003c\/li\u003e\n\u003cli\u003eSRC bypass for non-PCM audio (e.g. Dolby E, AC-3, etc)\u003c\/li\u003e\n\u003cli\u003eOutput adjustment controls for each channel\n\u003cul\u003e\n\u003cli\u003eGain +18 to -18 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003ePhase invert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput adjustment controls for each channel\n\u003cul\u003e\n\u003cli\u003eDelay 0sec to +2.5sec in 20.8 us steps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTest signal generator (Silence, 400 Hz, 1 kHz)\u003c\/li\u003e\n\u003cli\u003eAudio group control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAnalog Reference Input\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eExternal, 1x BNC\n\u003cul\u003e\n\u003cli\u003eBlackburst or tri-level sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eAnalog Reference Output\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eExternal, 1x BNC\n\u003cul\u003e\n\u003cli\u003eBlackburst or tri-level sync\u003c\/li\u003e\n\u003cli\u003eConfigurable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eGenlock\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog Reference Input\u003c\/li\u003e\n\u003cli\u003ePTPv2 SMPTE ST 2059-2 \/ IEEE 1588-2008\n\u003cul\u003e\n\u003cli\u003eIn-Band only\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFree run\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eControl Network Interfaces\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e1x RJ-45, 10\/100\/1000 Ethernet\n\u003cul\u003e\n\u003cli\u003eEmbedded web server for remote control\u003c\/li\u003e\n\u003cli\u003eREST Interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x RJ-45, 10\/100\/1000 Ethernet\n\u003cul\u003e\n\u003cli\u003eDANTE Controller\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4x SFP28 Media Interfaces\n\u003cul\u003e\n\u003cli\u003eNMOS Discovery, Registration, and Control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eUser Interfaces\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eAJA webUI\u003c\/li\u003e\n\u003cli\u003eDANTE Controller, Dante Domain Manager \u0026amp; Network Management Applications \u003c\/li\u003e\n\u003cli\u003eColor LCD Display with backlit button keypad\u003c\/li\u003e\n\u003cli\u003eTwo rotary\/push knobs\u003c\/li\u003e\n\u003cli\u003eLED alarm indicators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003ePresets\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003eSystem, Video Processor, Audio Processor, User 3D LUT, IP Config, and component levels within\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eSize (w x d x h)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e17.5” x 16.0” x 1.75” (1RU) (444.5 x 406.4 x 44.45 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e7.9 lb (3.6 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr\u003e\n\u003cdiv class=\"third\"\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"twothirds\"\u003e\n\u003cul\u003e\n\u003cli\u003e100-240 VAC 50\/60 Hz (Dual, redundant power supplies), 70W typical; 90W max.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":54872904073543,"sku":null,"price":13074.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/aja-fs8.jpg?v=1788445411","url":"https:\/\/3dbroadcastsales.com\/products\/aja-fs8-hybrid-sdi-ip-media-processor","provider":"3D Broadcast","version":"1.0","type":"link"}