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Description
Blackmagic Design URSA Mini Pro 12K OLPF - CINEURSAMUPRO12KOLPF
URSA Mini Pro 12K OLPF is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new colour science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built-in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording directly to a flash disk or SSD using its built-in SuperSpeed USB‑C connection!
Blackmagic URSA Mini Pro OLPF
URSA Mini Pro 12K with OLPF has better detail handling for high-end feature films. It includes a 12K Super 35mm 80MP sensor, wide dynamic range, G5 colour science, revolutionary RGBW colour and in-sensor scaling.
Introducing the World’s Most Advanced Digital Film Camera!
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body. The combination of 80 megapixels per frame, new colour science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high-end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through posts from editing to colour, VFX and more!
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large-format IMAX. The incredible definition of objects makes it ideal for working with green screen and VFX including compositing live action and CGI. A super sampling at 12K means you not only get better colour and resolution at 8K but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analogue style of purity and subtlety to deliver a better-than-film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12-bit RAW workflows in 12K effortless. As an incredibly efficient next-generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi-camera shoot with only one camera. And it’s perfect for great-looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post-production instantly, without rendering, while retaining the full sensor’s colour accuracy.
Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW makes cinema-quality 12‑bit, 80-megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file sizes. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production.
Virtual Cinema Production
When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves colour and critical image detail for new levels of image fidelity.
Optimized for Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure and colour during post. Oversampling means you get an extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post-production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in 4K or 8K.
Generation 5 Color Science
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Mini Pro 12K sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!
Full Resolution at Higher Frame Rates
URSA Mini Pro 12K has multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
High Band Width Recording
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built-in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 120 fps!
Choose from Three Great Models!
Blackmagic URSA Mini Pro 4.6K G2
Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Includes features such as 3 x ND filters, Blackmagic RAW, USB-C external disk recording and more!
Blackmagic URSA Mini Pro 12K
Featuring a revolutionary 12K Super 35mm 80-megapixel sensor with generation 5 colour science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high-end feature film production.
Blackmagic URSA Mini Pro OLPF
URSA Mini Pro 12K with OLPF has better detail handling for high-end feature films. It includes a 12K Super 35mm 80MP sensor, wide dynamic range, G5 colour science, revolutionary RGBW colour and in-sensor scaling.
Easy to Use Blackmagic OS
With advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Revolutionary Lightweight, Portable Design
URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feeling while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4" fold-out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48-volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high-quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!
Built-in Precision ND Filters
URSA Mini Pro features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
USB-C for Direct Recording to External Disks
Blackmagic URSA Mini Pro features an innovative high-speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!
High-Resolution Monitoring and Camera Control
The built-in 4-inch fold-out touchscreen on URSA Mini Pro is a bright, high-resolution colour display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a "heads-up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads-up display by simply swiping up or down. The fold-out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!
Digital Slate for Fast Metadata Entry
URSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production-specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!
Full Size, Durable Connections that Work with Standard Cables
URSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48-volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4-pin XLR DC output for powering accessories such as a viewfinder and an HD‑SDI output for monitoring. That means you can connect an SDI display for on-set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12-pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera
Wireless Bluetooth Camera Control
If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam-sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
Includes DaVinci Resolve Studio
URSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.
Optional Shoulder Mount Kit
URSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built-in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick-release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!
High-Resolution Viewfinder for Accurate Focus
The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 colour OLED display with precision glass optics, adjustable diopter and built-in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built-in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built-in tally light!
Blackmagic URSA Mini Recorder
The new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5-inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing-fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery. It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder.
Compatible with Industry Standard Batteries and Power
URSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.
