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Description
Blackmagic Design URSA Mini Pro 12K Super 35mm 80 Megapixel Sensor Digital Film Camera PL Mount - CIEURSAMUPRO12K
FEATURES
- High-end feature film production camera featuring 12K Super 35mm 80-megapixel sensor
- 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body
- With 80 megapixels per frame at 60 fps in RAW, you can capture perfect stills and motion shots in a single camera at the same time
- Shoot up to 60 fps in 12K 12,288 x 6480 17:9
- Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new 12K sensor
- Ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD
- Dual built-in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port
- Interchangeable Lens Mount
- Built-in Precision ND Filters
- USB-C for Direct Recording to External Disks
- The built-in 4-inch foldout touchscreen on URSA Mini Pro is a bright, high-resolution colour display
- Digital Slate for Fast Metadata Entry
- Wireless Bluetooth Camera Control
Introducing the World’s Most Advanced Digital Film Camera!
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body. The combination of 80 megapixels per frame, new colour science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high-end still cameras.
You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS‑II SD card recorders, a SuperSpeed USB‑C expansion port and more. DaVinci Resolve Studio is included for creative control through posts from editing to colour, VFX and more!
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with the film including incredible detail, wide dynamic range and rich, deep colour. Perfect for feature films, episodic television and immersive, large-format IMAX. The incredible definition of objects makes it ideal for working with green screen and VFX including compositing live-action and CGI. A supersampling at 12K means you not only get better colour and resolution at 8K but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analogue style purity and subtlety to deliver a better-than-film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimised for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favourite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12-bit RAW workflows in 12K effortless. As an incredibly efficient next-generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi-camera shoot with only one camera. And it’s perfect for great-looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post-production instantly, without rendering, while retaining the full sensor’s colour accuracy.
BlackmagicRAW Fueled Image Capture
Only Blackmagic RAW makes cinema-quality 12‑bit, 80-megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file sizes. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production.
Optimised for Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure and colour during post. Oversampling means you get an extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post-production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in 4K or 8K.
Generation 5 Colour Science
Blackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Mini Pro 12K sensor. This delivers an even better colour response for more pleasing skin tones and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!
Full Resolution at Higher Frame Rates
URSA Mini Pro 12K has multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW, you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
High Band Width Recording
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built-in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!
Easy to Use Blackmagic OS
With advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Revolutionary Lightweight, Portable Design
URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feeling while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4" fold-out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48-volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high-quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!
Built-in Precision ND Filters
URSA Mini Pro features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
USB-C for Direct Recording to External Disks
Blackmagic URSA Mini Pro features an innovative high-speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!
High-Resolution Monitoring and Camera Control
The built-in 4-inch foldout touchscreen on URSA Mini Pro is a bright, high-resolution colour display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a "heads-up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads-up display by simply swiping up or down. The fold-out touchscreen also lets you use the incredible Blackmagic operating software so you get super-fast access to every camera function, digital slate for metadata management and more!
Digital Slate for Fast Metadata Entry
URSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production-specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!
Full Size, Durable Connections that Work with Standard Cables
URSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48-volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4-pin XLR DC output for powering accessories such as a viewfinder and an HD‑SDI output for monitoring. That means you can connect an SDI display for on-set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12-pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.
Wireless Bluetooth Camera Control
If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your remote camera control and digital slate solutions! Imagine building an app that can jam-sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
Includes DaVinci Resolve Studio
URSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.
* Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 - 12:1 compression range.
** Constant Quality setting Q1 storage rates quoted are indicative only, based on an 8:1 - 20:1 compression range.
*** Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 - 30:1 compression range.
**** Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 - 40:1 compression range.
Actual storage rates are entirely dependent on the image subject matter.
Incredible film quality features make URSA Mini Pro perfect for film, episodic television, commercials and even IMAX!
