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Blackmagic Design URSA Cine 12K LF Digital Film Camera (NO EVF)


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Blackmagic Design URSA Cine 12K LF Digital Film Camera - CINEURSAA12KLF


Revolutionary high-end digital film camera with new large format RGBW 36x24mm sensor, incredible dynamic range, generation 5 colour science, interchangeable PL, LPL and EF lens mounts and more!

Cinematic large-format sensor with a massive 16 stops of dynamic range.
Lightweight, robust camera body with industry-standard connections.
PL and locking EF mounts included with optional LPL mount available.
Blackmagic RAW for real-time 12K editing.
Generation 5 Color Science with new film curve.
High-performance OLPF for reduced moire and aliasing.
Build in ND filters for shooting in varying conditions.
Shoot up to 80 fps in 12K, 144 fps at 8K and 240 fps at 4K.
High-performance Blackmagic Media Module 8TB for recording included.
Recording media compatible with the Blackmagic Media Dock.
High-speed wifi, 10G Ethernet or mobile data for network connections.
Built-in RTMP and SRT live streaming.
Optional Blackmagic URSA Cine EVF.
Includes DaVinci Resolve Studio for post-production.

Blackmagic URSA Cine 12K is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen, built-in ND filters and industry-standard Lemo and Fischer connections. Blackmagic URSA Cine comes with a massive 8TB of removable high-performance media storage built in and also includes high-speed 10G Ethernet and Wifi for fast media upload and syncing to Blackmagic Cloud.
Revolutionary high-end digital film camera with new large format RGBW 36 x 24mm sensor, incredible dynamic range, generation 5 colour science, interchangeable PL and EF lens mounts and URSA Cine EVF!

Revolutionary high-end digital film camera with new large format RGBW 36x24mm sensor, incredible dynamic range, generation 5 colour science, interchangeable PL, LPL and EF lens mounts and more!

Blackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post-production workflow. That means it's the first digital film camera with fast capability storage built in, plus high-speed networking for on-set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo sites for incredible dynamic range.

You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.

Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, sensor scaling means you can record at all resolutions without cropping!

A Camera Body Optimized for High-End Productions!
URSA Cine is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fibre polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!

Large Format Flexibility
The large format sensor in URSA Cine provides the ultimate flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All of this lets you create distinctive content of the highest quality

Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!

High-Resolution Monitoring and Camera Control
URSA Cine lets crews work faster on set with multiple monitoring options! The fold-out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500-nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histograms, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!

Rugged Industry Standard Connections
The wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!

BlackmagicRAW FueledImage Capture
Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!

Effective Sensor Size 35.64mm x 23.32mm (Large Format)
Lens Mount PL mount. Interchangeable with URSA Cine lockable EF mount included.
Lens Control Active EF and PL mount lens control with compatible lenses.
Dynamic Range 16 Stops
Shooting Resolutions

12,288 x 8040 (12K 3:2 open gate)
12,288 x 6480 (12K 16:9)
12,288 x 6912 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)

9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)

8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)

4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)

Frame Rates

Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.

High Speed Frame Rates

12K 3:2 open gate up to 80 fps

12K 17:9 up to 100 fps

12K 2.4:1 up to 120 fps

9K 3:2 Super 35 up to 100 fps

8K / 4K 3:2 open gate up to 144 fps

8K / 4K 2.4:1 up to 224 fps

Built in ND Filters

Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.


Focus button turns on peaking, auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.


2 x Monitoring Screens

1 x Camera Status Screen

Monitoring Screen Dimensions

5 inch.

Monitoring Screen Resolution

1920px x 1080px

Monitoring Screen Brightness

1500 nits.

Monitoring Screen Type

LCD capacitive touchscreen

Metadata Support

Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.


Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable shortcut keys on URSA Cine EVF.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Total Video Outputs


SDI Rates

1.5G, 3G, 6G, 12G.

Analog Audio Inputs

2 x XLR analog switchable between mic, line and AES audio. Phantom power support.

Analog Audio Outputs

1 x 3.5mm headphone jack

Reference Inputs

Tri-Sync/Black Burst and Timecode.


1 x Viewfinder USB-C with power, data, video and locking connector.


1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
1 x 3-pin Fischer ‘RS’ for power out and run/stop.

Computer Interface

2 x USB Type-C side expansion ports for camera accessories.
Software updates using rear side USB-C.


1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for Web Media Management, Blackmagic Cloud uploads, camera control and streaming.


Integrated stereo microphone.

Built in Speaker

1 x mono speaker.

SD Video Standards


HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

SDI Audio Sampling

48 kHz and 24 bit


Blackmagic URSA Cine 12K Body
Blackmagic URSA Cine Mount PL (installed)
Blackmagic URSA Cine Mount EF and screws
Blackmagic Media Module 8TB
URSA Cine Handle and bolts
URSA Cine Top Rod Mount 15
URSA Cine Baseplate 19
Plastic folding screen hood for 5” assist station
URSA Cine Battery Plate B Mount
WiFi Antennas
URSA Cine PL Body Cap
URSA Cine EF Body Cap
Rubber caps for connectors
+24V DC 250W power supply
DaVinci Resolve Studio with activation key
Welcome wallet with QR code for software download
Blackmagic Sticker
Custom foamed Pelican 1510 case


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