{"product_id":"sony-ilmefx6vdi-eu-fx6-cinema-line-camera","title":"Sony ILMEFX6VDI.EU FX6 Cinema Line Camera","description":"\u003ch1\u003e\u003cspan style=\"color: #012169;\"\u003eSony ILMEFX6VDI.EU FX6 Cinema Line Camera\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e4K Full-Frame 10.2MP CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eDCI 4K60p | UHD 4K120 | 1080p240\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e15+ Stops of Dynamic Range in S-Log 3 EI\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e1.3x and 2.0x Anamorphic De-Squeeze\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eCompact Form Weighs Less than 2 lb\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eBase 800-12,800 ISO \/ 320-409,600 Max\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eS-Cinetone, S-Log3, HLG Modes\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e10-Bit 4:2:2 XAVC-I\/16-Bit Raw Output\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oepWUe2HfT0?si=17lCzexL3KP5tP5r\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eThe FX6\u003c\/strong\u003e\u003c\/em\u003e delivers compactness and performance, with a full-frame image sensor and Sony’s renowned high sensitivity. Leading-edge movie functions deliver stunning AF performance with face and eye detection, and a library of preset looks allows stunning cinematic expression to be achieved easily and flexibly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003ePair your Sony camera with UWP-D Wireless Audio\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eLight, compact and easy to use, UWP-D brings crisp, dependable audio to all content creators\u003c\/p\u003e\n\u003cp\u003e*Sold separately\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage sensor with blazing fast readout speed\u003cbr\u003e\u003c\/strong\u003eThe back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eHigh performance image-processing engine\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe BIONZ XRTM image-processing engine boasts class-leading speed performance, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eHigh sensitivity, wide dynamic range\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. Capture usable images in near total darkness with an impressive ISO expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003e4K High Frame Rate 120fps recording\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eFull-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time) . The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting, for impressive creative scope.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAcclaimed cinematic colour with S-Cinetone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003ePreset and User 3D LUT compatibility with Scene File\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe Scene File function provides powerful colour interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or colour-space transforms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003e10-bit HLG picture profile\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. High flexibility to fine-tune images as desired (colour grading required), Instant high-quality image (colour grading not required)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eS-Log3 for better reproduction of gradations\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eS-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18 grey), enabling a dynamic range of up to 15+ stops. Two colour gamut settings (S-Gamut3, and S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's Cinema Line Cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient when used along with other pro cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 colour sampling with All-Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eA choice of battery types for different applications\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera’s mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAll-Intra internal recording\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. All-Intra (All-I), Long-GOP, Group of Pictures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003e16-bit RAW data output\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eFacilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 120 \/ 100 \/ 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eProxy recording for more efficient editing workflow\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eFast Hybrid AF for dependable focus during movie shooting\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eReal-time Eye AF and Face Detection AF\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eFor reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eReliable durability and weather resistance in tough situations\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eIn response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eLens-ring AF subject selection\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eSony’s powerful electronic Variable ND Filter built