URSA Mini Pro 12K features a revolutionary new sensor that gives you the highest resolution image quality possible with an extremely wide dynamic range and a massive colour gamut. That makes it perfect for use on high-end feature films, television shows, music videos, commercials and even large-format IMAX productions. Its incredible image quality makes it the perfect “A” camera for the biggest Hollywood blockbusters, yet it’s still affordable enough for indie and documentary filmmakers. Plus, URSA Mini Pro models have traditional external controls and the features you need for amazingly detailed natural history, high-end promotional content and even multi-camera live production! URSA Mini Pro is the world’s first camera that gives you true digital film quality on any production!
Blockbuster feature films from a lightweight handheld camera!
URSA Mini Pro gives you uncompromising digital film quality that rivals cameras costing thousands more, along with a fully lossless post-production workflow with the included DaVinci Resolve Studio software. URSA Mini Pro models capture up to 15 stops of latitude and a super wide colour gamut that’s vastly larger than both Rec. 2020 and the P3 digital cinema colour space. Because URSA Mini Pro includes DaVinci Resolve Studio software, you get a huge workflow advantage when shooting feature films with URSA Mini Pro because you can go straight from the camera into DaVinci Resolve Studio for a fully native, lossless workflow that’s faster and higher quality than any other camera and post-production system!
Today’s dramatic television series are shot like feature films!
Episodic television production has moved to digital film! That’s because the only way to win viewers is to tell compelling stories with feature film-quality imagery. Producing episodic television is like shooting, editing, colour correcting and distributing a 1-hour film every single week. When time is short and budgets are tight, URSA Mini Pro is the only camera that can deliver the quality you need! Plus, the included DaVinci Resolve Studio software speeds up the workflow even more because it lets editors and colourists collaborate on the same project at the same time! That means you can spend more time being creative with your edit and your colour correction because they don’t have to happen separately!
Higher-quality images sell more products!
Whether you’re managing a global brand or part of a creative agency shooting ads, you need to make your product look amazing. That's why television commercials must be shot using digital film. With URSA Mini Pro, it’s now affordable enough for any brand to shoot on digital film, even smaller local "main street" brands. Plus, with the included DaVinci Resolve Studio software, you can use the same high-end post-production and colour correction software used in Hollywood to create a cinematic look that makes customers aware of the quality of your brand. Any product can benefit from the luxurious visual treatment that using URSA Mini Pro cameras and DaVinci Resolve colour correction will provide.
Capture revealing interviews with raw emotion
For cutting-edge documentaries, you need to create a level of trust and intimacy between the director and subject that simply isn’t possible with a large crew and intimidating camera rig. The lightweight and small size of the URSA Mini Pro makes it unobtrusive and perfect for capturing amazing nature shots and emotional interviews. You can go from tripod to handheld in seconds to instantly follow the story. With dual CFast or SD card recorders, you can keep recording because you can hot-swap full cards without stopping.
Get blockbuster film quality with an indie crew size
As an independent filmmaker, you have to balance creative vision with tight budgets, small crews and incredibly tight shooting schedules. Now, with URSA Mini Pro, you can get the quality, resolution and dynamic range of Super 35mm film in a compact design that’s perfect for single camera operators and small crews! Choose either EF, F or PL lens mounts so you can work with readily available photo lenses or professional cinematic lenses. You also get built-in monitoring, histograms, focus peaking, audio recording and more so you don’t have to rent additional, expensive equipment. That means you can operate as a single-person crew so you'll have more money to put back into the story on the screen!
Boost your band’s image with incredible production values
In today’s music industry, a high-quality music video can get posted online, go viral and turn an unknown, unsigned band into a superstar overnight! That means the production value of a band’s very first music video is critical to the perception and style of the band. URSA Mini cameras are perfect because they are true digital film cameras, affordable, and include everything you need to finish a great music video. You can even plug in more than one URSA Mini Pro into an ATEM live production switcher so you can shoot and stream your music video live. You’ll be able to capture the energy and excitement of the performance in front of a crowd, plus you’ll be able to shoot from multiple angles and in locations that would be impossible with a larger camera!
Improve any company’s image with cinematic production values
URSA Mini Pro lets you add cinematic production values to any corporate video at a fraction of the cost of any other camera! The combination of high-end digital film quality and traditional broadcast camera features lets you capture product launch videos, marketing videos and even multi-camera keynote presentations with ease. Even if you’re delivering HD, the oversampled 4K images from the camera eliminate aliasing artefacts to give you more clarity and detail, along with richer colour so you’ll be able to make more creative choices than ever when you’re editing and colour-correcting in post using the included DaVinci Resolve Studio software!