Super Tough Redundant Design
URSA Mini Pro has been designed to be the toughest and most fully featured camera available. Everything you need is built right in, so you don’t have to carry around a lot of extra production equipment. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field or on set, you’ll still have backup to get the shot! You get dual card recorders, battery and power, multiple screens plus interchangeable lens mounts, all built into a lightweight and super strong magnesium alloy body. URSA Mini Pro combines digital film image quality with a durable compact design that’s built for reliability, mobility and speed of use, so you can focus on being more crea
Strong and Lightweight Design
A handheld camera that’s tough enough for anything!
URSA Mini Pro features a super strong magnesium alloy body that makes it durable enough to use in the most extreme environments! The magnesium alloy also makes it lightweight and helps to keep the camera cool by piping heat into an exchanger that allows convection cooling and heat dissipation from the camera’s body. You get professional connections, an external display, a foldout touchscreen and 9 mounting points for adding accessories and building custom rigs!
External Controls at Your Fingertips
URSA Mini Pro has the most important controls on the outside of the camera body so you can quickly change settings without having to take your eyes off of the action. Control buttons, switches and dials are grouped logically, making them easy to remember while using a viewfinder. That means you’ll be able to use muscle memory to operate the camera without having to look at the buttons or hunt through menus! URSA Mini Pro combines the convenient design of a broadcast camera with the quality of digital film so you get the best of both worlds!
Bright LCD Status Display
View critical shooting information, even in broad daylight!
When you’re in the middle of a shoot, you need to be able to quickly check important shooting and status information even in broad daylight. The status screen on URSA Mini Pro features a bright status display that’s designed to be easily seen, with or without the backlight on. You can see the timecode, shutter and lens settings, battery, record status and audio levels at a glance. When shooting in a dimly lit environment, simply turn the backlight on to see the screen. When you’re outside, the backlight can be turned off for even more contrast, making it highly visible and crystal clear in broad daylight!
Interchangeable Lens Mount
Compatible with virtually all professional lenses!
URSA Mini Pro features a revolutionary, new interchangeable lens mount that lets you quickly switch between EF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. The URSA Mini Pro 12K comes standard with a PL lens mount and the URSA Mini Pro 4.6K G2 has an EF mount. Both models are compatible with EF, PL and F lens mounts, and URSA Mini Pro 4.6K G2 also works with B4 lens mounts. That means you can work with everything from high-quality photographic EF and F mount lenses to the largest cinematic PL lenses, and even B4 broadcast HD lenses, all with the same camera!
Built-in ND Filters
Filters designed specifically for URSA Mini Pro!
High-quality built-in neutral density (ND) filters reduce the amount of specific types of light entering the camera’s sensor. Designed to improve latitude and provide true colours, even in far‑red and infrared wavelengths, ND filters let you quickly adjust to changes in lighting conditions. This makes it possible to select different combinations of aperture and shutter angle to achieve a shallower depth of field or specific levels of motion blur. The built-in ND filters give you more creative options than ever and, because they’re built-in, you don’t have to carry extra filters with you!
Comfortable Shooting
Designed for handheld or shoulder use
URSA Mini Pro has been designed from the ground up to be comfortable enough to use all day and small enough to be taken anywhere! The weight is evenly distributed so the camera is balanced, making it comfortable to use for both handheld and over-the-shoulder shooting. The optional shoulder mount kit is designed to help support the camera, making it a natural extension of your body. There’s even a quick-release mount that lets you go from handheld to shoulder to tripod in seconds!
Foldout Monitor
Fold out LCD screen for on-set monitoring
The bright resolution fold-out screen gives you a built-in on-set monitor so you don’t have to carry around extra equipment! The monitor simply folds out and pivots up and down, making it super easy to shoot either down low or up high above the crowd. The screen features a wide viewing angle and displays crystal-clear images so that you can accurately check exposure, focus and framing. Instantly play back clips, even high frame rate slow motion shots, to make sure you get the perfect take then, when you’re ready to move to a new location, fold it in and go!
Advanced Touchscreen Interface
The world’s most intuitive and fastest-to-use digital film camera!