in\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1\/4 to 1\/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMagnesium alloy body achieves high durability with light weight\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eTo perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximise mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eInnovative heat dissipation to prevent thermal shut down\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eTo ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eHigh-definition 2.76 million-dot flexible LCD touch panel\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eSmart grip\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customisable buttons, plus essential zoom and start\/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eSmart handle\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eAttachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Compatible with 1\/4-20 UNC screws (length of 6 mm or less) for accessory attachment are provided at seven locations on the handle and 10 locations on the body for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself – ready to seal the body connectors if the handle is removed for rigging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eProfessional connectivity\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe FX6 features a range of professional interfaces including independent 12G-SDI (supports 3G\/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN \/ TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.\u003c\/p\u003e\n\u003cp class=\"card-feature-tab-title ng-star-inserted\"\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eDual XLR inputs and enhanced audio capability\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe.\u003c\/p\u003e\n\u003cp class=\"card-feature-tab-title ng-star-inserted\"\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eTwo CFexpress Type A-compatible media slots\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eThe camera's two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes\u003cspan class=\"footnote footnote--feature-body\"\u003e\u003cspan class=\"footnote__icon\"\u003e \u003c\/span\u003e\u003c\/span\u003e. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.\u003c\/p\u003e\n\u003cp class=\"card-feature-tab-title ng-star-inserted\"\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eData communications to support on-site workflow\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eNetwork communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz\u003cspan class=\"footnote footnote--feature-body\"\u003e \u003c\/span\u003e \/ 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C port supporting SuperSpeed USB 5Gbps (USB 3.2).\u003c\/p\u003e\n\u003cp class=\"card-feature-tab-title ng-star-inserted\"\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMetadata to facilitate editing with Catalyst\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eSony’s Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software. Shoot, Edit\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c8121e;\"\u003eThe Sony FX6 is now an approved camera for Netflix projects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e WHAT'S IN THE BOX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSony FX6 Cinema Line Camera x 1\u003c\/li\u003e\n\u003cli\u003eHandle x 1\u003c\/li\u003e\n\u003cli\u003eLCD monitor x 1\u003c\/li\u003e\n\u003cli\u003eGrip remote control x 1\u003c\/li\u003e\n\u003cli\u003eBattery charger x 1\u003c\/li\u003e\n\u003cli\u003eBattery pack x 1\u003c\/li\u003e\n\u003cli\u003eAC Adaptor x 1\u003c\/li\u003e\n\u003cli\u003ePower cord x 1\u003c\/li\u003e\n\u003cli\u003eUSB-C cable x 1\u003c\/li\u003e\n\u003cli\u003eLCD hood x 1\u003c\/li\u003e\n\u003cli\u003eCold shoe kit x 1\u003c\/li\u003e\n\u003cli\u003eLens mount cap x 1\u003c\/li\u003e\n\u003cli\u003eHandle connector cap x 1\u003c\/li\u003e\n\u003cli\u003eBefore Using This Unit x 1\u003c\/li\u003e\n\u003cli\u003eWarranty booklet x\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable class=\"table--specification\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eMass\u003c\/th\u003e\n\u003ctd\u003eApprox 890g (1lb15oz)(body only)\u003cbr\u003eApprox. 2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensions (W x H x D)\u003c\/th\u003e\n\u003ctd\u003e114 x 116 x 153 mm(4 1\/2 x 4 5\/8 x 6 1\/8 inch) (body without protrusions)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower Requirements\u003c\/th\u003e\n\u003ctd\u003eDC 19.5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePower Consumption\u003c\/th\u003e\n\u003ctd\u003e\n\u003cp\u003eApprox. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON,not using external device)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOperating Temperature\u003c\/th\u003e\n\u003ctd\u003e0°C to 40°C\u003cbr\u003e32°F to 104°F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eStorage Temperature\u003c\/th\u003e\n\u003ctd\u003e-20°C to +60°C\u003cbr\u003e-4°F to +140°F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBattery Operating Time\u003c\/th\u003e\n\u003ctd\u003eApprox. 