{"product_id":"sony-ilmefr7-cec-fr7-full-frame-cinema-line-ptz-camera","title":"Sony ILMEFR7.CEC FR7 Full Frame Cinema Line PTZ Camera","description":"\u003ch1\u003e\u003cspan style=\"color: #012169;\"\u003eSony ILMEFR7.CEC FR7 Full Frame Cinema Line PTZ Camera\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eSupports up to UHD 4K120 Video\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eSony E-Mount Lens Interchangeability\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e4K Full-Frame Sensor\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e12G-SDI, HDMI \u0026amp; Streaming Output\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eVariable Electronic ND Filter\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eSmooth, Slow Pan \u0026amp; Tilt Movement\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eIR, IP \u0026amp; Web App Remote Control\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eFlexible PoE+ Installation\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eGenlock, Timecode \u0026amp; Tally Lamps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #c8121e;\"\u003e\u003cem\u003eNot often does something come out of the blue and hit you square between the eyes and you go WoW. Well, it just has and how exciting are the new Sony FR7 cameras, The world's first PTZ Camera that is able to combine a full-frame image sensor camera, lens interchangeability, and remote shooting functionality all combined as a PTZ Camera? Basically, it is an FX6 NETFLIX-approved PTZ camera. What a game-changer!\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OKObteRkfVI?si=Qki2fLPvRaQ3PKvj\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7yE6DyxU2W0?si=ZHaNr8pVlLRRHYhT\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fto5tLBtkwU?si=hO0xW8cqQlVFMMBq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vd7B4m2IIhU?si=OD5eWF1kmkgBokOb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eThe FR7\u003c\/strong\u003e\u003c\/em\u003e provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control for creative camera placement \u003c\/strong\u003e\u003cbr\u003eWith its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnovative remote control\u003c\/strong\u003e\u003cbr\u003eWith a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser\u003cem\u003e*1\u003c\/em\u003e. You can also use the optional RM-IP500\u003cem\u003e*2\u003c\/em\u003e for precise joystick-controlled pan, tilt and zoom operation\u003cem\u003e*3\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced technology for cinematic expression\u003c\/strong\u003e\u003cbr\u003eBearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time\u003cem\u003e*4\u003c\/em\u003e in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimitless creativity with E-mount lenses\u003c\/strong\u003e\u003cbr\u003eThe FR7 features Sony's E-mount and can be used with all E-mount lenses\u003cem\u003e*5\u003c\/em\u003e. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm\u003cem\u003e*6\u003c\/em\u003e gives you comprehensive creative control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema Line image quality\u003c\/strong\u003e\u003cbr\u003eThe FR7's \"Cinema Line\" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStaggering latitude for powerful expression\u003c\/strong\u003e\u003cbr\u003eThe FR7 offers wide 15+ stop latitude\u003cem\u003e*7\u003c\/em\u003e to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAstounding image quality in low light \u003c\/strong\u003e\u003cbr\u003eThe FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600\u003cem\u003e*8\u003c\/em\u003e when shooting in extremely low light conditions such as live concerts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlow motion for extensive creative possibilities \u003c\/strong\u003e\u003cbr\u003eSmooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps\u003cem\u003e*9 \u003c\/em\u003ein 4K\u003cem\u003e*10\u003c\/em\u003e resolution, and up to 240 fps in full HD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K 60p 4:2:2 10-bit output \u003c\/strong\u003e\u003cbr\u003eThe FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR®\u003cem\u003e*11\u003c\/em\u003e in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupport for S-Log3\/S-Gamut3\u003c\/strong\u003e\u003cbr\u003eThe optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-Intra recording for precise motion capture \u003c\/strong\u003e\u003cbr\u003eThe FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.\u003cbr\u003e[1] All-Intra (ALL-I)  [2] Long-GOP  [3] Group of Pictures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn instant cinematic look with S-Cinetone™\u003c\/strong\u003e\u003cbr\u003eS-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wide variety of lenses to deliver your vision\u003c\/strong\u003e\u003cbr\u003eThe FR7 features Sony's E-mount and can be used with high-quality E-mount lenses\u003cem\u003e*5\u003c\/em\u003e, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm\u003cem\u003e*6\u003c\/em\u003e gives you full creative control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExquisite, impressive bokeh\u003c\/strong\u003e\u003cbr\u003eTaking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe advantages of Sony’s lenses for video shooting \u003c\/strong\u003e\u003cbr\u003eThe best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens support rods\u003c\/strong\u003e\u003cbr\u003eTwo lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCapture the scene from any angle\u003c\/strong\u003e\u003cbr\u003eThe FR7 incorporates smooth pan, tilt and zoom\u003cem\u003e*3\u003c\/em\u003e functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA full-featured dedicated Web App\u003c\/strong\u003e\u003cbr\u003eWith a new dedicated Web App, you can use a tablet or a computer's web browser\u003cem\u003e*1\u003c\/em\u003e to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-performance remote controller RM-IP500\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be paired with Sony's RM-IP500 remote controller\u003cem\u003e*2 \u003c\/em\u003efor PTZ cameras, providing precise joystick-controlled pan, tilt and zoom\u003cem\u003e*3\u003c\/em\u003e operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpand your creative options\u003cbr\u003e\u003c\/strong\u003eThe FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP500\u003cem\u003e*2\u003c\/em\u003e remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras)\u003cem\u003e*12.