URSA Mini Pro features advanced operating software designed to make using your camera faster and more intuitive than ever! All important camera functions can be accessed with a single tap on the heads-up display, there’s an elegant digital slate that makes metadata entry a breeze, and a dashboard that uses simple tap and swipe gestures for record settings, monitoring, audio, camera setup, presets and LUTs. Everything is logically laid out so you’ll never waste time going through confusing menus and settings again!
CFast and SD Card Recorders
Non-stop recording using the media of your choice!
When it comes to recording, URSA Mini Pro has dual CFast 2.0 recorders and dual UHS-II SD card recorders, so you can choose the type of media that works best for your project! CFast cards are ideal for recording full-resolution, 12-bit RAW files. SD cards, which are inexpensive and commonly available, are perfect for recording Blackmagic RAW files at constant bitrate settings. When either a CFast or SD card is full, recording automatically continues onto the next one so you never have to stop shooting. URSA Mini Pro 12K can even record two cards simultaneously!
Professional Connections
All the connections you need for even the largest rig
Unlike compact cameras that require custom cables, URSA Mini Pro features industry-standard broadcast quality connections so you can use cables you already have! You get the latest 12G-SDI and separate HD-SDI video outputs along with 12V power for connecting electronic viewfinders. For audio, there are 2 XLR balanced analogue inputs with 48V of switchable phantom power for external microphones. URSA Mini Pro also includes a Hirose 12-pin lens control connector, LANC, a standard 4-pin XLR power connector, a USB-C expansion port and a URSA battery plate internal power connector that lets you mount battery plates on the rear of the camera.
Blackmagic Accessories
Optional accessories for customizing your camera
You can customize your URSA Mini Pro with genuine Blackmagic accessories that are designed to match and work perfectly with your camera. There’s a top mount handle that lets you carry the camera from the top so you can get shots low near the ground more easily. You can also add a microphone mount and a shoulder mount with an integrated quick-release plate for tripods that lets you instantly switch from shoulder mount to tripod. The optional Blackmagic URSA Viewfinder features an incredibly high-resolution display and precision optics that let you find perfect focus in all kinds of lighting conditions. You can even add the Blackmagic URSA Mini Recorder to your URSA Mini Pro 12K for longer recording to SSDs such as the new U.2 NVMe SSDs.
External Mounting Points
Use the widest range of accessories
When you’re doing professional work you want to make sure you can securely connect the things you need, like external microphones, large lenses, and more. URSA Mini Pro can be customized with standard 3rd party camera accessories including rails and matte boxes so you can build a custom rig that fits your production! There are standard ¼ inch threaded points positioned over the top and bottom of the camera to make it easy to add the things you need. The optional shoulder mount kit also includes a quick lock tripod mount so you can take your fully rigged URSA Mini Pro from the tripod to your shoulder in seconds!
SPECIFICATIONS
| Camera Features | |
| Effective Sensor Size | 27.03mm x 14.25mm (Super35) |
| Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |
| Lens Control | 12pin broadcast connector for compatible lenses and electronic control |