105min. with BP-U35 battery\u003cbr\u003e(while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON,\u003cbr\u003enot using external device)\u003cbr\u003eApprox. 215min. with BP-U70 battery\u003cbr\u003e(while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON,\u003cbr\u003enot using external device)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Format (Video)\u003c\/th\u003e\n\u003ctd\u003e[XAVC Intra]\u003cbr\u003eXAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC\/H.264\u003cbr\u003eXAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC\/H.264\u003cbr\u003e[XAVC Long]\u003cbr\u003eXAVC-L QFHD 29.97p\/25p\/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L QFHD 59.94p\/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L HD 29.97p\/25p\/23.98p\/59.94p\/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264\/AVC\u003cbr\u003eXAVC-L HD 29.97p\/25p\/23.98p\/59.94p\/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264\/AVC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Format (Audio)\u003c\/th\u003e\n\u003ctd\u003eLPCM 24 bits, 48 kHz, 4 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Frame Rate\u003c\/th\u003e\n\u003ctd\u003e[XAVC Intra]\u003cbr\u003eXAVC-I DCI4K mode:4096 x 2160\/59.94P, 50P, 29.97P, 23.98P, 25P, 24P\u003cbr\u003eXAVC-I QFHD mode:3840 x 2160\/59.94P, 50P, 29.97P, 23.98P, 25P\u003cbr\u003eXAVC-I HD mode:1920 x 1080\/59.94P, 50P, 29.97P, 23.98P, 25P\u003cbr\u003e[XAVC Long]\u003cbr\u003eXAVC-L QFHD mode:3840 x 2160\/59.94P, 50P, 29.97P, 23.98P, 25P\u003cbr\u003eXAVC-L HD 50 mode:1920 x 1080\/59.94P, 50P, 29.97P, 23.98P, 25P\u003cbr\u003eXAVC-L HD 35 mode:1920 x 1080\/59.94P, 50P, 29.97P, 23.98P, 25P\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording\/Playback Time\u003c\/th\u003e\n\u003ctd\u003e\" XAVC-I DCI4K\/QFHD 59.94p\u003cbr\u003eWhen using CEA-G160T (160 GB)\u003cbr\u003eApprox. 30 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 15 minutes\"\u003cbr\u003e\" XAVC-I DCI4K\/QFHD 50p\u003cbr\u003eWhen using CEA-G160T (160 GB)\u003cbr\u003eApprox. 36 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 17 minutes\"\u003cbr\u003e\" XAVC-I DCI4K\/QFHD 29.97p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 60 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 29 minutes\"\u003cbr\u003e\" XAVC-I DCI4K\/QFHD 25p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 71 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 35 minutes\"\u003cbr\u003e\" XAVC-I DCI4K 24p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 74 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 36 minutes\"\u003cbr\u003e\" XAVC-I DCI4K\/QFHD 23.98p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 74 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 36 minutes\"\u003cbr\u003e\" XAVC-I HD 59.94p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 78 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 38 minutes\"\u003cbr\u003e\" XAVC-I HD 50p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 78 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 38 minutes\"\u003cbr\u003e\" XAVC-I HD 29.97p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 150 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 74 minutes\"\u003cbr\u003e\" XAVC-I HD 25p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 150 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 74 minutes\"\u003cbr\u003e\" XAVC-I HD 23.98p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 185 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 91 minutes\"\u003cbr\u003e[XAVC Long]\u003cbr\u003e\"XAVC-L QFHD 29.97p\/25p\/23.98p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 170 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 86 minutes\"\u003cbr\u003e\"XAVC-L QFHD 59.94p\/50p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 115 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 57 minutes\"\u003cbr\u003e\"XAVC-L HD 50 \/29.97p\/25p\/23.98p\/59.94p\/50p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 320 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 155 minutes\"\u003cbr\u003e\"XAVC-L HD 35 29.97p\/25p\/23.98p\/59.94p\/50p\u003cbr\u003eWhen using CEA-G160T (160 GB):\u003cbr\u003eApprox. 430 minutes\u003cbr\u003eWhen using CEA-G80T (80 GB)\u003cbr\u003eApprox. 210 minutes\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Format (Proxy Audio)\u003c\/th\u003e\n\u003ctd\u003e XAVC Proxy: AAC-LC, 128 kbps, 2 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRecording Format (Proxy Video) \u003c\/th\u003e\n\u003ctd\u003e \"XAVC Proxy: AVC\/H.264 High Profile 4:2:0 Long GOP, VBR\u003cbr\u003e1920x1080, 9Mbps\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Lens Mount\u003c\/th\u003e\n\u003ctd\u003e E-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Imaging Device (Type)\u003c\/th\u003e\n\u003ctd\u003e 35 mm full-frame, single-chip CMOS image sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Number of pixels (Total)\u003c\/th\u003e\n\u003ctd\u003e Approx. 