SPECIFICATIONS
| Effective Sensor Size | 27.03mm x 14.25mm (Super35) |
| Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |
| Lens Control | 12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |
| Dynamic Range | 14 Stops |
| Shooting Resolutions | 12,288 x 6480 (12K DCI) |
| 11,520 x 6480 (12K 16:9) | |
| 12,288 x 5112 (12K 2.4:1) | |
| 7680 x 6408 (12K Anamorphic) | |
| 8192 x 4320 (8K DCI) | |
| 7680 x 4320 (8K 16:9) | |
| 8192 x 3408 (8K 2.4:1) | |
| 5120 x 4272 (8K Anamorphic) | |
| 6144 x 3240 (6K Super16) | |
| 4096 x 2160 (4K Super16) | |
| 4096 x 2160 (4K DCI) | |
| 3840 x 2160 (4K 16:9) | |
| 4096 x 1704 (4K 2.4:1) | |
| 2560 x 2136 (4K Anamorphic) | |
| Frame Rates | Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 |
| fps supported. | |
| High Speed Frame Rates | 12K 17:9 full sensor up to 60 fps |
| 12K 2.4:1 up to 75 fps | |
| 8K DCI full sensor up to 120 fps | |
| 4K DCI full sensor up to 120 fps | |
| 8K 2.4:1 and 4K 2.4:1 up to 160 fps | |
| 6K Super 16 up to 120 fps | |
| 4K Super 16 up to 240 fps | |
| Built in ND Filters | Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters. |
| Focus | Focus button turns on peaking, auto focus available using compatible lenses. |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| Screen Dimensions | 4 inch |
| Screen Type | LCD capacitive touchscreen. |
| Metadata Support | Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
| Controls | Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours |
| Connections | |
| Total Video Inputs | 1 x 12G-SDI |
| Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |
| Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
| Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording. |
| 1 x USB Type-C for software updates. | |
| Audio | |
| Microphone | Integrated stereo microphone. |
| Built in Speaker | 1 x mono speaker. |
| Standards | |
| SD Video Standards | None. |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| SDI Audio Sampling | 48 kHz and 24 bit |
| Media | |
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external |
| media. | |
| Alternative Media | 1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder. |
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
| Supported Codecs | |
| Codecs | Blackmagic RAW Constant Bitrate 5:1, |
| Blackmagic RAW Constant Bitrate 8:1, | |
| Blackmagic RAW Constant Bitrate 12:1, | |
| Blackmagic RAW Constant Bitrate 18:1, | |
| Blackmagic RAW Constant Quality Q0, | |
| Blackmagic RAW Constant Quality Q1, | |
| Blackmagic RAW Constant Quality Q3, | |
| Blackmagic RAW Constant Quality Q5. | |
| Control | |
| External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |
| Talkback and Tally | |
| Talkback | SDI Channels 15/16 and iPhone headset. |
| Live Tally Indicator | Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder. |
| Storage Features | |
| Storage Type | 2 x CFast 2.0 |
| 2 x SD UHS-II cards | |
| 1 x high speed USB-C expansion port for external media. | |
| Storage Rates | 12K Full Sensor - 12,288 x 6480 at 24 frames per second. |
| Blackmagic RAW 5:1 - 578 MB/s | |
| Blackmagic RAW 8:1 - 361 MB/s | |
| Blackmagic RAW 12:1 - 241 MB/s | |
| Blackmagic RAW 18:1 - 160 MB/s | |