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFine-tuned control over camera movement \u003c\/strong\u003e\u003cbr\u003ePan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 100 preset camera positions\u003cem\u003e*13\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eThe supplied remote controller\u003cem\u003e*14\u003c\/em\u003e, dedicated FR7 Web App and RM-IP500\u003cem\u003e*2\u003c\/em\u003e can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear Image Zoom3 to refine your angle of view \u003c\/strong\u003e\u003cbr\u003eThe FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens\u003cem\u003e*13\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable autofocus for remote shooting\u003c\/strong\u003e\u003cbr\u003eFor remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor.\u003cbr\u003e[1] Phase-detection AF coverage area\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal-time Tracking for remote shooting\u003c\/strong\u003e\u003cbr\u003eConcentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production\u003cem\u003e*15\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal-time Eye AF for remote shooting \u003c\/strong\u003e\u003cbr\u003eUnderpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic Variable ND Filter for smooth remote operation \u003c\/strong\u003e\u003cbr\u003eSony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1\/4 to 1\/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBreathing compensation\u003cem\u003e*16\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eThe FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects\u003cem\u003e*16\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTally lights to facilitate multi-camera production\u003c\/strong\u003e\u003cbr\u003eThe FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupplied infrared remote controller \u003c\/strong\u003e\u003cbr\u003eThe infrared remote controller\u003cem\u003e*14 \u003c\/em\u003eincluded with the FR7 controls pan, tilt, zoom and focus (with presets\u003cem\u003e*13\u003c\/em\u003e available) as well as recording and playback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated ceiling mount bracket CIB-PCM\u003cem\u003e*12\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003eThe FR7 is compatible with the CIB-PCM1 ceiling mount bracket\u003cem\u003e*2 \u003c\/em\u003efor easy overhead setup. The \"Ceiling\" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterfaces and IP transmission methods for a wide range of use cases\u003cbr\u003e\u003c\/strong\u003eThe FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnecting to external devices\u003c\/strong\u003e\u003cbr\u003eEasily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTC IN connector\u003c\/strong\u003e\u003cbr\u003eReceives timecode from an external device to be used for synchronisation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Option\" connector\u003c\/strong\u003e\u003cbr\u003eConnects tally light signals to an external device. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGENLOCK connector\u003c\/strong\u003e\u003cbr\u003eReceives synchronisation signals from an external device for use in multi-camera setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLAN and PoE++ connector\u003c\/strong\u003e\u003cbr\u003eThe FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus\u003cem\u003e*17\u003c\/em\u003e) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling.\u003cbr\u003e[1] Network Switch  [2] FR7  [3] Data  [4] Power\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC IN connector\u003c\/strong\u003e \u003cbr\u003eIf not using PoE++, the supplied AC adaptor connects to the FR7's \"DC IN\" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupport for multiple protocols to meet your streaming needs\u003cbr\u003e\u003c\/strong\u003eRTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX18 connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable cellpadding=\"5\" cellspacing=\"5\" width=\"500\" class=\"newspecs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"50%\" valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eGENERAL\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLENS MOUNT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eE-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eSIZE \u0026amp; WEIGHT\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWEIGHT (MAIN UNIT ONLY) (APPROX.)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApprox. 4.6 kg (10 lb 2.3 oz.) (body only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApprox. 227 x 289 x 233 mm \u003cbr\u003e(9 x 11 1\/2 x 9 1\/4 inch) (body without protrusions)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003ePOWER\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDC 19.5 V, PoE++ (IEEE802.3bt Type 4 Class 8 comliant) 41.1 V～57.0 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePOWER CONSUMPTION\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e≦80 W (DC 19.5 V) \/ ≦71.3 W (PoE++)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eOPERATION \u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOPERATING TEMPERATURE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e0 °C to 40 °C (32 °F to 104 °F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSTORAGE TEMPERATURE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e-20 °C to +60 °C (-4 °F to +140 °F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCEILING MOUNT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eYes (with Ceiling Bracket option)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTALLY LAMP\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLeft (x1)\/Right (x1), Red\/Green\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eRECORDING FORMAT(VIDEO)\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC INTRA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC\/H.264, XAVC-I DCI4K\u003cbr\u003e50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC\/H.264, XAVC-I DCI4K 29.97p mode:VBR\u003cbr\u003eMAX bit rate 300 Mbps, MPEG-4 AVC\/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps\u003cbr\u003eMPEG-4 AVC\/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps\u003cbr\u003eMPEG-4 