12.9 megapixels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNumber of Pixels (Effective) \u003c\/th\u003e\n\u003ctd\u003e Approx. 10.2 megapixels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBuilt-in Optical Filters\u003c\/th\u003e\n\u003ctd\u003e Clear, linear variable ND(1\/4ND to 1\/128ND)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e ISO Sensitivity\u003c\/th\u003e\n\u003ctd\u003e ISO 800\/12800 (Cine EI mode, D55 Light source)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Shutter Speed\u003c\/th\u003e\n\u003ctd\u003e 64F to 1\/8000 sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Slow and Quick Motion Function\u003c\/th\u003e\n\u003ctd\u003e XAVC-I\u003cbr\u003e4096x2160\u003cbr\u003e1 to 60 frames (59.94\/50\/29.97\/25\/24\/23.98)\u003cbr\u003eXAVC-I\/L\u003cbr\u003e3840 x 2160\u003cbr\u003e1 to 60, 100, 120 frames (59.94\/50\/29.97\/25\/23.98)\u003cbr\u003e1920 x 1080\u003cbr\u003e1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94\/50\/29.97\/25\/23.98)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWhite Balance \u003c\/th\u003e\n\u003ctd\u003e Preset, Memory A, Memory B (2000K-15000K)\/ATW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003e Gain\u003c\/th\u003e\n\u003ctd\u003e  -3 to 30dB (every 1dB), AGC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eGamma Curve \u003c\/th\u003e\n\u003ctd\u003eSDR Mode ：S-Cinetone, Standard, Still, ITU709\u003cbr\u003eHDR mode : HLG_Live, HLG_Natural\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLatitude\u003c\/th\u003e\n\u003ctd\u003e15+ stop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAudio Input\u003c\/th\u003e\n\u003ctd\u003eXLR-type 3-pin (female) (x2), line\/mic\/mic +48 V selectable\u003cbr\u003eMic Reference: -30 to -80 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSDI Output\u003c\/th\u003e\n\u003ctd\u003eSDI OUT:BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A\/B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eUSB\u003c\/th\u003e\n\u003ctd\u003eUSB Type-C(x1), Multi\/Micro-B (x1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eHeadphone Output\u003c\/th\u003e\n\u003ctd\u003eStereo mini jack (x1) -16 dBu 16 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSpeaker Output\u003c\/th\u003e\n\u003ctd\u003eMonaural\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDC Input\u003c\/th\u003e\n\u003ctd\u003eDC jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eRemote\u003c\/th\u003e\n\u003ctd\u003eStereo mini-minijack (Φ2.5 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eHDMI Output\u003c\/th\u003e\n\u003ctd\u003eType A (x1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTC Input\/TC Output\u003c\/th\u003e\n\u003ctd\u003eBNC, TC IN\/OUT Switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eGrip\u003c\/th\u003e\n\u003ctd\u003eMini jack (Φ3.5 mm\/4pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eLCD\u003c\/th\u003e\n\u003ctd\u003e8.8 cm (3.5 type)\u003cbr\u003eApprox. 2.76M dots\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBuilt-In Microphone\u003c\/th\u003e\n\u003ctd\u003eOmni-directional monoral electret condenser microphone (body) (x1)\u003cbr\u003eStereo electret condenser microphone (handle) (x1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eType\u003c\/th\u003e\n\u003ctd\u003eCFexpress Type A \/ SD card (x2)\u003cbr\u003eSlot B can be used for saving configuration data.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSupported Format\u003c\/th\u003e\n\u003ctd\u003eIEEE 802.11 a\/b\/g\/n\/ac\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eFrequency BAnd\u003c\/th\u003e\n\u003ctd\u003e2.4 GHz bandwidth\u003cbr\u003e5.2\/5.3\/5.6\/5.8 GHz bandwidth \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSecurity\u003c\/th\u003e\n\u003ctd\u003eWEP\/WPA-PSK\/WPA2-PSK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eNFC\u003c\/th\u003e\n\u003ctd\u003eNFC Forum Type 3 Tag compliant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSupplied Accessories\u003c\/th\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eHandle x 1\u003c\/li\u003e\n\u003cli\u003eLCD monitor x 1\u003c\/li\u003e\n\u003cli\u003eGrip remote control x 1\u003c\/li\u003e\n\u003cli\u003eBattery charger x 1\u003c\/li\u003e\n\u003cli\u003eBattery pack x 1\u003c\/li\u003e\n\u003cli\u003eAC Adaptor x 1\u003c\/li\u003e\n\u003cli\u003ePower cord x 1\u003c\/li\u003e\n\u003cli\u003eUSB-C cable x 1\u003c\/li\u003e\n\u003cli\u003eLCD hood x 1\u003c\/li\u003e\n\u003cli\u003eCold shoe kit x 1\u003c\/li\u003e\n\u003cli\u003eLens mount cap x 1\u003c\/li\u003e\n\u003cli\u003eHandle connector cap x 1\u003c\/li\u003e\n\u003cli\u003eBefore Using This Unit x 1\u003c\/li\u003e\n\u003cli\u003eWarranty booklet x 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49339698577735,"sku":"ILMEFX6VDI.EU","price":5190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0809\/6304\/3655\/files\/fx6.jpg?v=1712316449","url":"https:\/\/3dbroadcastsales.com\/products\/sony-ilmefx6vdi-eu-fx6-cinema-line-camera","provider":"3D Broadcast","version":"1.0","type":"link"}