| via EF mount pins on optional EF lens mount. | |
| Dynamic Range | 14 Stops |
| Shooting Resolutions | 12,288 x 6480 (12K DCI) |
| 11,520 x 6480 (12K 16:9) | |
| 12,288 x 5112 (12K 2.4:1) | |
| 7680 x 6408 (12K anamorphic) | |
| 8192 x 4320 (8K DCI) | |
| 7680 x 4320 (8K 16:9) | |
| 8192 x 3408 (8K 2.4:1) | |
| 5120 x 4272 (8K anamorphic) | |
| 6144 x 3240 (6K Super16) | |
| 4096 x 2160 (4K Super16) | |
| 4096 x 2160 (4K DCI) | |
| 3840 x 2160 (4K 16:9) | |
| 4096 x 1704 (4K 2.4:1) | |
| 2560 x 2136 (4K anamorphic) | |
| Frame Rates | Maximum sensor frame rate dependent on resolution selected |
| Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. | |
| High Speed Frame Rates | 12K 17:9 full sensor up to 60 fps |
| 12K 2.4:1 up to 75 fps | |
| 8K DCI full sensor up to 120 fps | |
| 4K DCI full sensor up to 120 fps | |
| 8K 2.4:1 and 4K 2.4:1 up to 160 fps | |
| 6K Super 16 up to 120 fps | |
| 4K Super 16 up to 240 fps | |
| Built in ND Filters | Four position ND filter wheel with clear |
| 2-stop, 4-stop and 6-stop IR ND filters. | |
| Focus | Focus button triggers auto focus when using compatible lenses with focus servo |
| Touch and hold on LCD determines focus region and triggers auto focus. | |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment |
| on electronically controllable lenses | |
| iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode | |
| Scene average auto exposure in video mode. | |
| Screen Dimensions | 4 inch |
| Screen Type | LCD capacitive touchscreen. |
| Metadata Support | Automatically populated lens data from i/Technology with compatible |
| PL lenses and electronic EF lenses when using optional EF lens mount | |
| Automatic recording of camera settings and slate data such as project, scene number, take and special notes. | |
| Controls | Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
| Connections | |
| Total Video Inputs | 1 x 12G-SDI |
| Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |
| Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop |
| plus Iris and Focus control using compatible lenses. | |
| Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording. |
| 1 x USB Type-C for software updates. | |
| Audio | |
| Microphone | Integrated stereo microphone. |
| Built in Speaker | 1 x mono speaker. |
| Standards | |
| SD Video Standards | None |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50 |
| 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 | |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| SDI Audio Sampling | 48 kHz and 24 bit |
| Media | |
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots |
| 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. | |
| Alternative Media | 1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD |
| SATA SSD with optional URSA Mini Recorder. | |
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
| Supported Codecs | |
| Codecs | Blackmagic RAW Constant Bitrate 5:1, |
| Blackmagic RAW Constant Bitrate 8:1, | |
| Blackmagic RAW Constant Bitrate 12:1, | |
| Blackmagic RAW Constant Bitrate 18:1, | |
| Blackmagic RAW Constant Quality Q0, | |
| Blackmagic RAW Constant Quality Q1, | |
| Blackmagic RAW Constant Quality Q3, | |
| Blackmagic RAW Constant Quality Q5. | |
| Control | |
| External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control |
| 1 x 2.5mm LANC for lens and record control. | |
| Talkback and Tally | |
| Talkback | SDI Channels 15/16 and iPhone headset. |
| Live Tally Indicator | Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder. |
| Storage Features | |
| Storage Type | 2 x CFast 2.0 |
| 2 x SD UHS-II cards | |