AVC\/H.264, XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC\/H.264, XAVC-I QFHD 50p mode:VBR\u003cbr\u003eMAX bit rate 500 Mbps, MPEG-4 AVC\/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps\u003cbr\u003eMPEG-4 AVC\/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC\/H.264, XAVC-I HD 59.94p mode:CBG\u003cbr\u003eMAX bit rate 222 Mbps, MPEG-4 AVC\/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps\u003cbr\u003eMPEG-4 AVC\/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps\u003cbr\u003eMPEG-4 AVC\/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 23.98p mode:CBG, MAX bit rate 89 Mbps, MPEG-4 AVC\/H.264\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC LONG\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC-L QFHD 29.97p\/25p\/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L QFHD 59.94p\/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L HD 29.97p\/25p\/23.98p\/59.94p\/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L HD 29.97p\/25p\/23.98p\/59.94p\/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264\/AVC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eRECORDING FORMAT (AUDIO)\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eRECORDING FORMAT (AUDIO)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eLPCM 24 bits, 48 kHz, 4 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eRECORDING FRAME RATE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC INTRA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC-I DCI4K mode:4096 x 2160\/59.94p, 50p, 29.97p, 23.98p, 25p, 24p\u003cbr\u003eXAVC-I QFHD mode:3840 x 2160\/59.94p, 50P, 29.97p, 23.98p, 25p, XAVC-I HD mode:1920 x 1080\/59.94p\u003cbr\u003e50p, 29.97p, 23.98p, 25p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC LONG XAVC-L QFHD mode\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160\/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L \u003cbr\u003eHD 50 mode:1920 x 1080\/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L HD 35 mode:1920 x 1080\/59.94p\u003cbr\u003e50p, 29.97p, 23.98p, 25p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eRECORDING\/PLAYBACK TIME\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC INTRA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC-I DCI4K\/QFHD 59.94p When using CEA-G160T (160 GB) Approx. 30 minutes When using CEA-G80T \u003cbr\u003e(80 GB) Approx. 15 minutes, XAVC-I DCI4K\/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes \u003cbr\u003eWhen using CEA-G80T (80 GB) Approx. 17 minutes, XAVC-I DCI4K\/QFHD 29.97p When using CEA-G160T \u003cbr\u003e(160 GB): Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes\u003cbr\u003eXAVC-I DCI4K\/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB) Approx. 35 minutes, XAVC-I DCI4K 24p When using\u003cbr\u003eCEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes\u003cbr\u003eXAVC-I DCI4K\/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes\u003cbr\u003ewhen using CEA-G80T (80 GB) Approx. 36 minutes, XAVC-I HD 59.94p When using CEA-G160T\u003cbr\u003e(160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes\u003cbr\u003eXAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB)\u003cbr\u003eApprox. 38 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using\u003cbr\u003eCEA-G80T (80 GB) Approx. 74 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB)\u003cbr\u003eApprox. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes\u003cbr\u003eXAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB) Approx. 91 minutes,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePROXY AUDIO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC Proxy: AAC-LC, 128 kbps, 2 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePROXY VIDEO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC Proxy: AVC\/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC LONG\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXAVC-L QFHD 29.97p\/25p\/23.98p When using CEA-G160T (160 GB)\u003cbr\u003eApprox. 170 minutes When using CEA-G80T (80 GB) Approx. 86 minutes, XAVC-L QFHD 59.94p\/50p\u003cbr\u003eWhen using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB) Approx. 57 minutes\u003cbr\u003eXAVC-L HD 50 \/29.97p\/25p\/23.98p\/59.94p\/50p When using CEA-G160T (160 GB)\u003cbr\u003eApprox. 320 minutes When using CEA-G80T (80 GB) Approx. 155 minutes\u003cbr\u003eXAVC-L HD 35 29.97p\/25p\/23.98p\/59.94p\/50p When using CEA-G160T (160 GB)\u003cbr\u003eApprox. 430 minutes When using CEA-G80T (80 GB) Approx. 210 minutes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eCAMERA SECTION\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSENSOR TYPE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePIXELS\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eApprox. 12.9 megapixels (total), Approx. 10.3 megapixels (effective)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBUILT-IN OPTICAL FILTERS\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eClear, linear variable ND (1\/4ND to 1\/128ND)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSENSITIVITY\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eISO 800\/12800 (Cine EI mode, D55 Light source)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSHUTTER SPEED\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e64 frame to 1\/8000 sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eSLOW \u0026amp; QUICK MOTION\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC-I\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4096 x 2160: 1 to 60 frames (59.94\/50\/29.97\/25\/24\/23.98)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eXAVC-I\/L\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3840 x 2160: 1 to 60, 100, 120 frames (59.94\/50\/29.97\/25\/23.98)\u003cbr\u003e1920 x 1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94\/50\/29.97\/25\/23.98)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eWHITE BALANCE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eWHITE BALANCE MODES\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ePreset, Memory A (2000K-15000K)\/ATW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eEXPOSURE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eGAIN CONTROL\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e3 to 30 dB (every 1dB), AGC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eGAMMA\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eGAMMA