Fujifilm GFX ETERNA 55 Filmmaking Camera

Due to ship NOV 25.

FEATURES

Large-Format 8K Sensor, Variable ND
4K48 4:3 Open Gate, 6.3K24 Super 35
14.5-Stop Dynamic Range, Dual-Native ISO
Internal ProRes 422 HQ, H.265, Proxies
Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
5" 16:9, 3" 3:2 Touchscreen LCD Screens
20 Film Simulations, F-Log2/C 3D LUTs
FUJIFILM G and ARRI PL Lens Mounts
Ethernet, BLE with TG-BT1/ATOMOS AirGlu
CFexpress and SD Card Slots, USB-C Port

Fujifilm GFX ETERNA 55 – Large-Format Filmmaking, Redefined

The Fujifilm GFX ETERNA 55 marks Fujifilm’s first dedicated step into the world of filmmaking cameras – and it’s an impressive debut. At its heart lies a 44 x 33 mm GFX 102MP CMOS II HS sensor, with a diagonal of around 55mm – approximately 1.7x larger than a standard 35mm full-frame sensor. This larger format delivers exceptional dynamic range, stunning depth, and remarkable detail, giving filmmakers the creative freedom to craft truly cinematic visuals.

Backed by Fujifilm’s 90+ years of colour science expertise, the GFX ETERNA 55 offers beautifully rich tonal reproduction, natural skin tones, and exceptional latitude in post-production. Whether you’re shooting narrative film, commercials, or high-end content, this camera is designed to deliver a premium visual experience.

What really sets the GFX ETERNA 55 apart is its versatility. It boasts the world’s tallest large-format sensor ever used in a dedicated filmmaking camera, allowing you to choose between multiple shooting formats – GF Open Gate 4:3, GF 16:9, Premista, 35mm, and Super 35 – all without sacrificing resolution.

With its native G Mount and included PL Mount Adapter G, the GFX ETERNA 55 supports an extensive range of professional cinema lenses, giving DPs and filmmakers the ability to tailor their glass to the project.

In short, the GFX ETERNA 55 is a powerhouse for those who demand cinematic image quality, colour fidelity, and unmatched flexibility on set.

Innovative Image Expression

Internal eND: The camera boasts the world’s first electronically variable ND filter※3 compatible with larger-than-full-frame sensors, which achieves precise control, allowing seamless density adjustment from ND0.6 to ND2.1 in 0.015-step increments, or 2-7 stops in 0.1-stop increments.
OLPF: Features a new dedicated optical low-pass filter optimised for its large format sensor, adopting a four-point separation method to reduce moiré and ensure perfect colour accuracy.
Dual Base ISO: The camera has two base sensitivities, ISO 800 and ISO 3200 maximising dynamic range and ensuring clean shadows and highlight with minimal noise even when shooting in the most challenging of lighting situations.

Versatile Colour Pipelines

Film Simulation Modes: The GFX ETERNA 55 includes 20 “Film Simulation” modes, made famous by the X and GFX Series of cameras, to enable diverse visual styles. They can be used for monitoring on-set which still capturing a clean Log image, or the look can be baked into the footage for productions where speed of workflow is paramount
F Gamut C: The GFX ETERNA 55 supports both “F-Log2” and “F-Log2 C” colour spaces which both have dynamic range of 14+ stops. These allow capturing rich image tonality that take full advantage of the large format sensor, providing greater flexibility in post-production.
Film Simulation 3D LUTs: There are also 10 Film Simulation 3D-LUTs (compliant with ITU-R BT.709) for precise colour and tone adjustment of footage shot in F-Log2 and/or F-Log2 C. LUTs announced at launch include “ETERNA”, “ETERNA BLEACHBYPASS”, “PROVIA”, “Velvia,” and “ACROS” which will be available to download from Fujifilm’s website.
Customise the perfect shooting look: Up to 16 different 3D-LUTs, including Film Simulation LUTs, can be stored in the GFX ETERNA 55, enabling shooting while previewing the precise desired look.

Workflow Solutions Supporting Various Codecs and Improved Efficiency

Internal: the GFX ETERNA 55 supports Apple ProRes*4 422 HQ, Apple ProRes 422 and Apple ProRes 422 LT, as well as HEVC/H.265 and H.264. When shooting in Apple ProRes, the camera can also record Apple ProRes 422 Proxy.
External: The GFX ETERNA 55 can output 4:2:2 10bit uncompressed data and up to 8K/30P 12-bit video in RAW data via HDMI.Direct to Cloud: The camera supports Camera to Cloud so files can be uploaded directly to Frame.io and instantly shared with editing teams, greatly enhancing the workflow efficiency from shooting to editing.

