Atomos Sumo PRO-19 4K Production HDR Monitor-Recorder-Switcher
**DUE TO SHIP MAY 26**
FEATURES
19-inch, 4K HDR DCI-P3 monitor
• Record in ProRes, ProRes RAW, Avid DNx to CFexpress or external USB-C storage
• Record up to four isolated camera feeds (ISOs) plus a fifth program output
• Quad-view and multi-camera monitoring
• AirGlu™ RF and Bluetooth timecode sync
• 2 x 12G-SDI + 2 x 3G-SDI in, 12G-SDI out, HDMI in/out with XLR audio
• Comprehensive technical monitoring tools including EL Zone™ false color, focus peaking, waveform & more
• User-definable function buttons
• Log to LUT viewing, supporting 3D & .cube
• Integrated Wi-Fi for camera to cloud, live streaming
• Direct upload to ATOMOSphere, Frame.io, Dropbox etc
Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, EL Zone false color, RGB parade, vectorscope, and more on the calibrated screen. Beyond monitoring, with 8K, 6K, 4K, UHD, 2K, and 1080p raw recording, you can generate instant dailies to readily available SSD media.
The large 19" panel gives focus pullers access to a high-quality HD image with focus assist tools such as peaking and 2:1/1:1 zoom. The robust aluminum and plastic chassis ensures that this monitor can be moved and reset for every shot during production.
In the studio, you can leverage the HDR capabilities of the Sumo PRO-19 for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with Calibrite Display Pro or Display Plus calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.
AtomOS provides SDI quad switching and ISO recording, which allows you to record and switch up to four ISO channels in resolutions up to 8K30, as well as record the program.
The Sumo PRO-19 features a Gigabit Ethernet connector and Wi-Fi 6E that supports NDI|HX3 for monitoring high-quality, low-latency NDI streams. It also supports AirGlu timecode via Bluetooth and RF to keep sync with all your cameras on set. The monitor is also compatible with the separately available Atomos TX transmission system to wirelessly transmit video from cameras.
The durable aluminum chassis houses multiple 1/4"-20 and 3/8"-16 mounting points around the top, bottom, and side, a rear panel 100 x 100 VESA mount, and an included stand for a variety of mounting configurations.
Sumo PRO-19 can receive a LOG signal from a camera and apply a real-time LUT (Look-Up Table) preview that approximates what the final graded image will look like in Rec. 709. Custom LUTs (.cube files) can be loaded from a CFexpress card or external USB-C storage and used in conjunction with built-in monitoring tools for precise exposure control.
Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. 3G-SDI and 12G-SDI inputs connect sources without the need for converters or four separate video inputs for multiview display or ISO recording. HDMI 2.0 supports up to 8K input and output, along with the very latest Atomos open protocol, which supports HDR automation, including the importing of camera settings. There is also support for Genlock and LTC via BNC.
Capture the raw data stream output in ProRes Raw/Raw HQ, 10-bit Apple ProRes, H.265, or DNxHR formats.
Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain.
The bright 1200 cd/m² display lets you accurately monitor HDR or SD video signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
Like many high-end video monitors, the Sumo PRO-19 can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use Calibrite Display Pro or Display Plus (Windows/macOS) with the separately available Atomos LANC cable (ATOMCAB018).
The 4-pin XLR input provides power to the monitor using the included power supply. In the field, separately available V-mount or Gold mount plates can be used to mount up to two batteries.
The Sumo PRO-19 can utilize Ethernet or Wi-Fi to enhance your workflow via camera-to-cloud services, including Atomos ATOMOSphere, Adobe Frame.io, and Dropbox (with separately available service plans).
SPECIFICATIONS
Display
| Panel Type |
IPS-Type LCD
|
| Display Size |
19.00" / 48.3 cm
|
| Native Resolution |
3840 x 2160
|
| Aspect Ratio |
16:9
|
| Touchscreen |
Yes
|
| Maximum Brightness |
1200 nits / cd/m2
|
| Color Support |
1.07 Billion Colors (8-Bit+FRC)
|
| HDR Support |
Yes
|
| Color Gamut |
100% Rec. 709 99% DCI-P3 99% NTSC 87% Rec. 2020
|
| LUT Support |
Yes
|
| Image Controls |
Anamorphic De-Squeeze, False Color, Focus Peaking, Image Flip, Pixel-to-Pixel Zoom, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra
|
Inputs/Outputs
| Video I/O |
2x BNC (12G-SDI) Input 2x BNC (3G-SDI) Input 1x BNC (12G-SDI) Output 1x HDMI 2.0 Input 1x HDMI 2.0 Output 2x USB-C 3.0 / 3.1/3.2 Gen 1 Output
|
| Embedded Audio |
HDMI: 8-Channel SDI: 12-Channel
|
| Audio I/O |
2x XLR Input 2x XLR Output 1x 1/8" / 3.5 mm Headphone Output
|
| Built-In Speaker |
No
|
| Power I/O |
1x XLR 4-Pin Input
|
| Other I/O |
1x BNC (LTC) Input 1x 2.5 mm (LANC) Input 1x RJ45 (Gigabit Ethernet) Input/Output
|
| Media/Memory Card Slot |
Single Slot: CFexpress Type B [Record/LUT/Firmware]
|
Wireless
| Wi-Fi |
Wi-Fi 6E (802.11ax)
|
| Mobile App Compatible |
No
|
Format Support
| Video Format |
SDI (8/10-Bit 4:2:2) 8K Raw: 30 6K Raw: 30 4K Raw: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 2K Raw: 240/120/60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 HDMI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50
|
| Video Signal Conversion |
HDMI to SDI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50 SDI to HDMI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50
|
| Timecode Support |
Yes
|
Recording
| Pulldown Conversion |
2:2, 3:2
|
| Camera Trigger |
SDI, HDMI
|
| Pre-Roll Record |
Full HD: 8 Seconds 4K: 2 Seconds
|
| Encoding Formats |
Up to 4096 x 2160 ProRes 422, 422 HQ, HQ, LT, Raw, Raw HQ at up to 60 fps DNxHD 36, 145, 220x at up to 60 fps DNxHR HQ, HQX, LB, SQ at up to 60 fps H.265 HQ, LQ, MQ, SQ 8/10-Bit at up to 60 fps
|
| Phantom Power |
+48 V
|
Mounting
| VESA Mounting-Hole Pattern |
100 x 100 mm
|
| Tripod/Accessory Mounting |
Top 4x 1/4"-20 Female 2x 3/8"-16 Female Bottom 6x 1/4"-20 Female 3x 3/8"-16 Female Right 4x 1/4"-20 Female 2x 3/8"-16 Female Left 2x 1/4"-20 Female 1x 3/8"-16 Female
|
General
| Material of Construction |
Aluminum, Plastic
|
| Dimensions |
18.7 x 12.4 x 2.4" / 47.4 x 31.5 x 6.2 cm
|
| Weight |
15.7 lb / 7.1 kg
|