Blackmagic Design Ultimatte 12 4K - ULTMKEY12/C/4K

**NOW SHIPPED FROM BMD DUTCH WAREHOUSE SO ALLOW 3-4 DAYS LEAD TIME**

REALTIME COMPOSITING PROCESSOR FOR LIVE KEYING IN HD & ULTRA HD.

Ultimatte 12 is an advanced real-time compositing processor designed for keying live-action video with next-generation broadcast graphics, virtual sets and more. Ultimatte 12 features new algorithms and colour science, incredible edge handling and colour separation, amazing colour fidelity, and better spill suppression than ever before. The high-performance 12G-SDI design gives you the power to work in Ultra HD and HD with sub-pixel processing for amazing image

FEATURES

- Advanced real-time compositing processor with 12G‑SDI
- Designed for keying live-action video with next-generation broadcast graphics, virtual sets and more
- Features new algorithms and colour science, incredible edge handling and colour separation, amazing colour fidelity, and better spill suppression than ever before
- The high-performance 12G-SDI design gives you the power to work in Ultra HD and HD with sub-pixel processing for amazing image

Introducing Ultimatte 12
The world’s most trusted keyer now has one-touch keying, incredible new image processing, and 12G-SDI for Ultra HD!

The all-new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real-time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater color separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows! The high-performance 12G-SDI design gives you the power to work in Ultra HD and HD with sub-pixel processing for amazing image quality. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real-time.

Live Broadcast, Television and Film Production
Add augmented reality and virtual environments to any broadcast!
Whether you’re working in broadcast news, sports, traditional television and film production, or even magazine-style entertainment programming, Ultimatte 12 has the quality for incredibly life-like composites that place your talent into any scene! Ultimatte 12 can work with both fixed cameras and static backgrounds, or automated virtual set systems. You can also use Ultimatte 12 to layer computer-generated augmented reality objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on-set pre-visualization in television and film production because it lets actors and directors see the virtual sets while they’re shooting against a green screen.

Broadcast Quality Keyer
Add an Ultimatte 12 to every camera for the highest quality keys!
When you’re working live and have multiple cameras shooting from different angles, it’s common for the green or blue screen to suffer from variations. The keyers built into live production switchers use the same keying parameters for all cameras, which complicates keying and image quality because each camera sees the green screen a little differently. Ultimatte 12 eliminates these problems with incredible new technology at an affordable price so it’s now possible to add keyers to every camera. That ensures you always get the best possible key! With the power of a dedicated keyer on every camera, Ultimatte 12 is perfect for live broadcast news, weather, sports, virtual studios and more!

Realistic Augmented Reality
Incredible new realistic layer mode for compositing coloured "glass look" objects!
Adding translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new “realistic” layer compositing mode that lets you add tinted objects on top of the foreground image for a whole new generation of realistic translucent glass look broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic!