Panasonic DC-GH7ME Micro Four-Thirds Mirrorless Camera Body with Lumix 12-60mm F3.5-5.6 Lens

FEATURES

Micro Four-Thirds Mirrorless Camera
Lens mount: Micro Four Thirds
Video file formats:

MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
MP4: H.264/MPEG-4 AVC, H.265/HEVC

Image file formats: JPEG (DCF, Exif 3.0), RAW

The LUMIX GH7 delivers outstanding video performance, wide dynamic range with a newly developed 25.2MP BSI CMOS sensor, and improved AF performance with PDAF (Phase Detection Auto-Focus). To support the efficient workflow required in professional production environments, the GH7 is newly equipped with Apple ProRes RAW ^*1 internal recording and the World’s first 32-bit float recording ^*2, which eliminates the need to adjust sound recording levels during shooting.

With the rapid increase in demand for video content in recent years, the number of small teams of video creators is rising, along with the demand for further improvements in the quality of mirrorless cameras with excellent video performance and portability. Since its release in 2009, the LUMIX GH series has developed a strong reputation among creators and video production teams as a model renowned for its shooting performance, innovative features and reliability.

The LUMIX GH7 is a next-generation mirrorless camera that meets the needs of creators, whatever their creative field may be.

High performance, fast response, and excellent mobility

25.2MP BSI CMOS sensor with high resolution and fast response, along with 13+ stop dynamic range boost ^*3 with rich gradation
Adopting PDAF for high-speed, high-precision AF performance, and newly added real-time auto-focus recognition AF for airplanes and trains
Improved image stabilization technology, including perspective distortion correction for videos and High mode in Active I.S. to enable powerful compensation when shooting on the move

Enhanced video quality and optimized workflows from shooting to post-production

Internal recording of 5.7K 30p ProRes 422 HQ and ProRes RAW HQ ^*1.
World’s first 32-bit float recording ^*2, eliminating the need to adjust audio recording levels during shooting when using the new XLR microphone adapter, DMW-XLR2 (sold separately).
Allows users to load original LUT files and apply new color looks directly to videos and photos with REAL TIME LUT.
Enables proxy recording for workflow efficiency and supports native Camera to Cloud integration with Adobe’s Frame.io, enabling images and videos to be automatically uploaded, backed up, shared, and worked on jointly via the cloud.
Open Gate recording to enable flexible framing for any social media platform or client needs.

Reliable in the video production field

Unlimited video recording made possible with efficient heat dissipation processing and the integration of a cooling fan ^*4.
Convenient tilt-free angle monitor that does not interfere with HDMI or USB cables when tilted
Able to withstand harsh environments with dust, splash resistance ^*5, and freeze-resistance down to -10 degrees Celsius/14 degrees Fahrenheit.

*1 Recording is not possible on the SD card.
*2 For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adapter DMW-XLR2 (sold separately).
*3 Dynamic Range Boost is not activated when shooting HFR/VFR video of 61fps or higher, or with SH burst shooting. Also not activated at shutter speeds slower than 1/15 during still image shooting, depending on the ISO. When shooting video over 60 fps (including VFR), latitude will be 12+ stop.
*4 When shooting at C4K/60p or lower. There are temperature restrictions for resolutions exceeding Cinema4K, VFR/HFR, and ProRes. Recording time depends on battery and memory card capacity.
*5 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water