| Blackmagic RAW Q0 - 289 to 1,156 MB/s | |
| Blackmagic RAW Q1 - 241 to 963 MB/s | |
| Blackmagic RAW Q3 - 145 to 722 MB/s | |
| Blackmagic RAW Q5 - 97 to 413 MB/s | |
| 8K Full Sensor - 8192 x 4320at 24 frames per second | |
| Blackmagic RAW 5:1 - 257 MB/s | |
| Blackmagic RAW 8:1 - 161 MB/s | |
| Blackmagic RAW 12:1 - 107 MB/s | |
| Blackmagic RAW 18:1 - 71 MB/s | |
| Blackmagic RAW Q0 - 257 to 642 MB/s | |
| Blackmagic RAW Q1 - 214 to 428 MB/s | |
| Blackmagic RAW Q3 - 107 to 321 MB/s | |
| Blackmagic RAW Q5 - 81 to 257 MB/s | |
| 6K Super 16 - 6144 x 3240 at 24 frames per second | |
| Blackmagic RAW 5:1 - 146 MB/s | |
| Blackmagic RAW 8:1 - 91 MB/s | |
| Blackmagic RAW 12:1 - 61 MB/s | |
| Blackmagic RAW 18:1 - 40 MB/s | |
| Blackmagic RAW Q0 - 73 to 291 MB/s | |
| Blackmagic RAW Q1 - 61 to 242 MB/s | |
| Blackmagic RAW Q3 - 37 to 182 MB/s | |
| Blackmagic RAW Q5 - 25 to 104 MB/s | |
| 4K Full Sensor - 4096 x 2160 at 24 frames per second | |
| Blackmagic RAW 5:1 - 161 MB/s | |
| Blackmagic RAW 8:1 - 107 MB/s | |
| Blackmagic RAW 12:1 - 80 MB/s | |
| Blackmagic RAW 18:1 - 53 MB/s | |
| Blackmagic RAW Q0 - 161 to 268 MB/s | |
| Blackmagic RAW Q1 - 107 to 214 MB/s | |
| Blackmagic RAW Q3 - 81 to 179 MB/s | |
| Blackmagic RAW Q5 - 54 to 161 MB/s | |
| 4K Super 16 - 4096 x 2160 at 240 frames per second | |
| Blackmagic RAW 5:1 - 648 MB/s | |
| Blackmagic RAW 8:1 - 405 MB/s | |
| Blackmagic RAW 12:1 - 271 MB/s | |
| Blackmagic RAW 18:1 - 180 MB/s | |
| Blackmagic RAW Q0 - 648 to 1,618 MB/s | |
| Blackmagic RAW Q1 - 540 to 1,079 MB/s | |
| Blackmagic RAW Q3 - 271 to 810 MB/s | |
| Blackmagic RAW Q5 - 203 to 648 MB/s | |
| Recording Formats | Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata. |
| Software | Software Included |
| Blackmagic OS | |
| DaVinci Resolve Studio for Mac and Windows including activation key | |
| Blackmagic Camera Setup | |
| Blackmagic RAW Player | |
| Blackmagic RAW QuickLook Plugin | |
| Blackmagic RAW SDK | |
| Blackmagic RAW Speed Test | |
| Operating Systems | Mac 10.15 Catalina, |
| Mac 11.1 Big Sur or later. | |
| Windows 10. | |
| Power Requirements | |
| Power Supply | 1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |
| External Power Input | 1 x 4 pin XLR port for external power or battery use. |
| 1 x 12 pin Molex connector on rear battery plate. | |
| Custom V-mount battery plate with D-tap +12V regulated output from camera. | |
| Power | Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |
| Accessories | |
| Optional Accessories | URSA Mini Pro PL, EF and F Mounts |
| URSA Mini Pro Shim Kit | |
| URSA Mini Shoulder Kit including top handle and extender arm | |
| URSA Viewfinder | |
| URSA Studio Viewfinder | |
| URSA Mini Recorder | |
| URSA VLock Battery Plate | |
| URSA Gold Battery Plate | |
| URSA Mini Mic Mount | |
| URSA Mini Top Handle | |
| URSA Handgrip | |
| Blackmagic Camera Fiber Converter | |
| Environmental Specifications | |
| Operating Temperature | 0° to 40°C (32° to 104°F) |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
| Warranty | 12 Month Limited Manufacturer's Warranty. |
WHAT'S IN THE BOX
1x Blackmagic URSA Mini Pro 12K Body
1x Turret dust cap
1x PL lens mount
1x Power supply
1x DaVinci Resolve Studio activation key
