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Description
OSEE Lilmon 5 5.5-inch Touch Screen On-Camera 4K HDMI LCD Monitor
FEATURES
- HDR Monitor
- 1000 Nits Brightness
- Touch Screen With Swift OS
- Upload Custom 3D LUT
- Custom False Colour
- 4K HDMI Loop In And Out
- 178 Degree Ultra Wide Viewing Angle
- Lightweight And Portable
Designed for photographers, v-loggers, and content creators, Lilmon 5 HDR monitor doubles the brightness of typical entry level monitors to 1000 nits. It meets the minimum brightness requirement for outdoor shooting and seamlessly fits into a creative's workflow with its Swift OS touch screen, enhancing production efficiency.
Display Panel Designed for Outdoor Use
Lilmon 5 utilizes a dedicated 1000nits touch panel with low reflection, anti-fingerprint coating, and a high-efficiency backlight unit. This panel offers excellent outdoor visibility, 10-bit color precision, 1000:1 contrast ratio, standard D65 color temperature, and eliminates the need for a cooling fan. It ensures a crisp image for outdoor shooting, unlocking your creative potential in every situation.
Superb Image Quality
Lilmon 5 employs the same powerful color management engine as osee's high-quality field monitor. With 22 bits of internal processing, this color engine delivers precise color and tone rendering, enhancing fine shadow and skin tone details. Osee's HDR/LOG mapping technology accurately maps HDR/LOG signals from nearly all camera models to display panel, ensuring correct color and tone reproduction. Lilmon 5 also supports on-location calibration with X-Rite probes and osee specialized calibration software, guaranteeing color fidelity and preventing color drifting over time.
Efficient Workflow for Field Applications
Swift OS offers multiple customizable Mysets that streamline crucial footage checking tasks such as framing, exposure, and focus checking. Switching between different Mysets designed for specific checks is as simple as a single swipe, eliminating the need to dig into menus while shooting.
Reliable Build for On Set Life
Despite its lightweight design, Lilmon 5 features a sturdy polycarbonate housing with a built-in aviation aluminum skeleton. The 1/4'' screw holes are reinforced with metal and paired with anti-rotation pin holes, ensuring reliability on set.
Versatile for All Shooting Scenarios
Lilmon 5 can be easily mounted on any camera configuration using its torque-adjustable tilt arm or other hot shoe mountings. It can be powered by a Sony NPF battery at the back or a V/AB mount battery via an optional DC to D-tap cable. Its compact size and light weight make it ideal for use with gimbals. Additionally, the camera can be powered by its battery through the DC out port.
WHAT'S IN THE BOX
- 1x Lilmon 5 Monitor
- 1x Tilt Arm
- 1x Clean Cloth
- 1x QSG
- 1x Service Card
- 3x Replacement O-type Rings
- 1x 2 DC Port Covers
SPECIFICATIONS
| DISPLAY | |
|---|---|
| Panel Size | 5.5 inch |
| Aspect Ratio | 16:09 |
| Resolution | 1920 × 1080 |
| PPI | 400 |
| Brightness | 1000 nits |
| Contrast | 1000:01:00 |
| Colour Depth | 1.06G |
| Backlight | Edge lit |
| Viewing Angle | 178 × 178 |
| ENVIRONMENTAL | |
| Body | Polycarbonate (with aluminium plate built-in) |
| Item Weight | 220g |
| Shipping Weight | 500g |
| Dimensions | 144.0mm × 88.5mm × 24.4mm |
| Mounting Points | 1/4"-20 anti-rotation screw mount, 1× bottom and 1× right |
| Operating Temp | 0–40℃ |
| POWER | |
| Battery Type | Sony NP-F |
| Battery In | 6.2–16.8V |
| Battery Out | 5.0–8.4V |
| Power Consumption | 8.1W |
| VIDEO IO | |
| Input / Output | HDMI |
| RESOLUTION | |
| Signal Format | 4K: 4096 × 2160p (30 / 29.97 / 25 / 24 / 23.98) |
| UHD: 3840 × 2160p (30 / 29.97 / 25 / 24 / 23.98) | |
| 2K: 2048 × 1080p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98) | |
| FHD: 1920 × 1080p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98) | |
| 1080i (60 / 59.94 / 50) | |
| 720p (60 / 59.94 / 50) | |
| 480i / 576i / 480p / 576p | |
| DATA IO | |
| SD Card Slot | User LUT upload & firmware upgrade (FAT32 format, under 16GB) |
| Audio Jack | 3.5mm |
| Remote Jack | 2.5mm (for colour calibration) |
| CONTROL | |
| Backlight | Level 1–10 |
| Volume | Level 0–31 |
| Rotate / Mirror | Screen Rotate (0, 180, Auto), Image Rotate (0, 180), Mirror |
| Probe Location | Set to analyse before or after User LUT |
| Zoom | 1×–4× (precision 0.1×) |
| FRAME TOOLS | |
| Aspect | 9:16 (Phone), 4:5, 1:1, 4:3 (SD TV), 1.375:1 (Cinema), 16:9 (HD TV), 1.85:1 (Cinema), 2.37:1 (Cinema), Custom (1:3 – 3:1) |
| Safe | Action & Title |
| Centre | Cross / Hollow |
| Crosshatch | 2×2, 3×3 ... 9×9 |
| Anamorphic | 1.33×, 1.4×, 1.5×, 1.6×, 1.8×, 1.9×, 2× with magnify function |
| EXPOSURE TOOLS | |
| False Colour | Spectrum / Follow Camera / Custom |
| Zebra | Custom Tone 1 and Tone 2 |
| Waveform | Luma / RGB / Parade style, size, location, opacity & density adjustable |
| Histogram | Luma / RGB style, location, opacity & density adjustable |
| Vector Scope | Location, opacity & gain adjustable |
| FOCUS TOOLS | |
| Focus Assist | White, Red, Green, Blue; B&W background available |
| Peaking | Intensity 1–10 |