SPECIFICATIONS

CAMERA TYPE
Type	Digital Single Lens Mirrorless Camera
Lens Mount	Micro Four Thirds Mount
IMAGE SENSOR
Sensor Type	BSI CMOS (17.3 x 13.0 mm)
Effective Pixels	Approx. 25.2 megapixels
Total Pixels	Approx. 26.5 megapixels
AR Coating	Yes
Aspect Ratio / Colour Filter	4:3 / Primary Colour Filter
Dust Reduction	Image Sensor Shift Type
Latitude	13+ stops (≤60fps), 12+ stops (>60fps) with V-Log
STILL IMAGE
Recording Format	JPEG (DCF, Exif 3.0), RAW
Aspect Ratios	4:3, 3:2, 16:9, 1:1
High Res Mode Sizes	Up to 11552x8672
Image Quality	RAW / RAW+Fine / RAW+Standard / Fine / Standard
Colour Space	sRGB, AdobeRGB
HDMI RAW OUTPUT
Compatible Devices	Blackmagic Video Assist 5"/7" 12G HDR, Atomos Ninja V/V+/Ultra, Shogun etc.
Software	DaVinci Resolve
Recording Recommendations	C4K 120p: SSD ≤5:1, SD ≤8:1
VIDEO RECORDING
NTSC Resolutions	5.8K, 5.7K, 4.4K, C4K up to 120p
PAL Resolutions	5.8K, 5.7K, 4.4K, C4K up to 100p
AUDIO
Recording Format	LPCM (2ch/4ch stereo/mono, 24-bit/32-bit float)
External XLR	Supported via DMW-XLR2
Mic & Headphone	3.5mm
EXTERNAL USB-SSD RECORDING	Yes
STREAMING
Wi-Fi / USB / LAN Protocols	RTMP/RTMPS, RTP/RTSP
Streaming Resolutions	Up to 4K 59.94p
USB Tethering	Supported
VIEWFINDER
Type	OLED LVF
Resolution	Approx. 3.68M dots
Field of View	Approx. 100%
Magnification	1.6x / 0.8x (35mm equiv.)
Eye Point / Diopter	21mm / -4.0 to +2.0 dpt
Display Speed	60fps / 120fps
REAR MONITOR
Type	3.0-inch Free-Angle TFT LCD
Resolution	Approx. 1.84M dots
Touch Control	Yes
FOCUSING
System	Phase Detection + Contrast AF
Modes	AFS / AFC / MF
AF Range	EV -4 to 18 (F2.0)
AF Features	Peaking, Focus Limiter, Touch AF etc.
EXPOSURE CONTROL
Metering	1,728-zone
ISO Range	Still: 50–25600 / Video: 50–12800 or higher depending on mode
Modes	P / A / S / M / iA / Custom / Creative Video
IMAGE STABILISATION
IBIS	5-axis, 7.5-stop
Dual I.S. 2	Yes (7.5-stop)
WHITE BALANCE
Modes	AWB, Daylight, Cloudy etc.
Colour Temp	2500–10000K in 100K steps
SHUTTER
Types	Mechanical / Electronic
Speed	Still: 1/8000–60s / Video: 1/25000–1/8s
Self Timer	2s / 10s / Custom
Remote	DMW-RS2
BRACKETING
AE / Aperture / Focus / WB	Yes
BURST SHOOTING
Modes	Up to 75fps (electronic)
Buffer	RAW >215, JPEG >260
FLASH
Type	TTL External
Modes	Auto, Red-eye, Slow Sync etc.
Wireless Support	DMW-FL series (4-channel)
Sync Speed	<1/250s
PHOTO STYLES & COLOUR
Photo Styles	Standard, Vivid, Flat, etc.
LUT Support	Yes (.vlt/.cube files)
Filters	Expressive, Retro, etc.
VIDEO FEATURES
Functions	Time Lapse, Stop Motion, Waveform, Vectorscope, LUT/HLG Assist
Luminance Levels	8-bit / 10-bit options
Desqueeze Options	2.0x, 1.8x, 1.5x etc.
Audio / Colour Bars	SMPTE, EBU, ARIB
INTERFACES
USB	USB Type-C (10Gbps)
HDMI	Type A (4:2:2 10-bit up to 4K/120p)
Remote In	2.5mm Jack
Audio I/O	3.5mm Mic/Headphone, XLR via DMW-XLR2
Card Slots	CFexpress Type B (Slot 1), SD UHS-I/II (Slot 2)
TIME CODE
In/Out	BNC Converter Included
Modes	Rec Run / Free Run, Drop / Non-drop
FAN / INDICATORS
Cooling	Auto1/Auto2/Fast/Normal/Slow/OFF
Indicators	Tally, Power, Network, Card Access, Charging
WIRELESS
Wi-Fi	2.4GHz / 5GHz
Bluetooth	v5.0 (BLE)
BUILD & ENVIRONMENT
Resistance	Dust & Splash Resistant
Operating Temp	-10°C to 40°C
Humidity	10%–80% RH
POWER
Battery	Li-ion 7.2V 2200mAh (USB PD supported)
Battery Life (CIPA)	CFexpress: ~330–350 / SD: ~360–380
Recording Time (Continuous)	Up to 100 mins
Actual Recording Time	Up to 50 mins
DIMENSIONS & WEIGHT
Body Only	138.4 x 100.3 x 99.6 mm / 805g
With Lens	Up to 157.0 mm depth / ~900g
STANDARD ACCESSORIES
Software	LUMIX Lab / Sync (Mobile), LUMIX Tether (PC)
RAW Editing	SILKYPIX (not bundled)