| 1 x high speed USB-C expansion port for external media. | |
| Storage Rates | 12K Full Sensor - 12,288 x 6480 |
| at 24 frames per second. | |
| Blackmagic RAW 5:1 - 578 MB/s | |
| Blackmagic RAW 8:1 - 361 MB/s | |
| Blackmagic RAW 12:1 - 241 MB/s | |
| Blackmagic RAW 18:1 - 160 MB/s | |
| Blackmagic RAW Q0 - 289 to 1,156 MB/s | |
| Blackmagic RAW Q1 - 241 to 963 MB/s | |
| Blackmagic RAW Q3 - 145 to 722 MB/s | |
| Blackmagic RAW Q5 - 97 to 413 MB/s | |
| 8K Full Sensor - 8192 x 4320 | |
| at 24 frames per second. | |
| Blackmagic RAW 5:1 - 257 MB/s | |
| Blackmagic RAW 8:1 - 161 MB/s | |
| Blackmagic RAW 12:1 - 107 MB/s | |
| Blackmagic RAW 18:1 - 71 MB/s | |
| Blackmagic RAW Q0 - 257 to 642 MB/s | |
| Blackmagic RAW Q1 - 214 to 428 MB/s | |
| Blackmagic RAW Q3 - 107 to 321 MB/s | |
| Blackmagic RAW Q5 - 81 to 257 MB/s | |
| 6K Super 16 - 6144 x 3240 | |
| at 24 frames per second. | |
| Blackmagic RAW 5:1 - 146 MB/s | |
| Blackmagic RAW 8:1 - 91 MB/s | |
| Blackmagic RAW 12:1 - 61 MB/s | |
| Blackmagic RAW 18:1 - 40 MB/s | |
| Blackmagic RAW Q0 - 73 to 291 MB/s | |
| Blackmagic RAW Q1 - 61 to 242 MB/s | |
| Blackmagic RAW Q3 - 37 to 182 MB/s | |
| Blackmagic RAW Q5 - 25 to 104 MB/s | |
| 4K Full Sensor - 4096 x 2160 | |
| at 24 frames per second. | |
| Blackmagic RAW 5:1 - 161 MB/s | |
| Blackmagic RAW 8:1 - 107 MB/s | |
| Blackmagic RAW 12:1 - 80 MB/s | |
| Blackmagic RAW 18:1 - 53 MB/s | |
| Blackmagic RAW Q0 - 161 to 268 MB/s | |
| Blackmagic RAW Q1 - 107 to 214 MB/s | |
| Blackmagic RAW Q3 - 81 to 179 MB/s | |
| Blackmagic RAW Q5 - 54 to 161 MB/s | |
| 4K Super 16 - 4096 x 2160 | |
| at 240 frames per second. | |
| Blackmagic RAW 5:1 - 648 MB/s | |
| Blackmagic RAW 8:1 - 405 MB/s | |
| Blackmagic RAW 12:1 - 271 MB/s | |
| Blackmagic RAW 18:1 - 180 MB/s | |
| Blackmagic RAW Q0 - 648 to 1,618 MB/s | |
| Blackmagic RAW Q1 - 540 to 1,079 MB/s | |
| Blackmagic RAW Q3 - 271 to 810 MB/s | |
| Blackmagic RAW Q5 - 203 to 648 MB/s | |
| Software | |
| Software Included | Blackmagic OS |
| DaVinci Resolve Studio for Mac and Windows including activation key | |
| Blackmagic Camera Setup | |
| Blackmagic RAW Player | |
| Blackmagic RAW QuickLook Plugin | |
| Blackmagic RAW SDK | |
| Blackmagic RAW Speed Test | |
| Operating Systems | |
| Compatible with | Mac 10.15 Catalina, |
| Mac 11.1 Big Sur or later. | |
| Windows 10. | |
| Power Requirements | |
| Power Supply | 1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |
| External Power Input | 1 x 4 pin XLR port for external power or battery use. |
| 1 x 12 pin Molex connector on rear battery plate. | |
| Custom V-mount battery plate with D-tap +12V regulated output from camera. | |
| Power | Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |
| Accessories | |
| Optional Accessories | URSA Mini Pro PL, EF and F Mounts |
| URSA Mini Pro Shim Kit | |
| URSA Mini Shoulder Kit including top handle and extender arm | |
| URSA Viewfinder | |
| URSA Studio Viewfinder | |
| URSA Mini Recorder | |
| URSA VLock Battery Plate | |
| URSA Gold Battery Plate | |
| URSA Mini Mic Mount | |
| URSA Mini Top Handle | |
| URSA Handgrip | |
| Blackmagic Camera Fiber Converter | |
| Physical Specifications | |
| Length | 9.2in |
| Height | 5.78in |
| Width | 5.92in |
| Weight | 5.62lbs |
| Environmental Specifications | |
| Operating Temperature | 0° to 40°C (32° to 104°F) |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
| Warranty | 12 Month Limited Manufacturer's Warranty. |
WHAT'S IN THE BOX
1x Blackmagic URSA Mini Pro 12K OLPF Body
1x Turret dust cap
1x PL lens mount
1x Power supply
1x DaVinci Resolve Studio activation key