Compact and lightweight body for functionality and operability

Small and lightweight: To support small crews and solo shooting, the camera weighs approximately 2.0 kg.
Versatile control: The front of the camera and the included handle feature a multi-function dial that can can control the focus, zoom, and iris of FUJIFILM GF lenses. When the dial is set to “ND”, it allows fine adjustment of the electronically variable ND filter’s density. 3-inch monitors have been placed on both sides to allow multiple users to simultaneously adjust and check camera settings.
Bright External Monitor: A bright 5-inch external LCD monitor with up to 2000 nits clearly displays footage even when shooting outdoors in bright sunlight. The touch-enabled LCD monitor features multiple adjustable angles, and quick-access customisable Function buttons.
Power: The GFX ETERNA 55 takes power through a dedicated V-Mount battery interface and also supports an internal removable NP-W235 battery. This allows for up to 30 minutes of shooting without an external battery. When replacing the external battery, power is supplied from the NP-W235 battery, enabling “hot swap”*5 functionality without restarting the camera.
Media: The camera is equipped with dual card slots supporting CFExpress™ Type B*6 and SD cards.

SPECIFICATIONS

Model name			FUJIFILM GFX ETERNA 55
CAMERA
Image sensor			43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Built-in ND filter			Electronic Variable ND Filter, 0.6(1/4)-2.1(1/128)
ISO Sensitivity (F-Log2 / F-Log2 C)	BASE ISO800		800 - 2500 (1/3 step)
	BASE ISO3200		3200 - 25600 (1/3 step)
			Automatically switches from BASE ISO800 to BASE ISO3200
Lens Mount			PL Mount FUJIFILM G mount (lever-lock type) when not using the supplied PL lens mount adaptor
Latitude			14+Stop（F-Log2 / F-Log2 C）
RECORDING
File formats		MOV	Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
	4K(4:3) OpenGate	File size	3840x2880
	Full width, full height	Frame rate	48p / 47.95p / 29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	DCI4K(17:9)	File size	4096 x 2160
	Full width	Frame rate	59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	4K(16:9)	File size	3840 x 2160
	Full width	Frame rate	59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	8K(17:9)	File size	8192 x 4320
		Frame rate	24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	8K(16:9)	File size	7680 x 4320
		Frame rate	29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	8K(2.76:1)	File size	8192 x 2968
		Frame rate	24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	6.3K(16:9)	File size	6382 x 3590
		Frame rate	29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	5.8K(2.39:1)	File size	5824x2436
		Frame rate	29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	5.4K(17:9)	File size	5440 x 2868
		Frame rate	29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	4.8K(3:2)	File size	4776 x 3184
		Frame rate	24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	4.8K(16:9)	File size	4776 x 2688
		Frame rate	29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	4.6K(1.38:1)	File size	4664 x 3380
		Frame rate	24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	4.6K(1.195:1)	File size	4040 x 3380
		Frame rate	24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	Full HD(17:9)	File size	2048 x 1080
		Frame rate	59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
	Full HD(16:9)	File size	1920 x 1080
		Frame rate	59.94p / 50p / 48p / 47.95p / 29.97p / 25p / 24p / 23.98p
		Bitrate	720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps
I/O
DC Input			4-pin AC-15VS AC power adapter (included)
Battery DC Input			V-Mount battery NP-W235 Li-ion battery (included)
DC Output			12V 3A 2-pin LEMO x1
SDI Output			BNC x1: 12G SDI OUT connector:max 4K59.94p 12G/6G/3G
HDMI Output			Type A x1
Audio Input			Internal scratch microphone ø3.5mm,stereo mini connector
Timecode Input			BNC x1
Genlock input			BNC x1
Remote			ø2.5mm connector
Lens			12-pin: Power supply 14V-0.5A
Lens Mount Hot Shoe			4-pin, supporting Cooke /i and ZEISS eXtended Data
LAN			RJ45: 1000BASE-T、100BASE-TX、10BASE-T
Digital Interface			USB Type-C®
Headphones			ø3.5mm, stereo mini connector
Storage media			SD Card (-2GB), SDHC Card (-32GB), SDXC Card (-2TB), UHS-I, UHS-II, Video Speed Class V90, CFexpress Type B Card (-2TB), SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
Wireless transmitter	Standard		IEEE802.11a/b/g/n/ac (standard wireless protocol)
	Encryption		WPA2, WPA3
	Access mode		Infrastructure mode
Bluetooth®	Standard		Bluetooth Ver. 4.2 (Bluetooth low energy)
	Operating frequency (Center frequency)		2402~2480MHz
Other			Handle connection terminal
			LCD monitor cable connector
GENERAL
Power Consumption			Standard power consumption：21W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1, excluding accessories other than the LCD monitor and handle. Maximum power consumption：49W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High, including accessories, DC OUT 12V not connected.
Operation Environment	Operating Temperature		-10℃~+40℃
	Operating Humidity		10%~80% (no condensation)
Weight	excluding battery and memory card		Approx 2.0kg
Dimensions	Width		110.8mm
	Height		138.2mm
	Depth		LCD
Accessories included			Li-ion battery NP-W235 AC power adapter AC-15VS AC cable Body cap Top Handle LCD Monitor + LCD Monitor hood + LCD Monitor arm PL-Mount Adapter
FUJIFILM FILM SIMULATIONS
Built-in simulation profiles			PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter / +R Filter / +G Filter, Black & White, Black & White + Ye Filter / +R Filter / +G Filter, Sepia