CURVE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSDR Mode: S-Cinetone, Standard, Still, ITU709 \/ HDR mode - HLG_Live, HLG_Natural\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eLATITUDE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eLATITUDE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e15+ stop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eFOCUS SYSTEM\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTYPE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eFast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFOCUS POINT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e627 points\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eFOCUS AREA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWide \/ Zone \/ Flexible Spot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOTHER FOCUS FEATURES\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eEye AF (Human), Real-time Tracking AF, AF Subj\u003cbr\u003eShift Sensitivity, AF Transition Speed, Face detection (Face\/Eye Priority, Face\/Eye Only AF )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003ePAN\/TILT\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePAN\/TILT ANGLE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ePan- -170 deg.~170 deg., Tilt: -30 deg.~195 deg.,\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePAN\/TILT SPEED\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003ePan- 0.02 deg.~60 deg.\/s, Tilt: 0.02deg.~60 deg.\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePAN\/TILT OPERATION NOISE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eNC35 or less\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eOTHER FEATURES\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePRESET POSITION\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCLEAR IMAGE ZOOM\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eQFHD\/4K: 1.5x, HD: 2x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eWEBAPP\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSUPPORTED OPERATION SYSTEMS\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows 10 or later, macOS 10.15 or later, iPadOS 15 or later, Android 12 or later\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSUPPORTED WEB BROWSERS\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eWindows: Google Chrome, Mac\u003cbr\u003eGoogle Chrome\/Safari, iPad: Google Chrome\/Safari, Android: Google Chrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eINTERFACE\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eTC INPUT\/TC OUTPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBNC (x1), TC IN only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eAUDIO INPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eXLR-type 5-pin (female) (x1) line\/mic\/mic +48 V selectable\u003cbr\u003eMic Reference: -30 to -80 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI OUTPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A\/B), HD-SDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eDC INPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eDC jack (x1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI OUTPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eType-A connector (x1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eREMOTE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRJ-45(OPTION) (x1), Red Tally IO\/Green Tally IO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eGENLOCK INPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eBNC (x1), 1.0 Vp-p, 75 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eOPTICAL OUTPUT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eSFP+ comliant 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eNETWORK\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eRJ-45(LAN) (x1), 1000BASE-T\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eIR REMOTE CONTROL\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eOUTPUT FORMAT\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eSDI\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p \/ 3840 x 2160: 59.94p\u003cbr\u003e50p, 29.97p, 25p, 23.98p \/ 1920 x 1080 : 59.94p, 50p, 59.94i, 50i\u003cbr\u003e29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eHDMI\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p \/ 3840 x 2160\u003cbr\u003e59.94p, 50p, 29.97p, 25p, 23.98p \/ 1920 x 1080: 59.94p, 50p, 59.94i, 50i, 29.97p\u003cbr\u003e25p, 24p, 23.98p \/ 720 x 480: 59.94p \/ 720 x 576: 50pYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eMEDIA\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMEDIA TYPE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCFexpress Type A \/ SD card (x2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" class=\"header-cell\" colspan=\"2\"\u003e\u003cb\u003eNETWORK\/IP STREAMING\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePROTOCOLS (IPV6)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP\/RTCP, RTSP, SRT, FTP, FTPS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003ePROTOCOLS (IPV4)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eTCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP\/RTCP\u003cbr\u003eRTSP, VISCA over IP, SRT, NDI HX, FTP, FTPS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eVIDEO RESOLUTION\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eCOMPRESSION FORMAT\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264: High\/Main\/Baseline Profile, H.265: Main\/Main10 Profile\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eMAXIMUM FRAME RATE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eH.264\/H.265: 59.94fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBITRATE CONTROL MODE\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eCBR\/VBR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eBITRATE SETTING\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e512 Kbps~80 Mbps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\u003cb\u003eNDI HX CAPABILITY\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003eYes, optional 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49340411052359,"sku":"ILMEFR7.CEC","price":9060.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/SonyFR71.jpg?v=1793883758","url":"https:\/\/3dbroadcastsales.com\/products\/sony-ilmefr7-cec-fr7-full-frame-cinema-line-ptz-camera","provider":"3D Broadcast","version":"1.0","type":"link"}